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The Best Ways to Fund Your Music Business: What Types of Music Business Funding Do You Require?

The Best Ways to Fund Your Music Business: What Types of Music Business Funding Do You Require?

It’s possible that owning a music business has been your longstanding ambition. But, regardless of the type of musical business you’re running, the unavoidable reality is that it’ll require a lot of ConsolidationNow money to make that goal a reality.

However, there are substantial financial disparities between these businesses—for example, the type of music business finance required to create a studio differs significantly from that needed to open a promotion or A&R company. However, the bigger your strategy is, the more money you’ll need to fund it adequately.

You’ll need to know about music business funding, depending on the type of firm you want to start and operate.

How to Raise Money for Your Music Business

Few industries are as fascinating or as innovative as the music industry. However, funding a music business typically requires significantly more capital than other businesses. If you want to create your recording studio, practice space, or take your brand to the top of the charts, you’ll need a shocking amount of music business funding.

Getting the correct form of small business loan for your musical enterprise, like any other business, relies on the type of project you’re working on. Some music industry firms require finances to rent or own a facility and furnish it with (sometimes costly!) equipment. In contrast, others may merely want working capital to go from venue to venue.

We’ve collected a list of some of the most prevalent music enterprises and the small business finance tools that can best assist them in getting started (or keep going).

Sales and Repairs of Musical Instruments

We’ve concentrated on music production, recording, and performance. However, we haven’t discussed another critical aspect of the music economy that keeps bands humming: selling and fixing equipment. Most artists desire or need to play more than one instrument at a time, and all of those instruments need to be tuned up from time to time. This ensures that musical instrument repair shops and technicians have a steady stream of new customers.

Starting an equipment store will have three essential expenses to consider: inventory, real estate, and payroll. You’ll also need to buy the equipment, tools, and raw materials to get your customers’ stuff operating again if you’re starting your own repair business. 

Financing for Musical Equipment Sales and Repairs at the Best Rates

Here are some music finance possibilities to consider if you’re selling or repairing musical equipment.

Invoice Financing

Both musical instrument stores and repair shops rely on customers to pay their bills on time. 

However, few clients in this profession can truly pay their invoices on time (after all, these are artists!).

This doesn’t imply that music store owners are out of luck. Invoice financing allows lenders to grant accepted borrowers a cash advance on the total amount of their invoices, allowing small business owners to keep their cash flow in check even if their customers don’t pay on time.

Financing for equipment

Instrument sales and repair firms can both benefit from equipment financing. Both necessitate the acquisition of machines and tools to sell or repair clients’ instruments, and these products aren’t always inexpensive.

Entrepreneurs can use equipment financing to help them buy the tools they need without putting up any security because the equipment they’re buying serves as collateral for the loan. 

This means you won’t have to worry about losing your property if you can’t pay back your loan.

Record Label

If you’ve ever fantasized about discovering the next big musical act or want to help a group of artists gain recognition, you’re definitely considering launching a record label. It can be challenging to do so, but the thrill of developing your own “Empire” can make all of the hard work (and expenses!) worthwhile.

It takes a lot of capital to start your label: When you scout for musicians, you’ll need to travel, finance the production of their songs, and pay for distribution across online and physical channels.

The Best Funding for Record Labels in the Music Industry

Here are your most significant financial alternatives if you run a record company.

Crowdfunding

The music industry has altered as a result of crowdsourcing, notably in music production. 

The cost of recording, mastering, and producing music is high. It can cost $20 or more to upload an album to Spotify or other music streaming sites, with physical CDs and vinyl editions costing significantly more. On the other hand, crowdfunding helps musicians cover these costs while also offering donors a value-add in support of their favorite performers.

Popular crowdfunding sites allow musicians to raise funds for their projects without going to traditional lenders or bankers, many of whom are wary of investing in musical acts due to the high risk involved in backing emerging talent. In exchange for special products, meet-and-greet chances, or early track releases, tapping into your following can provide you with the funds you need to produce new music.

Business credit card

Starting a record label does not necessitate a significant investment in equipment or raw materials. It would help if you simply had a corporate entity, an address, and a way to finance your piecemeal purchases while starting (such as airplane tickets, car rentals, or admission into clubs or concert venues).

A business credit card is the most convenient way to get music business funding for your company. You can probably get approved for a company credit card with a competitive APR if you have a solid personal credit history and few outstanding bills. You can maximize your credit spending and reinvest in your business if you use a card that gives you travel rewards or cashback on purchases.

Recording Studios and Rehearsal Spaces

Opening a rehearsal and recording studio may be a lucrative business venture—lugging gear to a friend’s dingy garage isn’t the same as practicing in a location with excellent acoustics. 

Musicians need rehearsal places and recording studios, especially in cities where limited space and neighbors are plentiful.

Opening a place like this is a terrific long-term business opportunity for entrepreneurs, but it comes with many equipment and starting costs. If you want to attract and maintain clients, you’ll need to supply rehearsal rooms with equipment, provide soundproofing, and make them feel comfortable. Even if you’ll recoup most of your costs as your location develops a reputation as a wonderful place to play and record, these upfront fees are often quite significant.

Phil Feinman, co-founder of Bedrock.LA, a Los Angeles rehearsal and recording studio, founded his business with his two business partners and a personal commitment from each of them. On the other hand, personal capital can only go you so far—at some point, you’ll almost certainly need a cash infusion in the form of a company loan.

The Best Funding for Rehearsal Spaces and Recording Studios in the Music Industry

Here are your greatest lending alternatives if you own a rehearsal space or a recording studio.

Business Line of Credit

If you run a rehearsal or recording studio, you’ll need financial flexibility to cover unforeseen repairs, significant purchases, and other expenses. Borrowers can get all of the above with a business line of credit.

You can borrow up to and including a particular amount of money with a business line of credit, all at a predetermined interest rate. You can take money out of that pool in any quantity you need, at any time—and, unlike a standard company loan, you’ll just pay interest on the money you use.

Financing for equipment

Look into equipment financing if you’re having trouble financing the equipment, you’ll need to start a rehearsal space or recording studio; these loans are specifically designed to assist borrowers in purchasing expensive equipment.

If you’re approved, your lender will advance the majority of the funds you’ll need to purchase your gear, and you’ll pay it back over time. And, unlike traditional loans, equipment financing is self-collateralizing, which means that if you default on your payments, your lender can repossess the equipment you purchased (and you won’t have to put up any additional collateral).

Venues for Music

Imagine building a venue that helps an obscure band get their big break or becomes the live-music destination for your local music scene. Finding the correct music business capital to open your dream venue, on the other hand, might be a challenge.

Obtaining money for a music venue is similar to obtaining funds for a restaurant or a bar. 

Each of these businesses requires substantial equipment, real estate financing, and inventory costs. You’ll also need to choose a space, lay out the stage and speaker system, and keep your bar stocked to open a music venue. That isn’t a stroll in the park.

Of course, any good music venue has many moving components, but that doesn’t imply it’s impossible to achieve. The type of finance you need for your music venue is primarily determined by which component of the venue you’re funding. 

Here are a few possibilities.

Recommended Music Venue Business Funding

As a music venue, these are your finest borrowing alternatives.

Small Business Administration (SBA) Loan

A Small Business Administration (SBA) loan can help you expand your space or acquire the funds you need to buy or rent a property if you have a few years of business operations under your belt, can demonstrate good cash flow, and have excellent personal credit. SBA loans are intended to assist small enterprises in obtaining capital. 

When the loan is less than $150,000, the SBA will guarantee up to 85% of the loan’s value; when the loan is more than $150,000, the SBA will guarantee up to 75% of the loan’s value. 

Banks are more willing to cooperate with small businesses with less of a financial track record because the SBA virtually guarantees repayment to the lender.

The SBA loan application process is extensive, and you’ll be required to complete numerous SBA forms (not to mention a list of SBA requirements to fulfill to be considered for a loan in the first place). You won’t find longer terms, greater capital amounts, or lower interest rates anyplace else if you’re authorized for an SBA loan so that you can expand or redesign your venue any way you choose.

Business Line of Credit

A line of credit gives venue owners access to cash on demand, usually at lower interest rates than credit cards. You can use a line of credit to buy raw materials such as food, wine, beer, and minor items such as power cables and signs. You can also use your line of credit on a rolling basis, which is far more convenient than applying for a loan every time you need money.

Financing for equipment

Regarding purchasing equipment for your venue, equipment finance is the best option. 

You can use equipment finance to buy PA systems, lights, sound and light boards, and restaurant and bar equipment.

These loans are self-collateralizing, which means you won’t have to put up any of your own assets to get approved. And, because equipment loans carry a lower risk for the lender, applicants with poor credit may have an easier time getting approved for them than standard small company loans.

Final Thoughts

Starting a music business involves several aspects, not to mention costs. But, at least in terms of music business funding, just because each has its unique set of standards doesn’t mean one is necessarily more difficult than the next.

There are a range of loans available to help entrepreneurs achieve specific objectives: the most important thing you can do is understand your personal and business finances and the aspects of your music business you need to fund. You can figure out what kind of music business finance you can get—and how to turn your musical aspirations into a reality.

Textures Album Review ⟋ RA

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Hagan – Textures Album Review ⟋ RA
  • A personal journey through the funky, soulful and West African sounds of the UK.
  • In 1324, Emperor Mansa Musa ventured out of the Kingdom of Mali to embark on a 4,000 mile pilgrimage to Mecca. He brought together poets, scholars and architects from around the world to return to Mali and enrich the empire with influences and ideas from other cultures, making the already large empire even greater. To find inspiration for Textures his debut album, South London DJ and producer Hagan embarked on a similar journey through his home country of Ghana, Brazil, Nigeria and South Africa to enrich a discography already impressive. The architects and inspiration he sought, however, were not to build temples or icons, but to create rich, impactful music. By stringing together amapiano, gqom, British funky and highlife across 11 vibrant tracks, Hagan creates a global sonic journey and transforms into a jack-of-all-trades in electronic music. Previous versions of Hagan, such as 2020 Waves PE were also dance floor oriented but occupied a distinctly urban space. On Textures there is an added distance to the music, which is more expansive, almost windswept, like the empty sprawl of a desert. On the “Kora Song (Sonix)” intro, floating hearts weave through the cracks of a bloody bassline, painting a rural, rolling landscape, while Jali Bakary Konteh’s delicate gasps steal the show. The orchestral and unifying climax “Royal Jama” samples a real life jama (where a group forms to perform chants), a shot of adrenaline with energizing chants and Prince Saka’s trumpet. It’s the most organic soundtrack on the LP, thanks in part to the way the sections were recorded outdoors in Ghana, with no wind protection. There is a distinct but irreplaceable rawness. Hagan is careful to acknowledge all of his diverse ideas and cultures that go into his music, with densely layered African instrumentation and vocal spots that tell stories from his past. “Welcome To Ghana” is a full-access tour through the country’s gritty underbelly and corrupt elite: “When Ghana be like America / We won’t kill them begging for a visa,” Bryte reflects, caught between the rural freedoms and economic entrapment that come with life in sub-Saharan Africa. He pays homage to South Africa’s influence on him with the amapiano swagger and tribal groove of “Sise Ntweni”, a lively fusion of post-apartheid club styles. Although this is a survey of African sounds past and present, Textures is also a heartfelt and personal reflection on family and faith. “Pray For Me” sees Ayeisha Raquel reach for the heavens – “Teach me to pray,” she implores over sunny guitar licks and a funky British backdrop, her gorgeous falsetto building in intensity with the instrumentation. The track brings the spiritual undertones of the LP to the fore, ending with a recording of Hagan’s grandmother dissecting the Biblefrom the book of Psalms. His musical background – playing drums in church – left him with a grand, almost ceremonial approach to much of the music he makes. “The rhythms I learned in church, I try to replicate in the songs I do now,” he said. Explain. “In my church, worship worship is very optimistic and it has an Afrocentric side to it.” In this interview with Africa in the newsHagan also explained how Textures was written through the prism of Ghanaian fishermen. “When the fishermen actually go out to sea, the conditions change in terms of waves, currents, etc., just like I bring in some really harsh bass lines. So that reflects how the conditions change in my music which, I would say, is very smooth.” Through these beats that cross the stereo spectrum and drop in and out within earshot, merging flavors from across the continent, Hagan has done something like a love letter to African music that has only made its own music more original, personal and powerful. Before TexturesHagan “made drums and bass the focal point of [his] He now has a new penchant for luscious melodies and new subtleties that transport listeners to new places. Venturing outside the UK to explore his roots, Hagan has amassed an empire of forward-looking African sounds, every slap of a talking drum or pluck of a cora embodying Pan-Africanism in its most powerful form.
  • Track list
      01. Kora Song (Sonix) 02. Pray For Me 03. Royal Jama 04. Welcome To Ghana 05. Pull Up 06. Sise Ntweni 07. Heart 08. My Love 09. Textures 10. Telha 11. Outro (Baffour’s Son)

Seductive Jamaican Reggae Roots electronic music: Suga Roy and the Fireball team release a new hit single that relates to masses around the world.

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“Pretty Lady” is a spicy and fun new single that will have audiences swooning and shaking at the mix of interesting and innovative musical blends accompanying creative lyrics.

Suga Roy & The Fireball Crew are an up and coming new band focused on creating authentic roots rock reggae with a fresh EDM twist. These upbeat musical melodies paired with incredibly deep lyrics are a welcome addition to a music industry saturated with similar types of musical genre productions. The artist wishes to present his roots to the world through the use of music to create a new space in music for artists who wish to differentiate themselves.

Suga Roy & The Fireball Crew, one of the earliest roots rock reggae bands in the musical world, are known for trying to create a music consortium that appeals to EDM listeners; giving them an uplifting, high-energy heartbeat they can willingly and completely lose themselves in. For them, music is the only sure way to create happiness and joy in a world that is mostly mired in all forms of disappointment.

“Pretty Lady” is a gorgeous new single from Suga Roy & The Fireball Crew, Conrad Crystal and Zareb featuring Brian & Tony Gold and Mikey Melody. It was produced by Kenroy Fisher for Truefriendsmuzik and Leroy Moore for Fire Ball Records. The single and music video was released on September 21, 2022 and is available for download and streaming on all electronic media platforms. This song is also a fun and adventurous new single that will make listeners feel good about themselves and their bodies. The scintillating tunes will put the audience in an upbeat mood.

The motivation for inspiring artists stems from a love of music and the satisfaction of knowing they can make music that uplifts music lovers and puts a smile on their faces and a sense of hope. Their main goal is to keep making good quality popular music. The members of the group say “By the sweat of your brow you will eat your bread” that is to say that with hard work you will reach your goal. Suga Roy & The Fireball Crew’s plan is to tour the world to promote their latest album “Love My Foundation” and this new single – “Pretty Lady”.

Stream the inspirational artist’s music on YouTube here https://www.youtube.com/channel/UC2UWnPM16gVQBpS7kk7DKbw. Follow the artist’s official social media page on Instagram for updates on the latest music. For interviews, reviews and / or collaborations, contact us via this email [email protected]

ON

Suga Roy and the Fireball Crew, Conrad Crystal and Zareb is a Jamaican Reggae Roots band that can best be described as the true modern element of authentic Jamaican roots reggae music. Their discography features an impressive catalog of work made with many singles and albums already completed and released worldwide. The band’s musical prowess has given them the opportunity to perform in places like Thailand, Europe and Japan, and recently toured Brazil in 2019.

Suga Roy and the team recently released their latest project which is a 14 track Reggae Roots album titled “Love My Foundation”. This album has already received 3 iTunes #1 plaques recognizing the quality and relevance of the album at a time when the search for authentic roots reggae music is necessary. It’s the band’s quirky character and entertaining musical composition that keeps listeners hooked on their music!

CONNECTIONS

Facebook: https://www.facebook.com/SugaRoyAndTheFireballCrew

Instagram: https://www.instagram.com/suga_royandthefireballcrew/

Twitter: https://twitter.com/sugaroyfireball

Youtube: https://www.youtube.com/channel/UC2UWnPM16gVQBpS7kk7DKbw

Media Contact
Company Name: Suga Roy and the Fireball Team
Contact person: truefriendsmuzik
E-mail: Send an email
Call: 800-983-1362
Town: kingston
Country: Jamaica
Website: https://www.facebook.com/SugaRoyAndTheFireballCrew

“E for Effort”: Oyinbo Groomsmen Dance to Wizkid’s Soko at Nigerian Wedding in Viral Video, Crowd Goes Gaga

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  • A video of oyinbo groomsmen dancing at a Nigerian wedding has caused an online buzz after going viral
  • In the trending clip, the group of men were dressed in Nigerian clothes as they opened with a dance floor with their steps
  • A number of Nigerians had some interesting things to say about their dance moves after the clip went viral

Nigerians are known to be great party rockers and a group of white men seem to have been influenced, passing by a video doing the rounds.

A clip has made the rounds online showing a group of Oyinbo groomsmen wowing the crowd with their dance moves at a Nigerian wedding.

In the viral video, the groomsmen opened the dance floor after performing choreography to Wizkid’s Soko.

Video trending oyinbo groom and groomsmen dancing to Wizkid’s song. Photos: @wizkidnews, @mr.ndze (Tiktok)
Source: Instagram

After the groomsmen lined up and did their thing, the oyinbo groom also joined them on the dance floor in his overflowing agbada to show off his own steps.

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The men’s dance moves seemed to impress the guests as they all cheered in excitement. The groomsmen also seemed to be having so much fun, from the way they were jumping around and showering the groom with money.

See the clip below:

Nigerians react to video of oyinbo groomsmen dancing to Wizkid’s song

The clip went viral online and Nigerian netizens shared their funny reactions. Read some of them below:

anih_chiamaka:

“Can they at least hold the line?? »

empressinteriors1:

“I’ll give them E for effort. Because in the name of ripe dodo, what the hell is that?”

princess_eko_11:

“The one in front came first then the Groom came second”

jj_joy_cee:

“It’s the groom coming out like a masquerade to me”

benyjomusic:

“Oyibo do you want to marry our sister or not? So dance as you think”

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kemdora:

“It’s only the one who knows what he’s doing… I don’t know what the others were doing”

savings_at_ease:

“You could tell they had so much fun”

Wizkid speaks out on the 2023 presidential election

Popular Nigerian singer, Assistantrecently shared his views on the politics of the country in an interview.

In conversation with The Guardian, the Grammy-winning artist explained that it was difficult to celebrate Nigeria’s independence in October, which also happened to be the month of the end SARS Memorial.

Also in the interview, the Star Boy talked about his plan for the upcoming presidential election. He said:

“I’m about to go crazy on their ass this election.”

Source: Legit.ng

Ben Neill will present FANTINI FUTURO in New York this week

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On Thursday, November 10, 2022 at 7 p.m., composer and instrumentalist Ben Neill will present his immersive electronic opera Fantini Futuro at the Basilica of St. Patrick’s Old Cathedral, located at 261 Mott Street in New York City. This one-night performance is also the premiere of the full opera presentation, as well as a benefit for the restoration of the historic church organs. Tickets range from $20-30 before processing fees and are available on Eventbrite: http://bit.ly/fantini22

Created by Ben Neill for the Mutantrumpet (his self-designed electroacoustic instrument), countertenor, baroque keyboards and interactive video projections, this fantastical piece is based on the music and life of early baroque trumpeter/composer Girolamo Fantini. Fantini himself was responsible for bringing the trumpet inside the hunt and from the battlefield to the realm of art music. Here, using an array of interactive technologies, Fantini is portrayed as a traveler through space and time through a synthesis of early music, minimalism and digital media performance. Its translocation of the trumpet from outside to inside is mirrored and reimagined by the futuristic Mutantrumpet V4, which extends the acoustic instrument into the virtual realm.

Including Neill, this interactive performance features GRAMMY-nominated countertenor Ryland Angel and Gwendolyn Toth, director of early music ensemble ARTEK, and recognized as one of America’s leading performers on early keyboard instruments. Bob McGrath of the Ridge Theater directs. Technical support for the performance was provided by Eastern Connecticut State University and Ramapo College in New Jersey.
Co-produced with ARTEK, Fantini Futuro received a grant from the New York State Council on the Arts in Film and New Media in 2022. A 2020 demonstration video of the Mutantrumpet V4, which debuted in Fantini Futuro, received over 800,000 social media views. media and has been shared thousands of times.

Composer/performer BEN NEILL (benneill.com) is the inventor of the Mutantrumpet, a hybrid electro-acoustic instrument, and is widely recognized as a musical innovator through his recordings, performances and installations. Neill’s music blends influences from electronic, jazz and minimalist music, blurring the lines between digital media and acoustic instrument performance.

Neill has recorded twelve albums of his music on labels such as Universal/Verve, Thirsty Ear, Astralwerks and Six Degrees. Performances include BAM Next Wave Festival, Big Ears Festival, Lincoln Center, Whitney Museum of American Art, Bing Concert Hall at Stanford, Getty Museum, Cité de la Musique Paris, Moogfest, Spoleto Festival, Umbria Jazz, Bang On A Can Festival, ICA London, Istanbul Jazz Festival, Vienna Jazz Festival and Edinburgh Festival, among many others. Neill has worked closely with many musical innovators including La Monte Young, John Cage, John Cale, Pauline Oliveros, Rhys Chatham, DJ Spooky, David Berhman, Mimi Goese, King Britt and Nicolas Collins. A longtime associate of minimalist pioneer La Monte Young, Neill conducts La Monte Young’s The Second Dream of the High Tension Stepdown Line Transformer concerts with an international brass ensemble and performs with Young in the Theater of Eternal Music Ensemble.
Neill began developing the Mutantrumpet in the early 1980s. Initially an acoustic instrument (a combination of 3 trumpets and a trombone rolled into one), he collaborated with synthesizer Robert Moog to incorporate electronics. In 1992, while in residence at the STEIM Research and Development Laboratory for New Instruments in Amsterdam, Neill made the Mutantrumpet fully computer interactive. In 2008, he created a new version of his instrument at STEIM, and returned there in 2016-17 to design Version 4.0 which made its debut in 2019 with Fantini Futuro. “Ben Neill uses a schizophrenic trumpet to create art music for the people.” – Wired Magazine

Countertenor RYLAND ANGEL (rylandangel.com) is a GRAMMY nominated artist with over 70 recordings of works by composers ranging from Bach, Händel, Monteverdi and Purcell to contemporary composers such as Gregory Spears and Tarik O’Regan to its active. Angel is also in high demand by opera companies and orchestras around the world. From English National Opera, Opéra National de Paris and Barcelona’s Gran Teatre del Liceu to New York Opera and Opéra de Saint-Louis, he has won acclaim for his “sparkling countertenor ‘ and his ‘painful sensibility’. Angel has also created roles in many world premieres, including Spears’ Wolf in Skins (Philadelphia), the title role in Tesla in New York written by Phil Kline and director Jim Jarmusch at the Hopkins Center, Dartmouth. Angel composed the score and sang the title song for the Warner Bros. documentary film The Mystery of Dante. He also appears on the soundtracks of the films Le Petit Prince, La Peau, Henry 4th, Machete and the PBS TV special Heavenly Voices.

GWENDOLYN TOTH (artekearlymusic.org/about/artists) is one of the few American conductors of historic ensembles and orchestras. Currently, she is the director and founder of New York’s virtuoso period instrument ensemble, ARTEK. Ms. Toth has also conducted at Sadler’s Wells Theater in London with the Mark Morris Dance Group; the Skylight Theater in Milwaukee; Kaye Playhouse, Merkin Hall and BAM in New York, and for the German Broadcasting System. She is recognized as an outstanding performer on early keyboard instruments, performing at early music festivals in Boston, Utrecht, Holland; and the Czech Republic and on radio networks in the Netherlands, Germany, France and on US National Public Radio. His discography includes a CD of Bach’s Goldberg Variations on the lautenwerk and a CD of organ works by Heinrich Scheidemann on the medium-toned organ of Zeerijp, Holland. In contemporary music, Ms. Toth has worked and recorded with eminent composers/performers such as John Cage, Rhys Chatham, Petr Kotik, Dave Soldier, Louis Andriessen and Elliott Sharp at BAM Next Wave Festival, The Kitchen, Bang we have Can Festival. , Cage Nachttage in Cologne, and others.

Director BOB McGRATH (ridgetheater.org) is co-founder and director of The Ridge Theatre. Mr. McGrath has conducted theatre, opera and ballet at venues including BAM, LA Opera, Lincoln Center, American Repertory Theatre, Carnegie Hall, BRIC, Kimmel Center-Verizon Hall with the Philadelphia Orchestra, Krannert Center, Vineyard Theatre, Arts at St. Ann’s, La MaMa ETC and The Kitchen. His productions abroad include Queen Elizabeth Hall (London), Cité de la Musique (Paris), Muziekebow (Amsterdam), Oi Casa Grande Theater (Rio de Janeiro) and De Singel (Antwerp). Bob has collaborated with composers, writers and conductors including John Adams, Gavin Bryars, Joseph Budenholzer, Mark Dion, Ben Katchor, Philip Glass, Michael Gordon, Neil LaBute, David Lang, Warren Leight, Mark Mulcahy, Ben Neill, Yannick Nezet-Seguin, Daniel Bernard Roumain (DBR), Susan Sontag, Robert Spano, DJ Spooky, Mac Wellman and Julia Wolfe. McGrath received three OBIE Awards for Directing, Best Production, and Sustained Direction.

Harry Styles | Harry Styles postpones three shows after falling ill

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Harry Styles pulled out of his Los Angeles gig just hours before taking the stage on Saturday (11.05.22) night.

The ‘As It Was’ hitmaker had already postponed his Kia Forum show on Friday (04.11.22) ‘due to illness in the band’, but on Saturday he revealed he was battling the flu and had no d he had no choice but to withdraw from his concerts scheduled on site that evening and the following two days.

He revealed on his Instagram story, “Towards the end of the show on Wednesday, I started feeling unwell and have been in bed with the flu ever since.

“I did everything I could to be able to sing tonight, but I’m leaving the doctor now and I’m devastated that it just isn’t possible.

“I’m sorry this news comes so close to show time, but it was my most sincere hope to be able to perform for you tonight.

“I know several of you have planned trips to LA to see the show, and that means the absolute world to me.”

The 28-year-old singer hopes to continue his tour later this week, as the postponed shows will now take place at the end of January.

He added: “Everything else will play out as planned. I can’t wait to see you then, and I’m so sorry. All my Love.”

This isn’t the first time Harry’s US tour has been cut short.

Last month, the “Music for a Sushi Restaurant” singer postponed the first of his six concerts in Chicago “out of an abundance of caution” when a member of his entourage fell ill.

A message from the United Center revealed at the time: “Out of an abundance of caution, tonight’s Harry Styles show on Thursday, October 6, 2022 at the United Center has been rescheduled to Monday, October 10, 2022 due to band/sickness. ‘crew.

“All previously purchased tickets will be honored for the new date. All additional show dates will be played as scheduled. An email from Ticketmaster will be sent directly to ticket holders with further information. (sic)”

In a later post, the venue confirmed that fans who received wristbands while in line could keep their seats for the new concert.

They clarified on their website: “Numbered wristbands given on Thursday, October 6 for the GA will be honored on the rescheduled date of Monday, October 10. Guests may line up in the previous order given as long as they arrive before 5:00 p.m. on Monday, October 10. Any numbered bracelets arriving after 5:00 p.m. will be placed in line after the last guest in line.

“The original numbered wristband must be presented on Monday, October 10 to be honoured. Guests without previous numbered wristbands will be placed in line after the last guest in line.”

Spotlight on a new artist: Gem FM and its “sonic boom” of vintage instruments

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Electronic/instrumental artist James Freeman may be relatively new to releases, but he’s already released an impressive number of releases since founding the “flexible musical entity” that is Gem FM. Since 2021, he has released four full albums and a handful of singles under the moniker. With a base in blues guitar and a ratatat-like the compositional style of analog and digital sound fusion, new sound Supersonic Detonation album shows him stepping up the electronic aspect of his style, with some interesting results.

During the production of the new album, my studio monitoring situation received a major technical upgrade. This has helped me enormously in refining my engineering and mastering efforts. I think Sonic Boom represents my best work to date when it comes to my mixing and engineering. That said, I recognize that there will always be room for improvement.

This update not only results in improved electronic production quality of work on Supersonic Detonation but in the creativity of songwriting and incorporating more dance elements than previous Gem FM works. This album goes far beyond a beat paired with a guitar, and Freeman says what was originally meant to be an EP has turned into a full, vintage-inspired concept album. 808 styling and EDM.

With titles like “SwagR”, “4banger” and “Slide on Down”, Freeman has certainly understood the EDM lingo. Listeners expecting some sort of punishing dubstep beat will need to expand their ideas of a “banger” soon enough, as we’re still very much in fusion territory. The electronic composition on most tracks, although much more prevalent than in previous iterations of Gem FM’s sound, is still there largely to showcase the instrumentals.

On “4banger,” for example, an 80s-style synthpop beat and new wave haromines serve as the basis for a floating panpipe line that flits across the staff, also accentuated by electronic manipulation. “Serrated”, meanwhile, has a kind of tropical rhythm with a digital synth of a sitar, played like a classic Beethoven piano and closer album “Slide on Down” has a kind of Zappa-like chaos that captures a great sense of musical play. Talk about merger.

Supersonic Detonation is the first album that doesn’t feature Freeman’s signature blues guitar in a meaningful way, and it shows that the artist is stepping out of his comfort zone. With this album, it’s clear that Freemand as Gem FM is ready to experiment even more with sounds, and given the diversity of their work already, “flexible musical entity” is indeed the right descriptor for this project.

Supersonic Detonation has not been released and can be streamed with the rest of Gem FM’s discography on Spotify and sound cloud.

Megan Thee Stallion Responds After Drake Suggests She Lied While Filming Tory Lanez in New Song

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Megan Thee Stallion tweeted on Friday that people should stop using her, allegedly shot by Tory Lanez for “weightThe “Savage” rapper’s flurry of tweets came after Drake appeared to accuse him of lying about the 2020 incident in his new song.

“I know I’m very popular, but y’all need to stop attaching weak conspiracy theories to my name in bars,” she wrote Friday.

She then blasted the male rappers, calling them “LAME.”

“Ready to boycott shoes and clothes, but the dog goes after a black woman when she says one of your homies abused her,” she wrote.

In Drake’s new song, “Circo Loco,” he says, “That bitch’s lying about to get shot, but she’s still a stud.” The lyrics appeared to reference Megan Thee Stallion’s allegations against Tory Lanez.

He also seemed to reference her graduation in another part of the song: “Shorty say she graduated, she ain’t learning enough / Play your album, track 1, ‘kay I heard enough .” Megan Thee Stallion graduated from Texas Southern University last December.

In her response, Megan Thee Stallion also turned her attention to the rappers’ fans, telling them to “remember” they supported men who stood with a man accused of shooting a woman.


Drake, 21 Savage – Circo Loco (Lyrics) by
Bring the music to life on Youtube

At the end of October, a judge Tory Lanez ordered be placed under electronic surveillance and house arrest pending trial on charges that he shot Megan Thee Stallion. She said Tory Lanez shot himself in the feet in Hollywood Hills after leaving a house party in 2020.

The trial is due to start on November 28 CBS Los Angeles Reporting.

Earlier this year, Megan Thee Stallion, whose real name is Megan Pete, said “CBS Mornings” co-host Gayle King that she was “scared” after the shooting and didn’t know if he was going to “shoot me and kill me”. She said that since the alleged incident her anxiety was worse, she found it difficult to trust people and found it difficult to hold a conversation longer than 30 minutes.

In the interview, she also addressed those who don’t believe she was shot.

“Like, I know this happened to me and I’d rather it be in court and have the facts come out and everything come out rather than having to plead my case,” she told King. . “I’m a victim… I’m not defending myself. Like, something happened to me.”

The dirty secrets of debt consolidation loans revealed

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If you are considering a debt consolidation loan, you need the advice of a financial mentor.

Things

If you are considering a debt consolidation loan, you need the advice of a financial mentor.

Rob Stock is a Stuff business journalist specializing in money and consumer issues.

ANALYSIS: The dirty secrets of debt consolidation loans have been revealed in documents sent to the government.

They can be interpreted as sending a clear message to borrowers who are considering taking out one: you are experiencing a financial emergency and need expert help.

A debt consolidation loan is a loan that people take out to pay off their other debts. The theory goes that one loan is easier to manage than multiple loans.

But if you are in debt, it may be time to question your own judgment and financial skills, and get free, independent advice from a budgeting service.

READ MORE:
* New rules on home loans force some people to turn to second-tier lenders
* Borrower complains after $41,500 turned into $59,500 during his jail term
* Retired banker protests banks’ ‘takeover’ of loans

The dirty secrets of debt consolidation loans have been exposed in submissions sent to the government by financial mentors from budgeting departments across the country opposed to plans to make it easier for lenders to sell.

Some mentors said they had never seen a debt consolidation loan that made things better for a borrower.

They said a typical trick of lenders was to refinance short-term debts into a single, longer-term debt consolidation loan, on which they could earn interest over a longer period.

Financial research website Moneyhub has compiled 12 credit card “sacred rules” that every cardholder should follow, if they don’t want to fall victim to easy and costly consumer debt.

Borrowers were charged new loan fees, and sometimes lenders sold them low-value loan repayment insurance, or waivers, which are like insurance, except they’re not covered by law. which are supposed to keep insurers honest and financially viable.

Mentors said unsecured loans were sometimes refinanced into debt consolidation loans secured by property, and not always the property of the borrower.

“We also see many debt consolidation loans secured by the assets of other family members. This has a huge negative impact on family dynamics and everyone’s mental well-being. We call it STD – sexually transmitted debt,” said Andrew Henderson and Charlotte Whitaker of the Dunedin Budget Advisory Service.

Collateral could be “clawed back” by lenders if borrowers do not repay.

Some mentors reported seeing interest-free debts such as buy now, pay later (BNPL) loans, family loans, some debt collection debts, education debts, health debts, electricity debts and even interest-free debts owed to the government refinanced into debt consolidation loans at higher interest rates.

Some mentors even claimed that “irresponsible” loans, granted to borrowers who could not reasonably be expected to repay them without suffering hardship, were converted into new loans through debt consolidation.

Under responsible lending laws, these irresponsible loans should be unwound, not sneakily converted into new loans.

The dirty secrets of debt consolidation loans have been exposed in submissions sent to the government by financial mentors from budgeting services across the country.

Things

The dirty secrets of debt consolidation loans have been exposed in submissions sent to the government by financial mentors from budgeting services across the country.

The mentors also said that sometimes the loans repaid by debt consolidation loans were on revolving loan facilities like BNPL accounts, credit cards or store cards.

These accounts were not always closed, and vulnerable and desperate households ended up having access to even more debt.

Henderson and Whitaker said, “In our view, a debt consolidation loan is not a loan, but a product used to achieve client betterment.”

Where it worked, it worked with low-interest, interest-free debt consolidation loans from nonprofit lenders like Ngā Tangata Finance and Good Shepherd, they said.

Lenders simply saw it as another way to keep whānau in debt, for a longer period, with collateral and no other options, they said.

The unequivocal conclusion is that debt consolidation should be approached with extreme caution.

GOLDEN RULES:

  • Debt consolidation loans are a symptom of financial distress
  • Beware of the Dirty Tricks of Debt Consolidation
  • Get independent advice

Kelsea Ballerini | Kelsea Ballerini to co-host the 2023 CMT Music Awards

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Kelsea Ballerini will return to co-host the 2023 CMT Music Awards.

The Country Music Awards will take place on April 2, 2023, broadcast live from the Moody Center in Austin, Texas for the very first time.

Additionally, Carrie Underwood has been confirmed as a performer at her on-site concert on Wednesday (02.11.22).

Margaret Comeaux, John Hamlin, Leslie Fram and Jason Owen, executive producers of the awards, said in a statement: “Austin and Nashville are two of the greatest music cities in the world and we couldn’t be happier to announce the return of CMT. Music Awards on CBS only with co-host Kelsea Ballerini surprising Carrie Underwood, our most awarded artist, in the middle of her incredible live performance at the Moody Center – the exact place where we’ll all be back exactly five months from now. ‘today !

“Our fans are in for an unforgettable musical night with plenty of surprises as Live Music Capital meets Music City for the first time on a national stage in what will be a true country music spectacle.”

Tom Noonan, President and CEO of Austin CVB, added, “We are beyond excited to host the CMT Music Awards at the Moody Center in 2023! This event will not only have a huge financial impact on Austin and its tourism industry, but it will showcase two of the biggest brands in music in the world, Austin as the Live Music Capital of the World and Country Music Television. »

Due to a positive COVID-19 test, Kelsea was forced to co-host this year’s ceremony from home, with Kane Brown and Anthony Mackie on the court.

She said at the time: “The amazing CMT team and my team bought part of the CMT set from my home in my little bubble and put it where I can still host and play.

“It’s definitely not what we expected or planned, but we’re doing our best. … Let’s make lemonade together with these very bitter lemons.”

Dance Music Makes Up Over 25% of UK’s Top 10 Tracks of 2022 – EDM.com

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The results are in: the UK loves electronic dance music.

In fact, they love dance music so much that it makes up more than 25% of the country’s top 10 tracks this year, according to a new report from recording industry trade group BPI. The report concluded that the genre is second only to pop music, which can arguably be classified as dance these days.

The BPI report suggests that 26.1% of all tracks in the Top 10 UK singles this year are considered dance music. This is an 80% increase from 2021.

“Britain has always excelled in dance music, so it’s gratifying that the genre’s renaissance is being fueled in part by local talent, including groundbreaking artists LF System and Eliza Rose, who have both spent several weeks at number one on the Official Singles Chart this year,” BPI chief executive Geoff Taylor said in a statement. “It’s fascinating to see how other genres such as hip-hop and pop translate into dance and to see the dance music embraced by global superstars Drake and Beyoncé.”

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Here are the top 10 titles in the UK this year:

1. Lost Frequencies & Calum Scott – “Where Are You Now”
2. LF system – “Fear of feeling”
3. Belters Only – “Make Me Feel Good” (featuring Jazzy)
4. Jax Jones – “Where Have You Been” (with MNEK)
5. Luude – “Down Under” (feat. Colin Hay)
6. David Guetta, Becky Hill and Ella Henderson – “Crazy What Love Can Do”
7. Bad Boy Chiller Crew – “BMW”
8. Beyoncé – “Break my soul
9. Eliza Rose and the Interplanetary Criminal – “BOTA (Badest of All)”
10. Tiesto and Ava Max – “Currency

Song You Need: The strange electronic rock of Miss Grit’s “Follow The Cyborg”

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The scammers pose as FADER staff members on Instagram and DistroKid. Learn more here.

FADER’s “Songs You Need” are the tracks we can’t stop playing. Come back every day to discover new music and follow our Spotify playlist.

Since their debut in 2019 with the EP speak speak, Miss Grit’s ability to bring a raw, cerebral sensibility to electronic pop music has grown exponentially. Based in New York, Korean-American born musician Margaret Sohn will release her debut album Follow the cyborg on February 24 via Mute. Today they give us another glimpse of their exciting progression with the album’s title track.

“Follow the Cyborg” has Laurie Anderson’s shimmering, dryly dazzling flair and Robyn’s urgent dancefloor throbs, tied together by a fiery knot of muddy guitar riffs. It’s a song designed to be felt deep within his bodily form, a stark contrast to his lyrics, which take on the rambling style of a robot who learned English through fashion magazines. “Cause I was born to pose,” they sing, “Oh, I was born with clothes / I’m a living girl / A real living girl / Your real living girl.”

Superficiality soon gives way to more positive ruminations: loneliness, gender identity, and the soul are some of the themes, and at times, it feels like a spambot in existential crisis. It’s easier – and in some ways more appealing – than ever to feel like an automaton; on “Follow the Cyborg”, Miss Grit searches for life in strange places and returns with a gem as bright as a disco ball that goes supernova.

©2022 The Fader, Inc. All rights reserved.

Best Business Debt Consolidation Loans of 2022 – Forbes Advisor

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To consolidate your business debt, take out a new business loan and use the funds to pay off your existing debt from credit cards and other loans. This merges all your debts into one loan with one monthly payment, often with a lower interest rate and more favorable terms, depending on your creditworthiness.

There are several ways to consolidate business debt, but business debt consolidation loans and balance transfer credit cards are the most common methods.

Commercial debt consolidation loans

Commercial debt consolidation loans are available from traditional financial institutions and online lenders. Some lenders specialize in debt consolidation while others provide general business loans that you can use for a variety of purposes.

Depending on the lender, business debt consolidation loans can have lower interest rates than other business loans, making them an attractive option for businesses that want to lower the cost of their debt.

Business credit cards with balance transfer

Business credit cards with balance transfer involves transferring balances from existing business credit accounts to a new credit card with a lower interest rate. As with consolidation loans, this can be an effective way to reduce the cost of your debts, especially if you qualify for a 0% APR introductory period. To take advantage of these benefits, you must pay off the entire debt balance before the end of the 0% interest period, and you may be required to pay a balance transfer fee.

BTS | BTS star RM is preparing to release his first solo album

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BTS’ RM is gearing up to release their first solo album.

After a report from JTBC News claimed the LP would arrive on November 25, Big Hit Music confirmed that a disc is on the way but did not offer a release date.

The label confirmed to Korea JoongAng Daily, “RM will be releasing a solo album and is currently in the works.”

The 28-year-old rapper has released two mixtapes, 2015’s “RM” and 2018’s “Mono.”

RM recently teamed up with fellow Korean Balming Tiger on the track “Sexy Nukim.”

Just last week, RM’s bandmate Jin released his Coldplay-assisted solo single, “The Astronaut.”

After the K-Pop boy band collaborated with Chris Martin and co on the mega-hit ‘My Universe’ on the group’s 2021 LP ‘Music of the Spheres’, the 29-year-old star has teamed up with the hitmakers’ Yellow’ for writing his last solo track.

As well as adding to the lyrics, Coldplay performs on the track and Chris plays a news anchor in the accompanying music video.

J-Hope, 28, released his first solo album, “Jack In A Box,” in July.

BTS’ management team previously clarified that the group is not taking a break despite working on solo projects.

It was reported that the South Korean boy band – completed by Suga, 29, V, 26, Jimin, 27 and Jungkook, 25 – were breaking up and reuniting “one day”, but their representatives insisted on the fact that their remarks were poorly translated.

A statement from their agency HYBE said: “The group will remain active as a team while embarking on an individual journey to pursue personal growth. [They] allow themselves to express their individuality through the release of solo albums and collaborations with other artists.”

HYBE’s parent company Big Hit Music added, “BTS is now embarking on a new chapter with new solo projects as well as group projects. The members will take this time to grow personally through various new activities, and we expect this will further strengthen the foundations of the group in the long run as a team. Big Hit Music will actively support artists.

Para Presents launches a brand new label with its first compilation

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The team behind DC-based promoters Para Presents plans to expand their project even further with the launch of their own record label.


The Washington, D.C.-based collective known as Para present have been bringing underground bass music to their town on a regular basis for the past two years. They brought everyone from Alix Perez, Khivaand resonant tongue at His Termion, kursa, mad zachand more to play on the internal Funktion-One system at Flash Club DC. Now, the team behind Para Presents are about to embark on the next chapter of their project with the launch of their own label alongside their series of events. With their love and dedication to the underground, there is no doubt that this new footprint will allow them to bring more and more budding artists into the spotlight.

Following their official launch party last week with artists from the new label, Para Presents released their first release, a 12-track compilation to launch the new venture. Released on Halloween, the project lives up to its name paranormal sounds and features a variety of smaller artists, both based on the East Coast and beyond. Whether you like deeper dubstep, experimental styles or drums and bass, there’s something for every bass music fan in the collection.

Our label will cover all sects of electronic music, but it will always be about pushing the culture and elevating the underground. Do not distort it; stream/download our tracks and keep it locked. we have just started.

Para present

Tracks of Morphic, sniperand Summary contribute to the overall heavy dose of funk-style bass you’ll find on the first volume of paranormal sounds. Also, tunes like His Raychill‘s”Holy Cup” add some deep dubstep into the mix, while Spades and zejibo bring fresh drum and bass refreshment to “U-turn” and “4am.” Based on this incredibly comprehensive first release, we’re excited to see what else Para Presents has in store for us as they continue to elevate the Underground.

Paranormal Sounds Vol. 1 is available everywhere, so head over to Spotify to listen for yourself and be sure to let us know your thoughts on the compilation at Twitter!

Flow Paranormal Sounds Vol. 1 on Spotify:


Paranormal Sounds Vol. 1 – List of tracks:

  1. ArkZen – Chains
  2. BadKidsGoodPeople – Butterfly Knife
  3. sniper crawdad – Skeleton Goo
  4. Dizzy! – Cursed City
  5. Half TURN – Spades
  6. MASTA PLAN – Microphone check
  7. Morphic – Arcanorum
  8. Raychill Sound – Sacred Cut
  9. Shreztah & Ramblur – Breakfast Bop
  10. Sumantic – Arctor
  11. togeki and its raw – Market Street
  12. zejibo – 4am

Follow Para Presents on social media:

Facebook | Twitter | Instagram | SoundCloud

Osutin Holds Nothing Back on “Let It Rip”

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Arizona-based artist Osutin adds ruthless additions to techno and shatters the arsenal with his new EP, let it ripavailable now on Teethy!


Osutin is back with another absolute EP, featuring four club-ready breaks and techno tunes that prove to us that he’s always ready to light up the dance floor. Hailing from Arizona, this DJ and producer has a solid balance between classic electronic sounds and unique sounds. The latest version of Osutin, let it rip, brings a good diversity of sounds, capitalizing on its acid-etched synths in some tracks, while other tracks put more emphasis on driving percussion and its integration with rhythmic synth patterns. Since this is the third version of Osutin that lands on Teethit looks like more tech heaters are on the way!

The first track, “All Gasgets everyone off to a good start – Osutin really lets it go from the jump. The vocal sample comes out towards the start, pumping you up for the guaranteed momentum throughout the melody. Creative kick rhythms are paired with buzzing static hats to ensure your feet are moving as the synth effect packs enough melody to shake the system. Overall, this track aligns with Osutin’s own descriptions of his productions; “Body music, all gas, no brakes.

In “Break it down“, Osutin returns with immediacy, using classic four-on-the-floor drum patterns to warm up your body before launching into hammering, acid-etched synth effects that modulate throughout the melody. the energy in this one, Osutin then uses detuned synths and drum breaks to serve as a reprieve before dragging you straight back into dizzying synth schemes.

Starting with some classic stab house chords, the EP’s title track, “let it rip”, brings a more technical touch to the dancefloor. The drum pattern breaks the norm enough to give an uneven ripple, providing a swinging base to the monstrous arpeggiated synth line in the first break. Drum breaks give some room in the melody for more synth effects to run through the atmosphere, while a warm, sweeping bass lets you groove.

Don’t sleep on the last track of the EP – “Thought control” uses a mesmerizing vocal sample alongside grinding beats to capture your attention. The variability between tight rhythms, multiple layers of synth, and punchy bass make this massive tune a great ceiling for the release as a whole.

Take your copy of let it rip on Beatportstream the EP below on Spotify and let us know what you think of the music on Twitter!

Osutin flow – let it rip on Spotify:


Osutin – let it rip – List of tracks:

  1. let it rip
  2. All Gas
  3. Break it down
  4. Thought control

Follow Osutin on social media:

Website | Facebook | instagram | SoundCloud

Netflix’s ‘Take 1’ Review: A Showcase of Performances by South Korea’s Most Legendary Music Artists | new university

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“What if you only had one chance to put on a perfect performance before you die?” That’s the question a cast of renowned South Korean musicians must answer in Netflix’s new show “Take 1” which premiered on October 14.

The list of musicians involved includes Sumi Jo, Lena Park, girl group MAMAMOO, Jung Ji-hoon, sibling duo AKMU, You Hee-yeol, and Yim Jae-beom. Each episode focuses on a specific artist or group and films the editing operation of their own respective show before presenting the finished product.

Artists have only one requirement: they must do everything in one take. A daunting task indeed, but the seven performers featured in the heartfelt docuseries display their thought processes and emotions to pull off the most important performance of their lives.

To make things even more nerve-wracking, they are given a clock that marks the hours until the show is due to go on. If difficulties arise – such as technical or clothing malfunctions – artists must continue to perform as they are.

For some, it’s an opportunity they’ve been waiting for. For others, it was a career rebirth that had an emotional impact on their mental state.

One of the more eccentric performances was in the second episode, which was about brother-sister duo AKMU. The siblings debuted in 2014 under YG Entertainment and quickly rose to fame. When presented with the challenge, Lee Chan-hyuk – the group’s brother and lyricist – already had a concept in mind. “I had this image as soon as I heard the question,” Lee said. “Two hundred dancers wear sunglasses. Lasers. A Trojan horse. Something like an airplane. He concluded that this concept would be better executed if they performed their hit song “NAKKA,” which was a collaboration with idol IU.

Surprisingly, Lee’s ambitious vision – excluding the horse and the lasers – came to fruition with the help of director Seo Young, choreography director Hong Se-jung, 200 background dancers and a set of paratroopers who were all part of the project. Instead of performing in front of a live audience, AKMU decided to capture their presentation as a music video for a more stylized approach. “To be honest with you, it’s up to me to watch. I don’t care what anyone says about my performance,” Lee said.

Picture from Netflix

Unlike the electronic pop vibes of “NAKKA,” “Take 1” features a variety of musical genres like opera and soft rock. Most notably, Yim Jae-beom – who is revered as South Korea’s best singer due to his powerful ballads – was overcome with tears returning to the stage after a six-year hiatus in the third episode.

After his last performance in 2016 and the death of his wife in 2017, Yim lost motivation to sing.

“Those with similar experiences would understand that it’s not something you can easily overcome,” Yim said. “So I always feel depressed and lonely.”

Yim didn’t have a particular idea in mind, but he knew he wanted his performance to uplift others. It was then that he realized he would invite freelancers and first responders affected by COVID-19 to his show as a gesture of gratitude for their service.

His rendition of his hit “This, Too, Shall Pass” was performed on the roof of an old apartment complex to mimic current tribulations, despite the building being under renovation. Yim wanted it to reflect the intimacy of the performance. However, it may also have been a symbol of rebuilding hardship into prosperity.

“[The song] gave me so much comfort. I’m glad it gave us the strength we needed to keep going,” said an audience member.

“Take 1” is quite different from the usual K-Drama, movies or variety shows Netflix usually produces from South Korea. It’s a breath of fresh air to see the dedication and sincerity the artists put into their performances.

By limiting the number of takes the singers had, it allowed them to think critically about the impression they wanted to leave if they were successful. In interviews with contestants, many of them were less concerned about putting on a huge show. Instead, they focused on creating an experience that reflected who they are as musicians and the obstacles they’ve endured in life.

MAMAMOO used their performance as a reflection of their career. From their humble beginnings on the streets to selling out huge concert halls, the ladies wanted to pay tribute to their fans for being with them since their debut.

When guests arrived at the show, they received a napkin with a special hand-written message and exclusive Polaroids from the band. “We wrapped every gift ourselves,” one member said warmly. “These are photos you can’t get anywhere else. So they mean a lot to us,” another member said.

These musicians showed their passion for music, not for fame or fortune. Although each episode is around 50 minutes or more, viewers understand the days that went into making sure the performances were flawless.

Although there is no clear announcement of a second season yet, “Take 1” is one of those shows that leave viewers wanting more. It’s a great series that makes you think about the positive influence they want to leave behind.

Julissa Ramirez is an Arts and Entertainment Intern for the Fall 2022 term. She can be reached at [email protected].

FANTINI FUTURO Immersive Electronic Opera announced at Old St. Patrick’s Cathedral Basilica on November 10

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This one-night performance is also the premiere of the full opera presentation, as well as a benefit for the restoration of the historic church organs. Tickets range from $20-30 before processing fees and are available on Eventbrite: https://cloud.broadwayworld.com/rec/ticketclick.cfm?fromlink=2206272®id=52&articlelink=https%3A%2F%2Fbit .ly%2Ffantini22?utm_source=BWW2022&utm_medium=referral&utm_campaign=article&utm_content=bottombuybutton1

Created by Ben Neill for the Mutantrumpet (his self-designed electroacoustic instrument), countertenor, baroque keyboards and interactive video projections, this fantastical piece is based on the music and life of early baroque trumpeter/composer Girolamo Fantini. Fantini himself was responsible for bringing the trumpet inside the hunt and from the battlefield to the realm of art music.

Here, using an array of interactive technologies, Fantini is portrayed as a traveler through space and time through a synthesis of early music, minimalism and digital media performance. Its translocation of the trumpet from outside to inside is mirrored and reimagined by the futuristic Mutantrumpet V4, which extends the acoustic instrument into the virtual realm.

Including Neill, this interactive performance features GRAMMY-nominated countertenor Ryland Angel and Gwendolyn Toth, director of early music ensemble ARTEK, and recognized as one of America’s leading performers on early keyboard instruments. Bob McGrath of the Ridge Theater directs. Technical support for the performance was provided by Eastern Connecticut State University and Ramapo College in New Jersey.

Co-produced with ARTEK, Fantini Futuro received a grant from the New York State Council on the Arts in Film and New Media in 2022. A 2020 demonstration video of the Mutantrumpet V4, which debuted in Fantini Futuro, received over 800,000 social media views. media and has been shared thousands of times.

Composer/performer BEN NEILL (benneill.com) is the inventor of the Mutantrumpet, a hybrid electro-acoustic instrument, and is widely recognized as a musical innovator through his recordings, performances and installations. Neill’s music blends influences from electronic, jazz and minimalist music, blurring the lines between digital media and acoustic instrument performance.

Neill has recorded twelve albums of his music on labels such as Universal/Verve, Thirsty Ear, Astralwerks and Six Degrees. Performances include BAM Next Wave Festival, Big Ears Festival, Lincoln Center, Whitney Museum of American Art, Bing Concert Hall at Stanford, Getty Museum, Cité de la Musique Paris, Moogfest, Spoleto Festival, Umbria Jazz, Bang On A Can Festival, ICA London, Istanbul Jazz Festival, Vienna Jazz Festival and Edinburgh Festival, among many others. Neill has worked closely with many musical innovators including La Monte Young, John Cage, John Cale, Pauline Oliveros, Rhys Chatham, DJ Spooky, David Berhman, Mimi Goese, King Britt and Nicolas Collins. A longtime associate of minimalist pioneer La Monte Young, Neill conducts La Monte Young’s The Second Dream of the High Tension Stepdown Line Transformer concerts with an international brass ensemble and performs with Young in the Theater of Eternal Music Ensemble.

Neill began developing the Mutantrumpet in the early 1980s. Initially an acoustic instrument (a combination of 3 trumpets and a trombone rolled into one), he collaborated with synthesizer Robert Moog to incorporate electronics. In 1992, while in residence at the STEIM Research and Development Laboratory for New Instruments in Amsterdam, Neill made the Mutantrumpet fully computer interactive. In 2008, he created a new version of his instrument at STEIM, and returned there in 2016-17 to design Version 4.0 which made its debut in 2019 with Fantini Futuro.

Countertenor RYLAND ANGEL (rylandangel.com) is a GRAMMY nominated artist with over 70 recordings of works by composers ranging from Bach, Händel, Monteverdi and Purcell to contemporary composers such as Gregory Spears and Tarik O’Regan to its active. Angel is also in high demand by opera companies and orchestras around the world. From English National Opera, Opéra National de Paris and Barcelona’s Gran Teatre del Liceu to New York Opera and Opéra de Saint-Louis, he has won acclaim for his “sparkling countertenor ‘ and his ‘painful sensibility’. Angel has also created roles in many world premieres, including Spears’ Wolf in Skins (Philadelphia), the title role in Tesla in New York written by Phil Kline and director Jim Jarmusch at the Hopkins Center, Dartmouth. Angel composed the score and sang the title song for the Warner Bros. documentary film The Mystery of Dante. He also appears on the soundtracks of the films Le Petit Prince, La Peau, Henry 4th, Machete and the PBS TV special Heavenly Voices.

GWENDOLYN TOTH (artekearlymusic.org/about/artists) is one of the few American conductors of historic ensembles and orchestras. Currently, she is the director and founder of New York’s virtuoso period instrument ensemble, ARTEK. Ms. Toth has also conducted at Sadler’s Wells Theater in London with the Mark Morris Dance Group; the Skylight Theater in Milwaukee; Kaye Playhouse, Merkin Hall and BAM in New York, and for the German Broadcasting System. She is recognized as an outstanding performer on early keyboard instruments, performing at early music festivals in Boston, Utrecht, Holland; and the Czech Republic and on radio networks in the Netherlands, Germany, France and on US National Public Radio. His discography includes a CD of Bach’s Goldberg Variations on the lautenwerk and a CD of organ works by Heinrich Scheidemann on the medium-toned organ of Zeerijp, Holland. In contemporary music, Ms. Toth has worked and recorded with eminent composers/performers such as John Cage, Rhys Chatham, Petr Kotik, Dave Soldier, Louis Andriessen and Elliott Sharp at BAM Next Wave Festival, The Kitchen, Bang we have Can Festival. , Cage Nachttage in Cologne, and others.

Director BOB McGRATH (ridgetheater.org) is co-founder and director of The Ridge Theatre. Mr. McGrath has conducted theatre, opera and ballet at venues including BAM, LA Opera, Lincoln Center, American Repertory Theatre, Carnegie Hall, BRIC, Kimmel Center-Verizon Hall with the Philadelphia Orchestra, Krannert Center, Vineyard Theatre, Arts at St. Ann’s, La MaMa ETC and The Kitchen. His productions abroad include Queen Elizabeth Hall (London), Cité de la Musique (Paris), Muziekebow (Amsterdam), Oi Casa Grande Theater (Rio de Janeiro) and De Singel (Antwerp). Bob has collaborated with composers, writers and conductors including John Adams, Gavin Bryars, Joseph Budenholzer, Mark Dion, Ben Katchor, Philip Glass, Michael Gordon, Neil LaBute, David Lang, Warren Leight, Mark Mulcahy, Ben Neill, Yannick Nezet-Seguin, Daniel Bernard Roumain (DBR), Susan Sontag, Robert Spano, DJ Spooky, Mac Wellman and Julia Wolfe. McGrath received three OBIE Awards for Directing, Best Production, and Sustained Direction.

Was Albert Einstein a fan of electronic music? -EDM.com

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“We are thrilled to announce the latest headliner for Tomorrowland…Albert Einstein.”

Believe it or not, if the man behind the theory of relativity was alive today, that ridiculous music festival announcement might have been a reality.

A quote attributed to Einstein in 1929 confirms that the most influential physicist of all time could have followed a very different career path: that of a musician. It was the height of the “Roaring Twenties”, a period that saw jazz and dance music permeate Western culture.

“If I weren’t a physicist, I’d probably be a musician,” Einstein said at the time. “I often think about music. I live my daydreams in music. I see my life in terms of music.”

Einstein was a friend of legendary inventor Leon Theremin, who developed the theremin, one of the very first electronic musical instruments. Theremin demonstrated his instrument for Einstein in Berlin in 1927, a year before patenting the device.

Einstein, who was curious about how the theremin worked, attended various concerts and even tried to play it, according to the European Organization for Nuclear Research. The instrument works by generating electromagnetic fields around two antennae: one manipulating pitch and the other controlling volume.

In an interview conducted in France in 1989, Theremin, who was 93 at the time, opened up about Einstein’s unique perspective on music production.

“There was a man who was interested in the color of music, the connection between light and music, and that was Einstein,” he said.

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Léon Theremin playing his instrument in an undated photo.

“Einstein was more interested in the connection between music and geometric figures: not only color, but especially triangles, hexagons, heptagons, different types of geometric figures,” Theremin added.

What’s the one thing babies and electronic music producers have in common, other than whining now and then? (Looking at you, EDM Twitter). They play with geometric shapes.

Serum, VolumeShaper and PORTAL are just three programs that exist in an immeasurable sea of ​​products and plugins that allow electronic music artists to generate audio by manipulating waveforms. There is even software that allows producers to implement an oscilloscope, a digital instrument that draws a complex graph of an electrical signal.

These visual representations are essential for wavetable morphing, granular synthesis, and other advanced production techniques. It’s mind-boggling to think what Einstein could do with these tools at his disposal.

But we’ll never know unless there’s a wild technological breakthrough, perhaps with artificial intelligence. Many have tried to mimic his consciousness, like this creepy “AI-powered digital human” version of the Nobel laureate.

The Serum plug-in from Xfer Records.

The Serum plug-in from Xfer Records.

If some things had turned out differently for the musically inclined Einstein in Germany in the late 1800s, it seems plausible that his life would have changed dramatically. And the rest of us, for that matter, whose material lives are dictated by the laws of physics.

We can’t believe it’s been over a hundred years since he came up with his theory of relativity. It’s like it was yesterday.

NYPD officers allegedly robbed and drank alcohol at Electric Zoo music festival

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An unidentified number of NYPD cops have been placed on modified duty and their weapons confiscated after ‘several’ officers were caught stealing and drinking alcohol while on duty during a a music festival on Labor Day weekend. The New York Post confirmed news Tuesday that three officers from the Manhattan North Narcotics Unit had been assigned to modified or reassigned duties after the Electric Zoo music festival on Randalls Island, but the exact number has not been confirmed. The New York Daily News reported that the three cops are unit detectives. Several other officers, including a supervising lieutenant, also suffered the same fate. According to Daily News, “The cops were assigned to the Electric Zoo concert between September 2 and 4 when at least one of them slipped a bottle of alcohol and started passing it to his co-workers, said a law enforcement source with knowledge of the matter.” When another supervisor heard of the shenanigans, he immediately reported the incident to the department’s Internal Affairs Bureau, the NYPD said. “These are troubling allegations,” an NYPD statement said. is working closely with the Manhattan District Attorney’s Office. To date, several supervisors and officers, who are the subject of these allegations, have been placed on modified duty. Our work in this case is not complete. and we will continue to go where the facts lead us.All disciplinary results will be available once the investigation is complete.

Read it on New York Post

The Practical Benefits of Debt Consolidation Loans » FINCHANNEL

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Everyone knows that managing debt can be a challenge. It’s easy to get carried away with the lure of credit, and before you know it, you’re facing a mountain of repayments that can seem impossible to keep up with.

Once the stress of debt begins to take a toll on your personal life and your health, it’s time to consider debt consolidation. With this type of loan, you can combine all of your existing debt into one monthly payment, making it much easier to manage your finances and giving you more time to focus on the things that matter.

In New Zealand, most people opt for personal loans to consolidate their debts. This type of loan allows you to use the funds as you see fit. Most lenders will allow you to spread your repayments over a longer period to make them more manageable.

If you’re ready to take control of your finances and simplify your repayments, contact a reputable lender today to see what debt consolidation loans can do for you!

Read on to understand the practical benefits of debt consolidation loans.

1. More manageable refunds:

The benefits of debt consolidation loans are enormous! They offer a convenient way to combine your debts into one manageable monthly payment. Not only does this save you the time and hassle of keeping track of multiple invoices and due dates, but it also allows you to spread out your repayments over a longer period. However, finding the best debt consolidation loan provider in new zealand shouldn’t be a problem either. With the help of any reputable online loan service, you can quickly and easily compare different options to find the right one for your situation. However, look for services with a good track record of customer satisfaction. For example, Nectar helps Kiwis find the best deals on financial products and offers a range of high-quality loan providers.

2. More time to focus on what matters:

When you’re busy juggling multiple debts, it can be hard to find the time to focus on other things that are important to you. Whether it’s spending time with family, getting a promotion, or battling a serious health issue, debt stress can significantly affect your mental and physical well-being. Debt consolidation loans can help you regain control of your finances and free up more time for the things that matter. Another practical benefit of debt consolidation loans is the flexibility they offer. You can use your funds as you see fit and make repayments over a longer period to reduce the financier charge.

3. Flexible repayment options:

Many of the most reputable lenders offer a range of flexible repayment options to help make your loan more manageable. For example, some lenders will allow you to extend your repayment period if you need more time. And others will offer a lump sum payment option if you want to pay off your loan early. Whatever your situation, there’s probably a lender who can help. Above all, the right debt consolidation loan will save you time and money in the long run.

4. A chance to get back on track:

Whether you’ve been through tough times, need a helping hand, or want to plan for the future, this can be a great way to take control of your finances and get you back on track. Remember to choose a reputable lender with a good reputation and competitive rates to ensure you get the most out of your loan. Also, don’t forget to read the fine print and fully understand your obligations as a borrower. And don’t try to hide your financial history – tell the lender everything so they can help you find a loan that’s right for you. The reason is simple; it all starts with a loan. So, do your research and make the right decision today!

5. Manage your debts intelligently:

Debt consolidation loans can be a great tool to help you manage your finances and settle your debts wisely. These loans offer a convenient and convenient way to combine your debts into one, saving you time, stress and hassle. Whether you need more time to make your repayments or want to pay off your loan sooner, many reputable lenders offer flexible repayment options to help you manage your debts. According to the statistics, more than two out of ten Kiwis have difficulty repaying or are even in arrears. You might feel overwhelmed with your debts, but debt consolidation loans can help you get back on track today. Another reason to consider debt consolidation loans is that they can help you reduce your debts and expenses, which means more money in your pocket.

6. Give yourself financial peace of mind:

A debt consolidation loan can give you more control over your finances and help you gain peace of mind. With flexible repayment options, you can simplify your repayments and save money in the long run with lower interest rates and fees. Sometimes all you need is a helping hand to get you back on track. Don’t let the stress of debt take over your life or hinder your progress. Try taking it one step at a time and consider debt consolidation loans to simplify your finances and give you financial peace of mind.

Summary

Once you start looking into debt consolidation loans, you’ll quickly realize the many benefits of using these handy, practical tools to manage your debts. Whether you need more time to make your repayments or want to pay off your loan early, these loans offer flexible repayment options that give you more control over your finances and help you gain financial peace of mind. . So, if you’re ready to simplify your debts and regain control of your finances, don’t wait – contact a reputable debt consolidation loan provider today! But remember to do your research, read the fine print, and make the best decision for your situation.

Taylor Swift and Bon Iver: what song did the duo perform?

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Fans were thrilled to see guest star Taylor Swift join US band Bon Iver on stage in London

Taylor Swift stole the show when she joined Bon Iver on stage at Wembley’s OVO Arena. The band performed “exile,” which is their collaboration from Swift’s 2020 album Folklore. As Bon Iver’s Justin Vernon began the opening verses of the song from the Midnights star’s eighth album, she took the stage.

The National’s Aaron Dessner co-produced “exile” with Swift’s boyfriend Joe Alwyn, so he enthusiastically accompanied them on stage. And this is not the last time that he collaborates with the singer-songwriter. They worked on the title track of Swift’s follow-up LP, Evermore. In April 2021, Vernon teased a never-before-seen collab with Swift that will later appear on How Long Do You Think This Will Be? Big Red Machine’s second album, his side project with Dessner and Anaïs Mitchell.

Swift, winner of 11 Grammy Awards, praised the duo, calling them “the most talented men in the world.” Vernon then joked that his performance would be hard to follow and “we don’t know what to do now”, then played “Skinny Love” and “Blood Bank”.

What genre is the album Midnights?

Swift is well known for pursuing a wide variety of genres throughout her career, including country, pop, folk and more, which meant fans had to guess what genre the new album was going to be. However, his 10th album continues a newly subdued and amorphous pop sound with synths.

Who produced Taylor Swift’s Midnights?

It is Swift’s first album to be recorded entirely with Jack Antonoff, following nearly a decade of increasingly high-profile collaborations. In the past, he’s accentuated Swift’s ambitiously lively storytelling with technicolor electronic pop, but has tried a more moody approach on this new album.

How many copies of Midnights has it sold?

Swift released her latest album Midnights last week, which caused music streaming platform Spotify to crash. Hours later, she shared seven more songs. Spotify has confirmed that the song has become the most listened to album in a single day for them, and Swift broke the record for most streamed artist in a single day in its history.

She replied, “How did I get so lucky to have you here doing something so mind-blowing?! Like what just happened??!?!”

According to data from Luminate, which provides Billboard chart numbers, Swift managed to move 1.4 million units after just five days of Midnights release. The album had the biggest week of any album since Adele’s 25 launched with 3.482 million in its first week in December 2015. And the 20 tracks scored more than 423 million official on-demand streams (audio and video combined) in the United States since its release. Released October 21. It’s also the biggest streaming week ever for an album by a non-R&B/hip-hop track, or for any album by a female artist.

Swift also released a second video for the song Bejeweled, which is a self-directed piece based on Cinderella. It features countless Easter eggs and cameos from Laura Dern (as her stepmother), Haim (as her stepsisters), Jack Antonoff, Dita Von Teese, and Pat McGrath, among others. In the video, instead of slipping into a glass slipper, the sisters must enter a talent contest to win a marriage proposal from the prince.

Although details are scarce, a UK tour itself has been confirmed by Taylor Nation, an official fan page for the singer run by her team and which posts updates and announcements on things like the new music, tour dates and more. On October 17, Taylor Nation’s Twitter account wrote, “UK fans…we’d be heading to the store now if we were you. [eyes emoji].”

Should you use a debt consolidation app? | Company

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If you’re striving to better manage your money and pay off your debts, a debt consolidation app can help you track and manage what you owe. However, each app takes a slightly different approach.

Before you invest time and potentially money into any of them, get to know how they work and what will help you best.

Reanna Smith-Hamblin is president and CEO of the Better Business chapter serving this region. She can be reached at 502-588-0043 or [email protected].

Approaching Black Wants To ‘Make You Mine’ With New Dreamy EP

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Australian artist Approaching Black delivers beats that will put you in a dreamlike state with his latest EP on Monstercat Silk.


While much of the dance music scene has been dominated by heavy bass, booming electro beats and high octane tunes, a softer side of the spectrum continues to flourish on footprints like Silk Monstercat. This label has championed soothing sounds in the electronic realm over the years while focusing on artists that will quickly find a place in your heart once you listen to their soundscapes. Shannon Riches, known as Approaching the darkis the latest to return to Monstercat Silk, and this time it brought the make you mine PE with him.

Approaching Black is inspired by the nature that surrounds it – from ocean waves crashing on the beach to the sound of rain falling from the sky, as well as the animals that permeate the planet. This Australian artist takes that influence and creates immersive, dreamy atmospheres at its core, and he’s showcased it with this new release. Talk about make you mineApproaching Black said it is “focused on love, passion and the nature that holds us captive to its attraction, essentially the laws of attraction, with the action or power to arouse interest or desire for someone or something”.

The title track sets the stage for a relaxing ride as Approaching Black pairs beautiful melodies, guitar chords and more with Indi Starling’s vocals for a magical listening experience. “A cause and an effect“emphasizes soft piano notes before chilled strings and other elements soothe the soul throughout its forward run”Sensitiveenters the fray. This track is the most danceable with its punchy kicks, but you’ll still want to sit down and experience this one while rocking with its rhythm. Then, “In My Feelings” closes the collection, tying it all together in a neat arc while allowing listeners to take a moment of reflection and happiness for themselves.

To listen make you mine on Spotify or your favorite platform, and let us know your thoughts on this version of Approaching Black by leaving a comment on Twitter!

Flux approaching black – make you mine on Spotify:


Approaching Black – make you mine – List of tracks:

  1. Make You Mine (feat. Indi Starling)
  2. A cause and an effect
  3. Sensitive
  4. In my feeling

Follow Approaching Black on social media:

Facebook | Instagram | SoundCloud

House Music Essentials Vol. 5 With Malaa, PRBLM CHILD, Orbital and more

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House Music Essentials Vol. 5 With Malaa, PRBLM CHILD, Orbital and more

Presenting the fifth edition of our House Music Essentials, We Rave You are delighted to highlight some of the grooviest tracks from Malaa, PRBLM CHILD, Orbital, DON DARKOE and ANATTA.

We Rave You are back with our fifth edition of House Music Essentials, spotlighting some of house music’s most iconic producers blessing their fan base with electrifying and irresistible beats, this month features groovy tunes from Malaa, PRBLM CHILD, Orbital, DON DARKOE, and ANATTA.

Malaa – “Don Malaa”

A producer who can shift seamlessly between dark but bass-heavy signatures when it comes to both on and off stage, as proven during his dirty set at Celebrity Nightclub in Vancouver, Canada on his ‘Don Malaa’ tour, Malaa is the one we trust to keep us dancing all night long. Sometimes all you need is a house bass-infused groove to get you through those long days, but Malaa delivers those dirty transitions and a mix of house, tech and future bass to prove he’s truly unique. of its kind to change the house. Game. Releasing its long-awaited debut album: Don Malaa, the high-profile project features a staggering roster of collaborators including A-Trak, DJ Snake, Fivio Foreign, Ghostface Killah, Jadakiss, Tchami, Tony Romera and Yung Felix. Taking an overview of the record, there’s “Outcast” which turns Brooklyn into a gritty house excursion with Fivio Foreign, “Deep” which is an instant club weapon with DJ Snake and Yung Felix, and classic hip-hop from “Die Dur” with Ghostface Killah and A-Trak. There’s also the awe-inspiring “No Panic” with Jadakiss, the atmospheric “Discipline” with Tchami and the mesmerizing “The Game is Dead” with Tony Romera. Malaa continues to take listeners on a journey throughout the run of the record to the utterly moving “True Friends,” the hard-hitting “Gangsta,” and far more essential listens. Through Don Malaa’s 14 cuts, everything it makes for a can’t-miss album from the brilliant mind behind the mask.Check out the full album below.

PRBLM CHILD – “Reckless 1”

With an innovative approach to sound design and production, PRBLM CHILD are an up-and-coming duo that have been making big waves in the house music community. The duo have released their work on top bass house labels, such as Bite This!, Gold Digger and Uprise with groundbreaking percussive sounds and groovy bass lines. Additionally, their uplifting energy on stage has earned them appearances on R3HAB, Freejak, and Dr. Fresch’s radio shows. In 2022, PRBLM CHILD continues its momentum. Over the summer, they had an extremely memorable set at the famous Das Energi festival in Salt Lake City. After their summer achievements, PRBLM CHILD returns to deliver their new single “Cheeky 1”. The mission behind this track was to dive deeper beyond hard-hitting bass house by combining multiple genres. “Cheeky 1” is the perfect example of PRBLM CHILD’s unique “hybrid home” style. Listen to the bass’ anthem below and connect with PRBLM CHILD here.

ORBITAL & Sleaford Mods – “Dirty Rat”

Legendary electronic music duo Orbital collaborated with Sleaford Mods on their fabulous and furious single ‘Dirty Rat’. Orbital x Sleaford Mods ‘Dirty Rat’, which was premiered last night on BBC Radio 6Music by Steve Lamacq, is the first track from Orbital Optical Delusion’s new album, due out 17 February 2023 and available for pre-release. -order here. “Dirty Rat” is Orbital at its most vital, remaining utterly relevant and still moving forward over 30 years since breaking through with their breakthrough single “Chime.” What started as a remix exchange (Orbital did “I Don’t Rate You” by the Sleafords) turned into a comedic, brutal, bass-driven harangue against our leaders and the voters who put them there. : people who “blame everyone in the hospital / blame everyone down the Channel / blame everyone who doesn’t look like a fried animal. Jason Williamson provides a typically searing voice over the driving, kinetic beats of ‘Orbital and Andrew Fearn. Listen to the tantalizing track below.

DON DARKOE – “Delicious Fairy Dust”

DON DARKOE is a Perth nightlife and production legend, DJing at the hottest clubs in Perth, Australia and at the same time hosting one of the leading Drum and Bass parties featuring talent from all of Australia in the D&B scene. His latest track “Delicious Fairy Dust” features smooth vocal melodies, crisp percussion and an explosive high-energy drop. Commenting on this debut single, DON DARKOE shares “This track was my first experimental creation in the drum and bass genre. Coming from a trap music background and a love of melodies, I tried 174 bpm infusing my vocals with drums and bass in an effort to create something catchy that people can vibe to and dance. In the end, I called it Delicious Fairy Dust because that’s what I thought it would be if someone sprinkled it on me. Listen to the energetic track below and connect with DON DARKOE here.

ANATTA & Fred Paci & HONÜ – “Steam Rollin”

Minimal is one of the newest genres to hit the house music scene, but it has grown exponentially over the past few years. At the forefront of this movement is rising superstar ANATTA. Launching its project in June 2020, ANATTA has already received more than 500,000 collective streams to its minimal works. With over 50 songs released and three #1 minimal/deep tech EPs on Beatport, ANATTA continues to rise through the ranks to the top of the minimal community. Continuing their string of groovy minimal productions, ANATTA recently teamed up with bass house producer HONÜ and multi-instrumentalist Fred Paci for their funky new single “Steam Rollin'”. One of ANATTA’s goals with this track is to encompass more live instruments than the standard minimal song. Throughout “Steam Rollin'”, Fred’s mesmerizing trumpet sequences are infectious to the ear. Along with the trumpet elements, this track is perfect for a living room or beach. It’s a complex mix of minimal, house and lo-fi, topped off with a bit of sass. Be sure to listen to the funky track below and tune in with ANATTA here.

Photo credits: Rukes.com

Can the dance music boom continue? | Labels

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Dance music is on the rise these days.

Singles classified as dance by the Official Charts Company have been number one for 11 of the past 16 weeks. The top 40 followers will know that included eight weeks for LF System’s Afraid To Feel smash – the biggest single of Q3 and with sales to date of 826,614 (Official Charts Company), as well as two weeks for BOTA (Baddest Of Them All) by Eliza Rose and Interplanetary System.

After spending a week at the top, I am good (blue) by David Guetta & Bebe Rexha is still No. 2 in the latest Top 10. He is joined by dance track Miss You by Oliver Tree & Robin Schulz, which moved on 28-9.

The electronic music industry has just come together for the Amsterdam Dance Event, which has been an opportunity for DJs and executives to reflect on the success of the genre. Alongside performances by stars such as Oliver Heldens at the Melkweg site (pictured), the conference’s busy schedule covered issues such as women’s entrepreneurship, the metaverse, games, Web3Youtube, ICT Tac and how to break America.

In the latest issue of music weekwe reveal the data behind the dance music streaming boom, plus insights from executives including Warner Records’ A&R head Anton Powers (who signed LF System and co-signed Eliza Rose). We also hear from Atlantic Promotions supremo Damian Christian on Fred Again..who releases a new album on Friday October 28th.

Based on music week analysiswe can confirm that the surge in streaming has been unleashed during the pandemic with dance music consumption up 14.8% year-over-year in 2021.

Importantly, this consumption growth has continued to progress in 2022, after the end of the Covid restrictions last year. Music Week may reveal that through the end of the third quarter, streaming for dance music is up 7.4% year-on-year so far in 2022 – ahead of the overall market growth rate of 6.4% streaming.

The genre was further bolstered by big names such as Drake and Beyonce embracing dance music. In terms of sales, Beyonce’s Renaissance was the biggest album released in the third quarter (90,029 sales to date) and included lead single Break My Soul, which is classified as dance by the OCC.

Of course, dance hits find a receptive audience in the summer. With the living businesses particularly affected by inflationelectronic music is now prepared for the effects of the cost of living crisis.

Fallen CEO Wez Saunders is clearly confident about the prospects of the genre, having just acquired the company. Here, music week asks Saunders about the prospects for dance music…

Dance music is streaming heavily in 2022 and the genre has produced No. 1 singles alongside club hits. In your opinion, what explains the success of the genre this year?

“Dance music – especially house and disco – has been a cultural movement since its inception. Emerging from the underground with a grassroots community comprised primarily of LGBTQ+, African American, and Latino communities, house music has always brought people together on the dance floor through upbeat, energetic, and positive beats. It’s no surprise that in a time when the world needs hope, dance music shines.

It’s no surprise that in a time when the world needs hope, dance music shines through

Wez Saunders

Now that we’re out of summer and festivals/events, what’s the outlook for dance music in 2022/23 – how can it build on success without the seasonal boost?

“2022 has been a challenge for many. We hosted newly arrived 18-year-olds for three years, who entered a world of rising prices, endless opportunities and limited incomes. I think the post-pandemic boom of summer 2021 saw an upsurge in events, which unfortunately came just before a period of price increase and as such, many event brands have struggled. We have seen ticketing companies fail, and the ripple effect has been detrimental for many.

“Brexit meant that British workers were at a 30-year low in Ibiza, and the world globally finds its bearings. I like to believe that we have all learned valuable lessons in 2022, and as such, we will no doubt build on those learnings. I expect prices to start to stabilize somewhat and hope the UK and EU come closer to a deal that will help young people to work abroad next summer.

How will Defected further tap into this growing dance market?

“Our fans and artists are at the center of everything we do. DefectiveThe mission of is to serve our community while helping artists build more sustainable, impactful and profitable careers. Our virtual festivals in 2020 allowed us to further identify the breadth of our fan base. As such, it is imperative that we continue to serve these people physically through physical events and products, digitally through streaming, through our new app, and through online activities such as Faulty broadcasting house – and possibly within Web3. We will look to offer new opportunities and experiences in the US, South America and Australia, whilst remaining consistent with our UK and European offerings.

To what extent is the growing popularity of dance music driving the demand for remixes? Have you noticed a trend of increasing number of remixes of a hot track?

Remixes Hot tracks have always been made to maintain momentum or introduce the record to new audiences. Once a track has achieved this commercial appeal, there will be a desire to keep it in the record boxes of underground club DJs. Maybe it’s getting hot in the house lane, but you want to introduce it to disco, techno, or drum & bass fans. Maybe the record is huge in Western Europe, but you’re looking for that North American appeal. We now have so much access to data, that I think as the storylines on priority records grow, there’s a desire to help reach new audiences – and with that, an increase in remixes. It’s been really interesting to see ‘the remix’ expand beyond house music lately.

Subscribers can read the big dance music story from our latest issue here.

And click here for our interview with Eliza Rose.

PHOTO: Enrique Meesters

Kimbra returns with cerebral new single ‘Save Me’ and announces fourth album

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Kimbra is back with her first new song in three years – an experimental, cerebral ballad titled “Save Me” – alongside news of her long-awaited fourth album.

According to a press release, “Save Me” was inspired by “a singular moment,” with its lyrics following the singer as she “searches for her insecurities in hopes that someone will save her from herself.” . Thematically, the song is meant to explore “how two internal realities can be present at once: chaos and contemplation, rage and the force of still life.”

On the heartbreaking chorus of the track, Kimbra sings: “Go ahead and save me / I sink into my feelings / And I’m afraid they’ll drown my confidence. Go ahead and save me / I may look capable but I’m not / These days, you’re all I have.

‘Save Me’ arrives alongside a cinematic video directed by Yvan Fabing. It mixes bold CGI with shots of Kimbra wandering the idyllic natural landscapes of Iceland. In the presser, it is said that the narrative of the video reflects her journey as she “seeks to heal her relationship to herself, to other women, and ultimately to Mother Earth.”

Watch the video below:

Fans have been waiting for over two years for ‘Save Me’ to be released – Kimbra first performed it in August 2020, when she performed a live concert for Noonchorus. During a second performance in October 2020, the New Zealand-born artist described the song as “one of the most honest pieces” she had ever written.

“Save Me” is the lead single from Kimbra’s fourth album, “A Reckoning,” also announced today and slated for release January 27 via Inertia and [PIAS]. According to an official synopsis, the album “is designed to be a reflective record capturing the macro accounts that impact our world around environment, race, feminism, health and patriarchy across the eyes of the archetypal mother”.

The blurb goes on to note that “at the heart of her case is the war with micro accounts that Kimbra faces internally.” He promotes “A Reckoning” as “the most sonically self-contained and confessional rawest”. [that Kimbra] has ever been, finding influence in everything from modern film soundtracks to the electronic and industrial worlds”.

Kimbra began work on “A Reckoning” in 2018, co-producing it with Son Lux’s Ryan Lott (who recently helmed the score for Everything everywhere all at once).

The album marks Kimbra’s debut on Inertia and [PIAS], having already been signed to Warner. In a press release, local label executive Cameron Walsh said, “The entire Inertia team is thrilled to be working with the unparalleled talent that is Kimbra. Her new body of raw confessional work will blow fans away and propel Kimbra into a whole new dimension. We are incredibly excited for everyone to experience this striking new chapter.

Kimbra’s last album was 2018’s “Primal Heart,” which spawned six singles and earned a four-star review from NME Hannah Mylrea. “This bold release is a battle cry: Kimbra is back, and she’s here to stay,” Mylrea wrote.

Who is the richest BTS member in 2022? Know Bangtan Sonyeondan Boys Individual Net Worth

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Finding someone who doesn’t know BTS’s name is hard work. Today, the boys are very famous, have created a global phenomenon with their talent and music, and have revived the reach of the K-Pop industry around the world. Every person, coming from the Millennials or Gen-Z generations knows what BTS is which proves the power that these 7 members of the group currently hold over the world. The group has a fandom called ARMY which is said to be the largest group of followers spread across the world. Of course, they’re supposed to be rich, but how rich are they?

Launched in 2013, the group is said to have around $100 million in combined net worth. According to Forbes, their net worth has jumped twice from their net worth of $50 million in 2020. Apart from their shares in HYBE (formerly known as Big Hit Entertainment), they also earn income from the sales of albums, physical and digital, branded deals. , world tours and concerts, merchandise, streams and advertisements. The huge revenue from multiple sources makes the group a valuable group, needless to say, the most valuable boy group in the world right now.

In 2022, the group announced that they were going on hiatus and the members would pursue their solo careers. However, the individual band members have already established their personas in the industry, leading fans to wonder how much each member of the world’s greatest boy band is actually worth. How rich are they and who is the richest of them all? Read on, because here you will get all the answers.

seven/seven

Jin

Jin, also known as Kim Seok-jin, is the oldest member of the group. For this, he is also the ideal businessman of the group. He comes from a wealthy family and further made his fortune with several business ventures and music royalties. His net worth is around $20 million. He released two solo titles, “Abyss” and “Tonight”. In 2018, he opened a Japanese restaurant in Korea and owns several buildings in Seoul, South Korea. Seoul Space has described Jin as having an entrepreneurial spirit, and he himself said in an interview with Wall Street Magazine that his family is all about business, which makes part of him a businessman. Additionally, Jin also owns stocks of HYBE and collects royalties from the songs.

6/seven

V

Internet crush V aka Kim Taehyung is the second youngest member of BTS. he is also the most searched Asian celebrity on Google in the first half of 2022. V’s current net worth is said to be around $20-22 million. He mostly gets credits from his solo released music like ‘Winter Bear’, ‘Singularity’, ‘Sweet Night’. He is the only member of the group who is interested in acting and starred in “Hwarang: The Poet Warrior Youth”, a period drama released in 2016.

5/seven

Jungkook

South Korean idol, Jungkook is undoubtedly the most famous among all the other BTS boys. He is often called the “Golden Maknae” of BTS because he has many great talents such as singing, dancing and songwriting, and is the youngest in the group (“Maknae” is the Korean word for the most youth in a group). According to various news sites, his net worth is between $20-22 million. The multi-talented and most famous member of the group recently collaborated with American singer-songwriter and composer Charlie Puth on a single “Left and Right”. He also receives royalties from BTS music, as a songwriter and individual artist. Jungkook has also co-produced a lot of BTS music, including songs like “Magic Shop” and “Love Is Not Over.”

4/seven

Jimin

Known for his stylish performing skills, dancing, and catchy expressions, Park Ji-min aka Jimin of BTS ranks fourth on this list. As a soloist, he released songs like “Filter,” “Lie,” and “Promise,” and created a distinct place in BTS fandom, ARMY. He is said to be worth $20-22 million, which includes his ownership of several apartments in Seoul. and one of them is at Nine One Hannam, considered the “Beverly Hills” of Korea. In addition to owning shares in HYBE, he also receives royalties from both the band’s music and his solo music.

3/seven

RM

Achieving third place on this list, RM or BTS’s Rap Monster is also the leader of the group. Like all other BTS members, he owns shares of HYBE and receives royalties from the group’s music as well as his solo music. He has songwriting credits in over 130 songs and self-released two mixtapes titled ‘RM’ and ‘Mono’. He also worked with American rapper Warren G on a solo mixtape. All of this brings his net worth to $22 million.

2/seven

Suga

Taking the second spot on the list, Suga of BTS has a net worth of around $23-25 ​​million. Prior to his debut with BTS, he started composing and producing when he was 13 years old. At just 17, he started working in a studio and was a part of huge hits such as Lee So-Song RA’s “Request” and IU’s “Eight”. He is also known as part of the BTS rap trio comprising RM and J-Hope.

1/seven

J Hope

Jung Ho-Seok, globally known as J-Hope, is the richest member of BTS according to Seoul Space and KpopStarz. His net worth is around $24-26 million. He has worked on several BTS projects as a songwriter and producer and launched his solo career in 2018 with his solo mixtape “Hope World.” He also collaborated with Becky G in ‘Chicken Noodle Soup’ which became a worldwide hit.

According to sources, each BTS member receives an additional $8 million annual salary and owns 68,000 HYBE shares, which translates to an additional $8 million.

Duckwrth is back with a new project, “CHROME BULL” – HotNewHipHop

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Duckwrth can do it all: his hits include rap bangers, smooth R&B and now Kaytranada-style house jams. The rapper and singer-songwriter from South Central, California has released a new eight-track project for the fans: CHROME BULL. Compared to his previous work as 2020’s “SuperGood,” this new album is very danceable, with a lot of emphasis on house grooves, deep kicks, funky basslines, and woozy synth work. He also released music videos for the album tracks “Power Power” with Shaun Ross and “Ce Soir” with Syd of internet fame.

Frazer Harrison/Getty Images

Album features also include vocalists CLAY and GAWD. These make for fine vocal performances on the album that continue to expand the project’s sonic palette, from Syd’s understated verse on “Ce Soir,” to CLAY’s soaring proclamations on “Beg,” and finally GAWD’s soulful delivery. on “Pray”. Duckwrth’s own presence on his album is quite varied, overlapping those bops with rap verses, R&B tracks, or a mix of the two. There’s a joy and charisma that matches the 33-year-old’s quirky style, but it’s never been more palpable than against the backdrop of a disco ball-lit dance floor.

Speaking of this dance, CHROME BULL also features different takes on the house formula that keep the meager track list from falling too deep into deja vu and repetition. The album begins with simple bop house courtesy of “11:30”, but by the time we reach “Sneaky”, the album lets its slight dancehall influences take on more emphasis. “Super Saiyan” is a darker synth-pop jam that has a very subtle 80s tinge to it, “Pray” is heavily inspired by drum ‘n bass beats, and “Power Power” featuring Shaun Ross adds heavy, bassy funk to the mix. mix to wink at techno music.

From his 2021 single “4K” and his feature on TeaMarr’s “Specific,” it seems like Duckwrth is working with more upbeat and faster sounds these days. No matter which side of his art and talent you appreciate the most, CHROME BULL has some fire trails for you. You can find the new house project on your favorite streaming service and check out its tracklist and streaming links below.

Track list

  1. *Beautiful
  2. 11:30 a.m.
  3. Tonight (feat. Syd)
  4. Sly
  5. super saiyan
  6. Pray (feat. CLAY)
  7. Pray (feat. GAWD)
  8. Power Power (feat. Shaun Ross)

Bonobo’s Top New Dance Tracks of the Week, tk & More – Billboard

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This week in dance music: Amsterdam’s first full-fledged dance event kicked off in the Dutch capital on Tuesday (watch for our full recap early next week), Claude VonStroke’s iconic label Dirtybird has been acquired by San Francisco-based EMPIRE, Oliver Tree and Robin Schulz hit the Hot Dance/Electronic Songs chart, and we went one step further with one of electronic music’s true inventors, Jean-Michel Jarre.

Explore

See the latest videos, graphics and news

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And bang with a Z? We have them too. Let’s dig.

Bonobo, “Defender”

Before Bonobo wraps up his North American tour this weekend, he leaves a parting gift. The new single “Defender,” released on his Outlier label in partnership with Ninja Tune, is another surprise drop after the previous “ATK” loosie. Both deliver on the producer’s rich, textural electronica, but where “ATK” was bouncy and more downright upbeat in its approach, “Defender” sees the return of its tender touch. Floating above propelling drums, the crystalline melody of the thumb piano is light as a lullaby, joined by a soft vocal scat. Even when roaring foghorn synths add heaviness, Bonobo keeps the magic alive with swirling synths and accents that twinkle like midnight stars. “Defender” might not be your first thought when it comes to club tracks, but we’d still love it any day (or night). — KRISTAL RODRIGUEZ

Fred again.., “Delilah (Get Me Out Of This)”

If you don’t know Fred Again… now, you probably never will. That said, to quote Drake, if you’re reading this, it’s too late and you’ve now been bitten by the Fred-a-mania collective. Much like the aforementioned hip-hop superstar, the pop producer-turned-electronic-dance hipster loves turning bits of voicemail, samples and IRL recordings into divine slices of melodic funk, and he names those tracks after friends and artists that he melts into the music. His latest portrait is dubbed “Delilah (get me out of this),” and he paired the video with a recording his pal caught at a festival in Los Angeles.

“So a few days ago I played a show in LA and my friend theo was filming some stuff in the crowd,” Fred tweets. “He came across this absolutely stunning moment right at the back of it all.

For me this song is about one time I had a panic attack in a club and I needed your person to pull you out of it so the moment at the end where they get up and jump away seems particularly expensive to me. There’s obviously a whole story going on for them too, you can see on their friendly faces at the end! I told them about it, I think maybe it’s best not to explain it, because different people think different things when they watch it, and that’s still great to me.

He also had some good news to share in the YouTube description box: “Okayyyy,” Fred wrote on YouTube. “So I’m so really very VERY happy to say that real life 3 will be released on October 28th!!!!!” After months of hype, we can confidently say that we are also very happy. – KAT BEIN

Gorgon City feat. Flirta D, “Sidewindah”

Gorgon City delves deeper into their British roots on new single ‘Sidewindah’. The track was a frequent fixture and asked for ID on the duo’s live dates for a hot minute, and it’s understandable why. Their dancefloor-friendly house music gets an infusion of grime courtesy of veteran MC Flirta D, whose weathered voice stutters and skids with short-circuit delirium. Add serpentine synths, hyper-fast shakers, and gigantic, gelatinous bass swings, and you’re in for a great time. In addition to the release of “Sidewindah,” Gorgon City just announced they are returning to the famed Red Rocks of Colorado next April for a Realm label showcase. —KR

Lastlings, “Get What You Want”

Getting off the couch and chasing your dreams is hard, but music can help. The Rocky the theme is played a bit, and while it’s great and all, “Get What You Want” by sibling duo Lastlings has a sultry motivational groove that can move your body, heart, and mind to your most big me with a little more electronic side.

“We spent a week writing in 2021 and this was one of the first songs to come out of the session,” said the band’s Josh Dowdle. “We had two bedrooms. A writing room for Amy with a piano, and one for me where I did the instrumental.

“It explores mental health and the relationship I have with myself,” adds Amy Dowdle. “It’s about showing myself off and not letting doubt get in the way of what I really want. “I’ve got a lot of enemies living in my head.” This song isn’t about love for another person, but about my relationship with myself. “You” refers to a darker version of myself that I’m trying to fight and overcome.”

The brother and sister band are signed to RÜFÜS DU SOL’s label, Rose Avenue, and this single marks the first piece of original material since their debut album. First contactwhich dropped in 2020. – K.Bein

Tiesto’s DJ Mix

Our main stage main man, Tiësto, takes on himself, via a flurry of edits of his own tracks. Produced exclusively for Spotify, the playlist includes edits of hits such as “The Business” and “The Motto”, and is part of a series that includes similar packages from Aluna, Yung Bae and BLOND:ISH. All of these artists released these editions in conjunction with the Amsterdam Dance Event, which ends today in the Netherlands. To celebrate, Spotify is hosting a launch party at ADE tonight, where each act will unveil their edits with an accompanying drone show.

“When I play my mix, I hope listeners can feel the energy of my live set,” says Tiësto. “Play it while you practice, while you play, in your car, anywhere – wherever you play it, it should sound like the soundtrack to the best day or night of your life! ” — KATIE BATH

darker electric sound with pop familiarity

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“Everything about me changed like midnight,” confesses Taylor Swift halfway through her latest album, the aptly named and moody Midnights.

It’s a moment on the electric midnight rain which finds lyricist Swift at her best, reminding you of her unparalleled ability to make any emotion universal.

‘Midnights’

Artist: Taylor Swift

Label: Archives of the Republic

Evaluation: 4/5

Click through the gallery above to see Taylor Swift’s album cover to date

The chorus of the song begins: “It was sunshine, I was midnight rain. And to continue: “He wanted it to be comfortable, I wanted this pain. He wanted a wife, I was making my own name. In pursuit of this fame. He remained the same. Then, this word: “All of me changed like midnight.” The sound feels experimental for Swift, opening with her own voice artificially reduced to an almost unrecognizable pitch. It’s one of the most interesting sounds on the album, an indie-pop beat that recalls the work of its producer Jack Antonoff on Lorde’s. Melodramabut also fresh and captivating.

The song’s lyrics, by Swift and Antonoff, are smooth and detailed, but not distracting – letting you sink into the beat, flow and feel it with her.

Of the 13 titles of Midnights, a self-aware Swift shows her ability to evolve again. For her 10th original album, the pop star, 32, tackles the themes she grew up writing about – love, loss, childhood, fame – with a maturity that translates into sharp vocals and lyrics focused more on his inner life than on his outer personality. .

midnight rain could be a thesis statement for the project she describes as “songs written for 13 sleepless nights,” a fitting take on the concept album for someone with a long-standing lyrical appreciation for late nights (think Style: “midnight, you come to get me, no headlights…”).

Of course, she centered her work on themes before – on Redan ode to color and the emotions it represents, “reputation”, his own vindictive reconfiguration, and more recently on folklore and stillquarantine albums that express vulnerability in a way only isolation could.

But Swift presents Midnights as something different: a collection of songs that don’t have to go together, but do fit together because she declared them to be products of late-night inspiration. Positioning listeners situationally – in the calm but thoughtful darkness of the night – rather than thematically, feels like a natural creative experiment for a songwriter so prolific his albums have become synonymous with the culture zeitgeist. pop.

Jack Antonoff, producer of

And with that comes a tone that’s just a little darker, a little more experimental, and still electric.

track one, lavender mistcombines a muffled club beat and high-pitched backing vocals from Antonoff with a remarkable, driving melody from Swift. Bordeaux is an adult and altered version of Reda dive into lost love with rich descriptions of rust, red lipstick – images that Swift reconjures with more bite.

Labyrinth makes it clear that she took with her the best of her previous pop experiences – the synth of 1989 and the softer alternate sounds of folklore — as she admits, as only a songwriter can, a heartbreak “feels as raw as it does right now, lost in the maze of my mind,” plus a track with electronic trills à la Good Iver.

Swift shines when she is able to marry her signature lyrical musings with this new arena of electronic beats. And while it’s not another album of acoustic indie sounds like folkloreit’s clear that Swift has taken a step forward in the indie-pop genre — even if it’s a step in a different direction.

The weakest moments on the album are where that balance feels off. Bejeweled is a bit too sweet, with lyrics that sound like an updated, sparkly version Me! The highly anticipated snow on the beachstarring Lana Del Rey, is poetic, pretty, and occasionally cheeky, but not as emotionally deep as the combined power of the lyricists would suggest.

Even in those times, Midnights finds Swift comfortable in her musical skin, revealing the strengths of a sharp, ever-evolving artist who can wink through ever-cryptic allusions to her very public life or subtle self-proprieties scattered throughout the world. medium of lyrical confessions (see: Anti-hero and Brain) and hook even the casual listener with an alluring, and perhaps surprising, beat.

But like the soaked in love Loverand intimate folklore and still, Midnights looks like both a confessional and a playground, designed by every version of Swift we’ve seen so far, ready for a new Taylor Swift to shine.

Updated: October 21, 2022, 6:40 a.m.

‘Midnights’

Artist: Taylor Swift

Label: Archives of the Republic

Evaluation: 4/5

Mdou Moctar announced to play WOMAD NZ + New Music

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As announced last night in New Plymouth TaranakiMdou Moctar comes to Aotearoa/New Zealand to play WOMAD NZ
Festival as part of its 20th anniversary celebrations over the weekend of March 17-19, 2023. Buy your tickets HERE

Also revealed are the details of the second part of the
Niger PE series – featuring live and alternate versions of songs spanning the band’s discography recorded in their native Niger – which will be released digitally on October 25. It follows
Nigeria Vol.1 EP which is now available on digital. A physical release date for both EPs on limited vinyl has also been announced for March 10.

Preview Flight. 2 is available to listen today with a live version of ‘Ibitilan‘. First appearance on 2019
Blue Scene Session, the latest iteration of ‘Ibitlan’ captures the band’s renowned live energy in unmediated form, pushing the faders to their limits. Listen now.

Ibitlan is a love song“, explains the producer and bassist Mikey Coltun. “Mdou sings of his love for a woman, comparing her to a beautiful valley crossed by a stream, how her skin is a yellow flower and her smile is like lightning. This particular recording was made in Agadez in 2017 at a wedding. Mdou and I had been playing three weddings a day for about a month and a half on this trip. It was like a bootcamp. I liked it. Ibitlan is one of Mdou’s oldest songs and is covered by just about every Tuareg guitarist. We played versions of this song that were over 20 minutes long. This is definitely one of my favorite games!

An innovative alchemy of Tuareg folk, blues and rock, electric guitar pyrotechnics, field and electronic recordings with poetic call-to-arms lyrics about the fate of his native Niger, Moctar’s 2021 album
Africa Victim swept the year-end lists, achieving high rankings in The Economist, The Guardian, The New York Times,
Uncut,
MOJO,
Pitchfork, The New Yorker, NPR, Rolling Stone, Dazed & Confused, DJ, Crack and many more.

2022 saw the quartet of Moctar, rhythm guitarist Ahmoudou Madassanebassist/producer Mikey Coltun and drummer Souleymane Ibrahim playing sold-out tours in Europe and North America. From their sold-out show in Oslo to London in April,
The Guardian wrote: “quite thrilling (…) Moctar rewrites the guitar-hero rulebook. Also in April, the band released a collection of remixes Africa Redonespotlighting artists at the forefront of electronic music across Africa. Resident Advisor called Duma’s remix of ‘Untitled’ “a truly original record of distorted techno and doom rock”, while writing the MC Yallah and
Debmaster version of ‘Tala Tannam‘”introduces a vibe of contemporary club music into the thrilling and often beautiful sound of Moctar’s desert blues, the kind of rework that feels more like a cultural fusion than a simple remix”

© Scoop Media

Global Consumer and Business Debt Consolidation Market Overview 2022, Recent Developments and SWOT Analysis 2028

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Global consumer and corporate debt consolidation market 2022 by introspective by Company, Region, Type, and Application Market Research to 2028 is a report provided by MarketQuest.biz which examines current trends, provides a financial overview of the industry, evaluates historical data and examines overall market dynamics. The data obtained for the Global Consumer and Corporate Debt Consolidation Market is extensively analyzed and interpreted in this report.

The Consumer and Business Debt Consolidation Market is segmented into three categories in this report: application, type, and geographical region. It describes the current state of the industry. The influence of global and local market experts, value chain optimization, probabilistic research, technology goals, product launches and significant market segments are all explored in this report.

DOWNLOAD A FREE SAMPLE REPORT: https://www.marketquest.biz/sample-request/111268

The research was written by our analysts using primary (surveys and interviews) and secondary (institutional industry databases, paid sources and trade magazines) data collection techniques. A detailed qualitative and quantitative assessment is included in the report.

The typical segment includes:

  • Credit card debt
  • Student loan debt
  • medical bill
  • Apartment leases
  • Others

The application segment includes:

Review of the competitive landscape:

  • Basic company facts and a business summary are available.
  • The study document includes information about each company’s sales, pricing methodology, gross margins, revenue share, and growth rate.
  • The operational areas and distribution channels of leading companies are studied.
  • The study includes details on investments, mergers and acquisitions, development models, market concentration rate and new players.

The main players in the report are:

  • Goldman Sachs
  • OneMain Financial
  • Discover personal loans
  • loan club
  • Pay
  • Debt Relief Freedom
  • National debt relief
  • Rescue One Financial
  • ClearOne Advantage
  • New era debt solutions
  • Pacific Debt
  • Approved Debt Relief
  • CuraDebt Systems
  • Guardian Debt Relief
  • Debt negotiation services
  • First Debt Help
  • Oak View Legal Group

Prospects for the region:

  • The study examines the economic indicators of major nations and their influence on the overall growth of the industry.
  • The consumption growth rate and market share of each region throughout the analysis period is also provided.

The regions analyzed in the report are:

  • North America (United States, Canada and Mexico)
  • Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
  • Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia)
  • South America (Brazil, Argentina, Colombia and rest of South America)
  • Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, South Africa and Rest of Middle East and Africa)

ACCESS THE FULL REPORT: https://www.marketquest.biz/report/111268/global-consumer-and-corporate-debt-consolidation-market-2022-by-company-regions-type-and-application-forecast-to-2028

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This report can be customized to meet customer requirements. Please contact our sales team ([email protected]), who will ensure that you get a report tailored to your needs. You can also get in touch with our executives at +1-201-465-4211 to share your research needs.

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Meet Don Peyote, the genre-bending bass maestro

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Don Peyote stopped by to discuss the creative process behind his recent singles, playing BUKU, and what’s next for the project.


New Orleans-based DJ and producer Don Peyote brings unique versatility to bass music and beyond. Defying the constraints of a genre, he continually pushes the boundaries, creating a plethora of multi-genre hybrid tracks to transport listeners to another world. Came into the limelight after his collaborative track with BuckTen was featured on Headbang Societyhe set things in motion with no turning back.

This year, Don Peyote continued to ride the wave of his releases while gaining recognition for his energetic and punchy sounds, including what was found on his 13-track self-titled album released last year and a performance b2b to BUKU who saw him dazed. He’s slowly created an arsenal of a catalog to unleash on listeners, and now he’s ready to add more fuel to the fire.

Don Peyote’s recent tracks, “Kizuki” and “DoTSturned the heads of those who came to love his hybrid dubstep and hardwave sound. With endless possibilities ahead of him, we caught up with this rising artist to get a glimpse of what other manic creations he’s set to reveal in the future. Listen to his exclusive guest mix and read on for the full conversation!

Stream EDMID 344 Guest Mix || Don Peyote on SoundCloud:


Hi Don Peyote! Thanks for taking the time to chat with us – we’re excited to share more about your project. To kick off this one, we’d like to know a bit more about your story. When did you discover a passion for dance music and what led you to become a producer?

Hello everyone! Nice to do this interview with you, and thank you for your time! I’ve had a passion for dance/electronics, all since I was a teenager, probably nine years old. My family was very influential to me musically, so they always showed me the “cool” new dance songs back then that ended up becoming the “Rave Classics” of our time, if you will. I was also no stranger to composing my own music, as I had a background in a symphony orchestra playing different instruments. I always knew I wanted to be a DJ and produce and just exist in the electronic world, because there was a certain mysticism that resonated deep within me.

Your sound is quite versatile, with a wide range in your voluminous catalog. What do you think is your favorite genre to produce and how do you get into a creative mindset?

Bass Music is my favorite right now, i.e. Wave, Halftime, Dubstep, Deep Dub’ and DnB. Anything that feels good to me that I’m sure fans or new listeners will resonate with is what I consider my “favorite”. [Laughs] Just good music. My creative mindset is really just the inspiration I get from the works of other hard-working people. It flows from top to bottom, you know? I also try to take care of myself and min/max my workflow so my creative juices never run out. The body is a temple, as they say.

One of your recent tracks, “DoTS”, landed on The Electric Movement’s Transfusion compilation. Can you tell us a bit more about the production process of this version?

Absolutely! This track is more in the “Dubstep” lineup, and I just took all the heavy, fun, bouncy, and sound design tracks I took inspiration from. In this case, probably Kai Wachi, Zomboy, MUST DIE!, Brondo, etc. The TEMCO team are friends of mine here in New Orleans, and given the current climate of not only our crop but the city in general, we need more growers and curators to spread the word and invoke passion among fans, new and old. They are like family to me and their vision is strong!

“Kizuki” is another gem you’ve released and is complex to the core with multiple layers that make it a hybrid track. How did that creative process come together for this one?

Kizuki, above all, was inspired by the recent season of “Demon Slayer”. [Laughs] I’m just a big fan of well-produced art. But this track is from three different Ableton project files of different genres that I merged into one, which was quite difficult to do. Glad it worked and was well received!

This year you performed at Buku in a b2b set and at the Festival Fête Du VOID. How were those experiences? Were there any memorable moments?

Both festivals were wonderful! Fête Du VOID was an intimate setting, which can be scary when you’re introducing yourself to an audience that might not be as familiar with your music, brand, etc. These sets really teach you a lot about your sound, I think. On the other hand, BUKU Music + Art Project (my hometown festival), Bassik, Winter Circle Productions, the AEG team and the production overwhelmingly supported the Don Peyote project, which is good to hear after doing this for so long! It was my first festival performance, after all. Kudos to my buddy Weston “BuckTen” Rachal for being my number one supporter after all these years (at least a decade) and being up there with me.

Coming from New Orleans, you must see quite a vibrant nightlife. What is the scene like in your hometown? How has this influenced or affected you as an artist?

Oh absolutely. It’s a melting pot, that’s for sure. There is influence from all sectors every day of the week, which can feel overwhelming in a good way. It is, however, a staple of our culture and shows how important music and art are to society. We need it, and it helps us understand things about ourselves that normal words can’t communicate. It shaped me to be a multifaceted artist, producer, DJ and businessman. I take it with me every day when I do my job.

What is your favorite local place that you would recommend to someone who has never been to NOLA? Where would you take us for a night out on the town?

This is a very difficult question because there are many. If I was the curator of EDM Identity’s NOLA party (it should actually happen for your information), I’d guarantee there would be some kind of electronic/bass show at ‘Republic NOLA’ to begin with. This place is like my home base, and I’ve been going there longer than I probably should. [Laughs] Their team has shown me a lot of support over the years. For the afternoons, we had chosen “The Rabbit Hole”, which is a newer place that organizes the culture in the best possible way. Kudos to Nile Ashton and the good work he is doing there!

Finally, what can fans expect from Don Peyote? Any releases or big shows we can expect?

The guest mix I do with EDM Identity! Everyone should check it out, as it includes some, but not all, of my recent unreleased music, as well as my best edits and recent originals! It perfectly sums up what my sets have been like lately. Take it as a bass/electronic music lesson with Don Peyote. Go smack that on you speakaz!


Follow Don Peyote on social media:

Website | Facebook | Twitter | instagram | SoundCloud

Workers watch live streams to find jobs on China’s TikTok

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Smartphone in hand, Xiao Simu walked through a huge carrot field in Shuangliao, a city in northeast China near the border with North Korea. In the livestream, made in September, he showed dozens of workers harvesting carrots in the sun. One comment asked how much the carrots cost. “We don’t sell carrots,” replied the 34-year-old. “We hire people to pull the carrots.”

Xiao, who runs a recruitment agency in Jilin province, started hiring workers in August through the short video app Kuaishou. It broadcasts live for up to four hours a day, advertising jobs harvesting carrots, hauling spring onions or processing chicken pieces. It occasionally broadcasts live from the fields. At other times, it loops videos of chicken farms and production lines. “People could see the real work environment as if they were there themselves,” Xiao said. Rest of the world. “They could see how the work is done, so they don’t feel unfamiliar or unhappy when they get here.”

Live streaming first became popular in China as a form of entertainment, but in recent years it has found its way into every aspect of daily life – from shopping to education to matching and now, recruiting. Several short video and job search apps have introduced live streaming features, which are now most popular in the blue-collar job market, where employers need to hire a large number of workers with few requirements. prior experience, recruiters said. Rest of the world.

Kuaishou, a TikTok-like video app popular among blue-collar workers, rolled out Kwai Recruitment, a special section for live recruitment feeds, in January and recorded 250 million monthly active users in the second quarter of 2022. In its job channels, recruitment agents – turned live broadcasters advertise jobs for delivery drivers, package handlers, rabbit farm workers and babysitters. Hosts tout punctual payments, free accommodation, good meals, or, for male applicants, an abundance of female colleagues. They are also clarifying the restrictions: “Do not apply if you are over 55,” reads an on-screen slogan in a factory jobs live stream. “No criminal record, no tattoos,” reads another factory job description.

The app allows viewers to ask questions in the live comment section or submit their cell phone numbers by simply tapping a floating on-screen link.


Kuaishou

Recruitment agencies traditionally hire for factories and farms through offline job fairs, employment websites or postings on WeChat. Agents say live streaming is a cheaper way for them to connect with low-skilled workers. Han Song, a 33-year-old agent turned live broadcaster who specializes in electronics factory jobs in Shenzhen’s technology hub, said Rest of the world that his company used to spend tens of thousands of dollars posting job vacancies online, but live streaming on Douyin and Kuaishou allows them to reach a wider audience at no additional cost.

Jiaxi Hou, a researcher at the University of Tokyo who studies disadvantaged communities in Kuaishou, said Rest of the world that Kwai Recruitment could potentially present job opportunities to disadvantaged people who use the app as their main digital platform, such as the older generation, the illiterate and the poor in underdeveloped regions.

Live streams, where videos of all kinds of workplaces can be seen via infinite scroll, could also inspire viewers to seek out alternative opportunities beyond their original imaginations, Hou said.

But, as live recruiting becomes more popular, video platforms are also encountering issues that offline job markets have long struggled with, such as scams, late payments and age discrimination. gender and ethnicity. Ma Legang, a 27-year-old former electronics factory worker in Shanghai, said Rest of the world he was looking for jobs on Kwai Recruitment, but he would need to check offline agencies or employers before making a decision. “On the internet, it’s just talking,” Ma said. “You can’t believe everything.”

It’s hard for viewers to tell whether or not the scenes displayed in the live streams accurately represent actual workplaces. Some recruiters pretended to be production line workers, broadcasting live in front of piles of phone cases and cables.

Xiao, the Jilin-based recruiter, said that instead of overselling jobs and attracting applicants who would later drop out, he tried to make his feeds as realistic as possible: carrot harvest workers would be paid 0 .6 yuan (8.4 cents) for each meter of land they work on. They would get cheap food like potatoes and eggplant. Everyone lives together in tents.

Although hundreds of thousands of people listened to his live broadcasts, Xiao said he receives up to 200 applications a day. In the past month, he has hired over 50 people. “Let’s be honest. Nobody would do that if they came from a wealthy family,” he said in a recent livestream. “Everyone is here because they are poor and want to improve their lives.”

Epstein’s first family amphitheater events to showcase talent from UC San Diego and beyond

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Niki – Nicole’s tour | Thursday, October 20

UC San Diego Associated Student Concert and Events Present Niki – The Nicole Tour. Jakarta-born, Los Angeles-based singer-songwriter and producer NIKI performs her first North American headlining tour “The Nicole Tour” at the Epstein Family Amphitheater. This concert is now sold out.

An evening of celebration with the San Diego Symphony Orchestra | Friday October 21

Musicians from the San Diego Symphony Orchestra and UC San Diego will perform in the first concert to be held at the Epstein Family Amphitheater. The program will feature the music of Igor Stravinsky and Samuel Barber, as well as that of Professor Rand Steiger and Professor Lei Liang. Australian conductor Elena Schwarz will take the podium, along with Professor Steven Schick who will conduct the symphony in a performance composed by former student Anna Thorvaldsdottir. Renowned violinist Paul Huang will also perform on the evening’s program.

Death Cab for Cutie with Yo La Tengo | Saturday October 22

Grammy-nominated alternative rock band Death Cab for Cutie will perform in the new amphitheater, with an opening set from indie rock band Yo La Tengo. The group will be on tour with their album “Asphalt Meadows”, which will be released in September. This concert is now sold out.

Community party and movie night | Sunday October 23

Taking place right next to the Central Campus light rail station on the UC San Diego Blue Line, enjoy a free, all-day community event featuring family-friendly activities, vendors, and shows. The amphitheater will come alive with a parade of giant puppets presented by La Jolla Playhouse and Animal Cracker Conspiracy, salsa lessons and performances by the Young Lions Jazz Ensemble. Vendors will offer fun activities for all ages and delicious food and drink. In the evening, guests can enjoy two film screenings: Disney/Pixar’s Soul and the 1984 cult classic, Purple Rain.

Las Cafeteras: Hasta La Muerta presented by ArtPower | Thursday, October 27

A world premiere and part of UC San Diego’s Latinx History Month celebration, Hasta La Muerte is a captivating new production rooted in the indigenous Mexican practice of celebrating life and death, universally known as of Dia de los Muertos. A tribute to the ancestors who came before us, Hasta La Muerte is a passionate, multi-dimensional performance filled with song and dance, a traditional altar, and original and new music from Las Cafeteras.

at the Amphitheater Drag Show | Friday, October 28

Undergraduate colleges, the LGBT resource center and the university’s free event series Triton Fest have teamed up to present a unique Halloween-themed drag show. The event features Lala Ri and Daya Betty of Ru Paul’s Drag Race, as well as iconic local talent. The event is free and open to UC San Diego students. Tickets are required for entry and are available now.

Blacktronika: Where I Stand Festival | Saturday October 29

Blacktronika: Where I Stand Festival will bring together six innovative musical acts ranging from free jazz to cosmic funk to create a full day of sonic cultural expression. Blacktronika is a UC San Diego music course created by Professor King Britt that honors innovators of color who have contributed to the global advancement of electronic music. Talents featured for the event include Irreversible Entanglements, Tyshawn Sorey and King Britt, Xenia Rubinos, Chimurenga Renaissance, Georgia Ann Muldrow and 5hz.

Rival Consoles: Now Is Album Review

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Ryan Lee West, aka Rival Consoles, has always looked for new ways to approach his synthesizers, whether translating sketches into scores on Joint or daisy-chain effects pedals to create the busy textures of To yell. The London producer’s expressive, restless tonality-seeking vibe blends easily with other mediums. Recently, his music has provided the ominous underpinnings of a contemporary dance production, the heart-pounding cues of a football documentary, and the buzzing accompaniment of model Bella Hadid having a dress sprayed directly on her body. With Now it’s, West created a soundtrack for his own pandemic-induced lockdown. Rightly so, it’s sometimes tedious and sometimes revealing, oscillating between comforting memories of the past and tentative intuitions of the future.

An inward-looking suite of tracks made in solitude isn’t exactly new territory for West, whose painterly, atmospheric production style produces deftly layered headphone music, despite a few propulsive dancefloor flourishes. And the resolutely contemplative inclination of Now it’s is nothing less than a routine among the growing canon of records mostly created in times of lockdown; West’s former teammate Nils Frahm recently extended the “stuck in the neighborhood” vibe into three laboriously pensive hours. Many tracks on Now it’s were designed as miniature scores for film clips or as deliberate counterpoints to the sinister tone of the 2021s Overflow, but they’re still indebted to West’s usual palette of stuttering synths, sparse beats and reverberant flourishes. While songs like “Echoes” and “World Turns” refine the sound of previous Rival Consoles albums, West is more compelling when he consciously subtracts familiar elements or introduces new variables.

West said only when registering Now it’s, he tried to be “confident enough to bring very subtle details to the fore and let them be.” Classical music has been one of his main muses, although he is more interested in channeling the delicate interplay and timbre of orchestral sound than in reproducing the dense structure of the symphonic bombshell. “Running” and “Vision of Self” embrace the principles of minimalism, with short synth patterns that resemble string arrangements, repeating and moving slowly as embellishments are introduced. Hearing these songs gradually transform and reveal themselves takes patience, but none of the tracks feel like they’re heading to an inevitable crescendo – here, the journey is the goal.

Now it’s sometimes gets bogged down in tunes that sap the deliberate momentum of the album, like the cold, hard-hitting “Frontiers.” Written as an ode to the dramatic Icelandic landscapes, it’s a track that one would expect to reflect the awe-inspiring landscapes of a nature documentary, but it settles for the energy of a fade-out. shot of generic video game music (probably an ice level). Just before its conclusion, Now it’s enters another lull as West leans into extremely apathetic trends in ambient music (“The Fade”) and plays with nu-jazz styles (“A Warning”).

The distorted melody of a muted piano provides resolution at the end of the album. The instrument is rarely the centerpiece of West’s music, which makes its use here all the more striking. The soft hiss of piano looping on “Quiet Home” conveys a sense of physical space and grounded reality, contrasting West’s typical range of electronic noise suspended in reverb. In interviews, West insists he rebelled against the idea of ​​writing a predictable, gloomy record in the age of the pandemic, but the sparse and purposefully down-to-earth final minutes of the album betray the melancholy that inhabits it. Fortunately, Now it’s don’t spend too much time wallowing. West is far more interested in the musical possibilities that a period of enforced inactivity may possibly reveal.

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Audience Interface “The backbone of my studio”, says Skunk Anansie Vocalist

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Audience Interface “The backbone of my studio”, says Skunk Anansie Vocalist

UNITED STATES – Acclaimed rock singer, electronic music DJ and radio host Skin has set up a demo songwriting studio and DJ console in her New York home, which includes Audient’s iD22 audio interface . “Like most studio nerds, my home setup is constantly changing, but I have enough gear to record studio-quality vocals,” she says.

“I also record my radio show on Absolute Radio at home, so I rearrange things for that. To record my radio show, I use the Audient iD22 interface with my Austrian Audio OC16 microphone; I have Eve SC207 monitors that I switch with Avantone speakers using a Baby RAM Heritage Audio switcher, all coming into Logic Pro X.

She always knew how to manage in a studio, but preferred to let an engineer manage the technology while she focused on her creativity. However, it was ‘lockdown’ that changed that, and she spent a few months perfecting her own studio space. “First I upgraded the software which meant upgrading my computer, then my DJ speakers weren’t accurate enough, then I couldn’t get the vocal sound I wanted via my original interface, which also needed an upgrade.”

She asked her guitarist, Ace from Skunk Anansie, who immediately recommended the iD22 from British manufacturer Audient. It was spot on! “It’s quick and easy to use and understand,” she explains. “He has a lot of versatility as I can get both of us to sing and play/record at the same time, but mostly my voice sounds good so I can really enjoy singing!”

She was so happy with her iD22 that she chose the more compact iD4 to record vocals on the go. “It will save me from having to dismantle my New York studio,” she said. She wasn’t disappointed with the two-in/two-out audio interface. “I absolutely adore her, she’s a little beauty!” Perfect for traveling and sounds great. Check out his mobile studio on Instagram here.

Music is certainly a constant for Skin, and his studio setup reflects that. “I use a variety of mics depending on what I’m doing. I have a Neumann TLM 49, an Aston Microphones Spirit Black and a variety of Shure, SM58 Beta, SM57 mics, all of which sound great using the iD22, whether for vocals, guitar or percussion . It’s the backbone of my studio, it’s the dusty gear that never changes.

So what’s next for her? She’s just finished a song for a new BBC series ‘SAS Rogue Heroes’ which will be released soon and is also working on Skunk Anansie’s next album, so she’s excited to focus on creativity again. That said, Skin’s inner studio nerd is never far away. “It would be interesting to try the Audient ASP800,” she muses.

October 17, 2022

How will debt consolidation affect my credit rating?

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If you have more debt than you can comfortably afford to repay, consolidating that debt into one loan may not have an immediate effect on your credit score. But while consolidating your debt can help you develop healthy financial habits, it may lead to an improvement in your credit score over time.

How do credit scores work?

Credit scores are generated by credit bureaus such as Equifax and Experian using information from your credit history. If you have a habit of borrowing money and paying it back on time, you are more likely to have a good credit score. But if you’ve missed loan payments or had defaults in your credit history, you’re more likely to have bad credit.

Banks, lenders and credit providers use credit scores when applying for loans to assess your risk as a borrower. Borrowers with good credit are more likely to be offered low interest rates, low fees, or additional features and benefits, while borrowers with bad credit may find it more difficult to successfully apply for a loan or may have to pay higher rates and fees.

How does debt consolidation work?

Debt consolidation consolidates all your unpaid debts into one new loan. This means that you will only have one repayment to manage, rather than several debts to pay off. You will also be charged interest only once, at the single interest rate, which may be lower than some of your other debts. It could save you money and help you pay off your debt a little easier.

There are a few potential options for consolidating debt, including:

  • Redemption of personal credits: These can be secured by the value of another asset or left unsecured. You can be offered a fixed or variable interest rate, and the choice of a shorter or longer loan term – shorter loans mean higher repayments, but lower long-term interest, and longer loans long means cheaper repayments, but can cost more in total interest charges.
  • Credit cards with balance transfer: These cards allow you to transfer outstanding balances from other credit cards and then pay little or no interest for a limited time. This can give you the opportunity to try to erase your debt without it growing. However, if you cannot repay the outstanding balance within the interest-free period, you will be charged interest on whatever remains, often at a high rate.
  • Refinance your mortgage: If you already have a home loan, you may be able to use the equity in your property to borrow additional money when you refinance to consolidate other debts. This means that you will be able to benefit from the interest rate on your home loan, which is likely lower than many personal loans and credit cards, although the longer term of the loan may mean that you will pay more total interest.

How could debt consolidation improve your credit rating?

If you’re struggling to manage the repayments of multiple debts, a debt consolidation loan could be a first step in regaining control of your finances. With just one payment to budget for and one due date to remember, it can be easier to avoid missed payments and make steady progress toward wiping the slate clean.

If a record of regular and consistent repayments appears in your credit history, it can help gradually improve your credit score over time.

How could debt consolidation hurt your credit rating?

Consolidating your debts may not automatically improve your financial situation. Your consolidated debt might take longer to pay off, costing you more in total interest, and there might also be other fees and charges to consider. If you miss repayments or fail to repay your consolidated loan, your credit score could be compromised.

Plus, consolidating your debts may not matter if you then go out and rack up new debt on loans and credit cards. To help limit the risk of starting the cycle of debt all over again and leaving you in the same or worse situation, you can consider canceling credit cards and other loans and credit accounts once you have consolidated your debts.

Consider contacting a financial advisor for more information on whether consolidating your debt may be the best choice for your financial situation. For example, a mortgage broker may be able to offer advice on refinancing options. And if you find yourself in financial difficulty, the National Debt Helpline may be able to provide financial advice.

Flow Music Unveils Tonelab’s New EP “Inhale Exhale” Featuring Remixes Of El Mundo And Nōpi

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Flow Music is an Australian label focused on melodic house with organic sounds and the imprint’s new release features original music from Tonelab as well as remixes from Nōpi and El Mundo.

Philip Rex a.k.a tonelab is a Melbourne-based Australian artist who has also released on world renowned labels such as trauma. He was involved in music from an early age and prior to his career in electronic music he was a jazz musician renowned for being one of Australia’s most in-demand double bass players.

He was also half of Lure duo and performed at festivals around the world such as Vuuv, Clearing, Wonderland, rainbow snake, earth core, Eclipse and maitreya.

Tonelab Inhale Exhale

El Mundo featured on the last stream music released when he collaborated on a remix with a regular production partner Zazu. This time, the German producer works solo in the deep, organic style he’s previously showcased on the likes of Crosstown Rebels, Take physics and Akbal Music.

nope is a young Ukrainian producer making his debut on stream music following releases on major record labels such as Anjunadeep, don’t sit down and All day I dream.

Inhale Exhaleis the original track from the EP and it has a slow groove with haunting male vocals and poignant chords layered with soaring pads and dancefloor focused percussion. nopethe remix of Inhale Exhale removes the original and layers new tribal percussion plus an under-heavy bass line to create an atmospheric technical version. El MundoThe remix of features a new piano riff to create a thrilling version full of suspense, while the original’s vocals fill it with emotion.

Listen to the tracks below!

Charlotte De Witte Blasts Through The Cosmos With Intergalactic-Themed Techno EP, “Apollo” – EDM.com

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Now more than ever, Charlotte de Witte powers some of the most memorable moments on the festival circuit. And with his brand new EP, Apolloit takes this trajectory in overdrive.

The techno superstar is back with four new tracks, and much like the very idea of ​​wandering the cosmos, each evokes a mixture of curiosity, awe and excitement.

Charlotte de Witte performs at Tomorrowland Winter 2022.

Like a descent into a black hole, “Missing Channel” lets minds spin and hearts race with a hypnotic cadence and subtle, distorted vocals just within earshot. The trippy atmosphere trickles back into the titular “Apollo,” in which ethereal vocal harmonies pulsate, morph, glitch, and swirl, creating a hair-raising illusion that plays on the senses.

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de Witte steers the ship through a frantic change of course with “Mercury,” a track with tangy bass lines and radio wave vocals blasted into the mix. “PPC” brings the journey to its final destination with meditative soundscapes and shimmering synths, providing a much-needed point of reflection on this intergalactic sonic journey.

The Belgian techno powerhouse has made world-building an integral part of its creative process. She develops her long-running works around a mix of conceptual and concrete themes, like the one in 2021 Formula EP, an ode to one of Europe’s most legendary pastimes, Formula 1 racing. Bringing it a similar sense of cohesion Apollo EP, de Witte proves there are layers to his sound worth exploring.

Listen to the EP below and stream it here via de Witte’s KNTXT imprint.

FOLLOW CHARLOTTE DE WITTE:

Facebook: facebook.com/charlottedewittemusic
Twitter: twitter.com/charlottedwitte
Instagram: instagram.com/charlottedewittemusic
Spotify: spoti.fi/2ZDewDm

Crunchyroll Develops Special “Animated Music Experience” at Porter Robinson’s Second Sky Music Festival – EDM.com

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Porter Robinson and Crunchyroll are teaming up for a bespoke “animated music experience” at Second Sky, the electronic music star’s Bay Area music festival.

According to a press release shared with EDM.comthe “Anime Shelter” experience will feature DJs from Tokyo’s iconic Akihabara anime nightclub, MOGRA, set to return to the United States for the first time since 2019. Ravagers will also be able to gulp down anime-inspired drinks at the pop-up, which takes its name from Robinson’s 2016 hit, “Shelter.”

“MOGRA is one of my favorite places in the world – all night anisongs and amazing live VJing is an experience that has become justly famous around the world and it’s a place I go to every time that I’m in Japan,” Robinson said. “Crunchyroll (who helped found Shelter) is bringing MOGRA to the US with Second Sky. If you’re coming to the festival, don’t miss it!”

Porter Robinson.

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Robinson has long championed anime culture. He teamed up with Crunchyroll in 2016 to produce an anime music video for “Shelter” before the song became one of the most popular songs of his career. The short tells the story of Rin, a young girl “living her life inside a futuristic simulation completely by herself in infinite, beautiful solitude.”

Second Sky 2022 is scheduled for October 29 in Oakland. The festival will feature performances by RL Grime, Hudson Mohawke and a rare collaborative performance by G Jones and Robinson’s Grammy-nominated Virtual Self alias, among others.

You can buy tickets here.

FOLLOW PORTER ROBINSON:

Facebook: facebook.com/porterrobinsonmusic
Twitter: twitter.com/porterrobinson
Instagram: instagram.com/porterrobinson
Spotify: spoti.fi/2Zu4oNS

Melissa McCarthy ruined her daughter’s sex talk by doing it over dog poop

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Melissa McCarthy ruined a sex conversation with her daughter as she scooped up dog poop.

The actress, 52, said she aims to do ‘better’ the next time she broaches the subject, which she first tried the day before her 15-year-old daughter Vivian’s school. , who covered the current topic of health, and she didn’t want to let “someone else initiate this conversation with my child”.

Melissa admitted on the ‘We Can Do Hard Things’ podcast on Tuesday (11.10.22): “I did (that) incredibly awkwardly.”

The actress, who also shares daughter Georgette, 12, with husband Ben Falcone, also joked trying to talk Vivian about sex while bending over to pick up dog poop was a ‘really wonderful time’ to chat .

She added: “Vivi just goes, ‘Oh my god, is that happening?’ And I was like, ‘There are different body parts…uh’…I was just like, ‘Let me be clumsy and get away with it’.

“There’s still a former Midwestern Catholic (inside me) who’s like, ‘Talk about sex and a bolt of lightning falls.'”

Melissa insisted she had better discussions with her children about dating, with her and her husband urging their daughters to choose partners who are ‘incredibly kind and respectful’ and only ‘raise’ them.

She added: “That person has to be incredibly happy when you succeed and incredibly supportive when you fail.

“And if those ever get changed, that’s the biggest red flag on earth. And nothing should make you feel uncomfortable.

Melissa, who married Ben, 49, in 2005, had Vivian two years later and Georgette in 2010.

Last month, she spoke to Ben’s fans on Instagram on his 49th birthday: “No paws, he’s mine!! Happy 49th birthday to the most wonderful weirdo I know. Love you.”

What are the alternatives to a debt consolidation loan?

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A debt consolidation loan is designed to streamline multiple debts into one monthly payment. This can be a good option for those juggling multiple debts with different repayment dates, as it makes debt management easier and reduces the risk of missing payments. However, debt consolidation loans are not the only way to manage debts and may not be the most suitable option for you.

What is a debt consolidation loan?

Debt consolidation loans are designed to streamline multiple balances into one monthly payment – they make it easier to manage your debt and reduce the amount of interest you pay. Taking out a debt consolidation loan means that you transfer all your existing debts onto one loan, so there is only one payment to manage and only one interest rate.

One of the reasons people choose to take out a debt consolidation loan is that it can sometimes be cheaper.

Personal loans, including short-term loans and even longer-term loans, generally offer low interest rates, which means transferring all your debts into one loan payment could mean that you pay less interest per month, saving you money in the long run. However, the most favorable interest rates are generally reserved for those with good credit, which means that for borrowers whose credit is not perfect, it may not be cheaper to transfer their debt to a Personal loan.

If not, how could you consolidate your debts?

If you’re not sold on the idea of ​​a debt consolidation loan, there are still many different options that might be a better option depending on your personal financial situation:

1. Pay off cards with the highest rate first

Before deciding which strategy to choose to pay off your debt, make sure you know exactly how much you owe and the interest rates for different types of debt. About 38% of American credit card holders are unaware of the interest rates associated with their credit cards (in the UK there are charities that can help you when you are in debt). The first step should always be to check out the different interest rates so you know which ones charge the highest interest, these should be the ones you pay off first in order to start managing your debt more effectively.

Once you have identified the cards with the highest interest, make the minimum payment required for each of your cards. Then any remaining money you have you can use to pay off the card with the highest interest rate. If you pay off your cards by APR order rather than by balance, it can help you get started with your debt management faster and could save you money.

2. Move your balance to 0% interest

If you have a good credit rating, moving your debt to a card with a 0% introductory rate might be a smart option. Some credit cards offer an introductory rate of 0% which can last for 12 to 18 months. If you choose this option, it means you can work on paying off your debt quickly without having to pay interest. Before you do this, you need to check if there are any fees charged for transferring to another card and how much those fees would be.

It should be noted that this is only a profitable method if you are able to pay off your entire balance before the end of the 0% introductory period, otherwise you may end up paying a large amount of interest.

3. Increase your minimum payment

Many cardholders make the required minimum payment per month in order to manage their credit card debt. While this avoids paying interest on the account, it does not help tackle your debt. However, if you are able to increase the minimum payment or double the minimum amount required, you could pay off your debt much faster.

4. Spend extra money on paying off your debt

Rather than paying off your credit card interest rates, it might be better to spend money on reducing the total value of your credit card debt. Even if you borrowed as little as $1,000 by credit card, paying off your debt sooner will save you money in the medium to long term, with less interest to pay. This will help you pay off your debts faster and get into the black sooner.

ALESSA.A’s talent shines with Manse and Vincent Voort on upcoming rave single “Bring Me To Life”

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Growing up with a solid background in classical music, ALESSA.A has placed itself at the top of western Japan for competitions for young pianists. His name quickly spread throughout the classical music community. Using his large fanbase, ALESSA.A made his DJ debut at the Thailand Full Moon Party in March 2019. Following this performance, she took a big step to expand her musical influences across China. To add to its distinguished resume, ALESSA.A also held the first orchestra-DJ collaboration concert in Japan called “Japan Century Orchestra”. The unique experience went viral in Japan and was reported on television, newspapers and radio. Another feat for the growing artist is his title as the official DJ of the Red Hurricanes, a professional Japanese rugby team in Osaka.

Now she’s back, this time working with Manse and Vincent Voort for their upcoming epic rave single, “bring me to life“. It has Tomorrowland vibes on the main stage, filled with fiery synths, rumbling bass and electrifying tracks to get everyone moving. ALESS.A’s piano talent shines, as her beautiful arrangement sits alongside spooky vocals, enchanting you throughout.

“This song is a collaboration with MANSE and Vincent Voort. I was brought up with classical music since I was 3 years old. So I created a song that fuses EDM and classical music. The highlight is the live piano performance. The melody of this song draws listeners into a world of emotions. – ALESSA.A

Listen below!

YouTube Originals to Release ‘Behind the Beats,’ Featuring Blondie, Snoop Dogg, L7 (EXCLUSIVE)

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YouTube Originals will launch “Behind the Beats” on November 18, a new animated pop music anthology series produced by TeamTO and 22D Music Group in partnership with France Télévisions, the French public broadcaster.

Episodes 1 through 4 of the new pop story will also debut on the YouTube Kids app, YouTube Originals Kids & Family announced Wednesday.

More Variety

YouTube and TeamTO shared first-look footage from the series exclusively with Variety.

The deal sees YouTube launch the series worldwide but with a one-year hold in the French language, where France Télévisions has first-window exclusivity.

“This new animated musical series from TeamTO is ideal for family viewing, filling a void for parents who want to watch something with their children that they will actually enjoy,” said Craig Hunter, Global Head of Kids and Family Originals. . for YouTube.

Currently featuring a first season of 26 five-minute episodes, “Behind the Beats” chronicles how talented musicians with radically different styles came together to create a new genre or movement.

In “Disco Meets Punk: A Story of New Wave,” for example, Blondie’s Debbie Harry and Chris Stein meet Donna Summer and composer Giorgio Moroder at Studio 54 as “I Feel Love” hits the charts. They decide to merge punk with the futuristic synth sound of Moroder. The result, “Heart of Glass”, creates the New Wave.

Snoop Dogg meets Dr. Dre who injects his childhood funk into Gangsta Rap in another episode. “Who Am I” by Snoop Dogg (“What’s My Name)?” becomes the first rap album to enter the charts at No. 1.

“Punk Meets Hard Rock: A Story of Grunge has L7, the all-female band, which combines Ramones-style punk with Joan Jett rock (“I Love Rock’n’ Roll”) and, moving to Seattle, founds grunge .

The series also explores the stories behind movements such as rock’n’roll, reggae, electro pop and trap. Each episode features three tracks, which may include some of the greatest songs of all time, such as Patti Smith’s “Gloria: In Excelsis Deo”, Donna Summer’s “I Feel Love” and Blondie’s “Heart of Glass” history of New Wave.

The episodes feature a heated exchange between male and female commentators who make wider connections – between Debbie Harry and Lady Gaga, for example.

“When we discovered this project, we dreamed of offering it to both a local and international audience, so we are really delighted to partner with both YouTube and France Télévisions”, commented Corinne Kouper, SVP of the production and development, TeamTO.

“We can’t imagine a better way to launch this series on both digital platforms and public broadcasters, all made possible thanks to the incredible resources and expertise of 22D Music Group,” she said. added.

22D Music Group undertook the daunting task of obtaining the rights of the artists.

Even though the partnership included a big company like YouTube, owned by Google, and a classic European public broadcaster like France Télévisions, “the workflow was very pleasant with everyone. It was a very fluid relationship,” Kouper said. YouTube and France Télévisions also coincided in their objective of targeting audiences over 12 years old.

The characters are drawn in animated simplified lines that make them recognizable, though the series never attempts photo-realistic likenesses.

behind the beats

behind the rhythms

Many now-legendary artists started at a very young age, Juan Atkins at age 17 in his parents’ bedroom in Detroit listening to The Midnight Funk Association. His breakthrough came when his grandmother gave him a synthesizer, “Behind the Beats” notes. Amazed by Bernie Worrell’s use of the Minimoog bass on the Parliament song “Flash Light” and catching Kraftwerk’s “The Robots”, Atkins fused Parliament funk with electronics and recorded Cybotron’s “Clear” in 1983. Tech is exploding.

“The series repeatedly shows young people with dreams and those dreams come true, their creativity sparked by meeting other artists. It’s very inspiring and moving,” Kouper said.

“In each episode, we use the story of a person, whether singer or artist, to make the music more palatable. We also show how diversity is a great creative tool. In the world today is an incredible message,” said Patricia de Wilde, Director of Marketing and New Business for TeamTO.

“This series has it all, it’s educational, inspiring and just fun to watch for anyone who loves and appreciates music,” Hunter concluded.

The theme song is the classic “We Are Family” by Nile Rodgers and Bernard Edwards, revisited by Yeti Beats in collaboration with Rodgers himself and featuring Snoop Dogg and the voice of Sheléa: eras and styles collide to create an expansive and joyful statement of inclusivity.

“Behind the Beats” is created by Baptiste Jaquemet. It is produced by Corinne Kouper (TeamTO) and Emmanuel Deletang (22D Media Group).

Hunter serves as YouTube’s creative lead on the series with Zoë Di Stefano serving as creative director. The creative manager of France Télévisions is Pierre Siracusa.

Corinne Kouper and Patricia de Wilde

Corinne Kouper and Patricia de Wilde

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Meet the Artists Shaping the Wave Music Scene – EDM.com

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Since debuting as a simple hashtag on SoundCloud in 2017, Wave has become one of the fastest growing trends in the electronic music scene.

Originally championed by Plastician on his weekly show “Rinse FM”, the Wave genre has grown into its own thriving DIY ecosystem, branching out and growing into a real movement.

While trap music was at an impasse and drum & bass had yet to explode in the United States, the Wave scene was thriving. Borrowing influences from British dubstep, cloud rap, grime, witch house and trance, the sound gradually seeped into the underground until it reached the ears of RL Grime. Thanks in part to their support of Skeler’s track “Arcadia” at EDC Las Vegas 2019, Wave was catapulted into the limelight.

Despite the pandemic’s impact on the live music industry, the Wave movement has continued to grow and grow organically. And as the popularity of the genre skyrockets, so does the success of its early adopters.

Read on to learn about the artists shaping the Wave scene.

dead crow

It was 2017 when Annie Nightingale presented Deadcrow on BBC Radio 1, predicting a bright future for the virtuoso producer. Since then, he has quickly become not only a mainstay of the Wave movement, but also its ambassador to the wider bass music scene.

Deadcrow’s forward-thinking approach to Wave often combines hardstyle and dubstep influences, leading to high-profile releases on Grime’s Sable Valley, Steve Aoki’s Dim Mak Records and UKF’s sister label Pilot. This year he performed at the Belgian Rampage Open Air festival and spent the summer showing off his talents in the United States.

skeleton

If we had to pick one generational anthem for the Wave movement, it would be Skeler’s “Tel Aviv.” It’s no exaggeration to say that the Australian producer is primarily responsible for bringing the “hardwave” subgenre to the fore. And despite its immense popularity, it is still hidden in the plans.

When his reworking of Hardwell’s “Arcadia” caught Grime’s eye, it kicked off a golden era for the Wave scene. With nearly 20 million views on official uploads alone, his series of “Night Drive” mixes have been a big influence on the selection of trend setters such as Trap Nation and Trap City. His live performances have been limited so far, but his recent signing with Kompass Music Group hints at tour dates on the horizon.

boi barnacle

Producer, DJ, singer and visual artist Barnacle Boi is positioned at the forefront of the Wave scene in the United States. bass-driven music.

His repertoire includes a full album, 2020, and dozens of originals and remixes of mainstream hits, like HER’s “Slide” and tATu’s “All the Things She Said.” When it comes to live appearances, Barnacle Boi has proven to be a force to be reckoned with. At the end of 2022, he will perform at the legendary Red Rocks Amphitheater in Colorado.

klasey jones

Klasey Jones is not your typical Wave artist. Although he was one of the first generation of producers to pioneer the genre, his ethereal and intensely visual approach made him a critically acclaimed one-of-a-kind artist.

Over the past five years, Jones has documented his growth and evolution as an artist with terrific storytelling. The British producer scoured sounds that drew on influences ranging from film and video game soundtracks to more dancefloor-friendly genres such as grime and drum & bass. The most recent chapter in its story, “Operation Midnight”, is a multimedia project that includes both digital versions and printed comics.

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Noah B

Hailing from Philadelphia, Noah B has not only been a part of every pivotal moment in Wave history, but has also left an indelible mark by being the first artist from the movement to be featured on UKF. Since his first release on Plastician’s Terrorhytm label in 2016, Noah B has continued to push the genre in new directions.

2020s Heavy armor The album can be seen as the manifesto of his cinematic space-themed sound, but it didn’t stop there. He was instrumental in popularizing the intersection of wave and drum and bass, such as in “Sense Of Time” and “ÆTRNL.22”, in which he also incorporates psytrance influences.

Klimek

A legend within the Wave universe, Klimeks not only helped launch the genre, but more importantly, he was also the one who formalized the term at the dawn of the movement.

Responsible for such hits as “Eternally Yours”, “Dreamescape ’95” and “Mystic Nights”, Klimeks is the mind behind wavemob’s seminal imprint. Its fame is bolstered by the fact that just as the Wave movement began its ascent into the electronic music space, it suddenly went on hiatus. Earlier this year, he quietly returned to the stage with four new masterpieces, which celebrate the classic Wave sound.

Juche

If there’s anyone who has explored the potential of Wave from afar, it’s Juche. As of 2017, the French producer has built a huge catalog that includes releases on Liquid Ritual, vibe.digital, Tribal Trap terrorhtym, IMMINENT and Lowly, to name a few.

With his visionary album future love story, Juche is among those who have experimented the most with 4/4 rhythms, moving the Wave sound away from its bass roots into more trance and synthwave territory. His most recent project, Prologue to the story EP, takes the hardwave and pushes its uplifting potential to new heights.

A brothel

Unpredictable and enigmatic, the prolific Bordel is one of the most fascinating artists on the Wave scene. Beneath the DIY and punk facade hides an artist who, taking Wave as the foundation of his project, has made his artistic production an impossible chimera to frame.

Going through the 12 tracks Brothel has released so far in 2022, we move from anthemic Wave records like “Right Here” and the alternative rock flair of his Lil Peep remix to obscure bangers like “LEGION,” as well as the vibes of smoking chill trap of “tampon”.

Sorsari

Thanks to Sorsari’s dancefloor nature, hardwave may have stolen the show over the past couple of years, but the classic Wave sound is still alive and well. And Sorsari is unquestionably one of its champions.

Active on the scene since day one, the Canadian artist may not be in his most productive time, but every release from him can be considered a masterstroke. His Burning EP and its latest single, “Together”, encapsulates the very essence of Wave and at the same time raises the bar of what this genre is capable of offering.

Pia Whitesell, 38, takes her husband Patrick, 57, to a rave to see an Australian electronic dance group

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They enjoy a lavish life together, traveling the world to attend star-studded parties and treat themselves to luxurious vacations.

And Pia Whitesell and her husband, multi-millionaire Hollywood agent Patrick, certainly let loose in Los Angeles on Sunday.

Pia, 38, took Patrick, 57, to see her favorite electronic dance group RÜFÜS DU SOL at the Hollywood Bowl in Los Angeles.

Pia Whitesell and her husband, multi-millionaire Hollywood agent Patrick, certainly let loose in Los Angeles on Sunday

The exotic beauty shared a video of the couple dancing in the crowd with some of Pia’s girlfriends.

The actress and model looked generally stunning for the evening, with the brunette beauty showing off her abs in a black crop top paired with Dion Lee cut-out trousers.

She flaunted her natural beauty with minimal makeup and wore her brunette locks in a messy wavy style.

Pia, 38, took Patrick, 57, to see her favorite electronic dance group RÜFÜS DU SOL at the Hollywood Bowl in Los Angeles with some of her girlfriends

Pia, 38, took Patrick, 57, to see her favorite electronic dance group RÜFÜS DU SOL at the Hollywood Bowl in Los Angeles with some of her girlfriends

The exotic beauty shared a video of the couple dancing in the crowd with some of Pia's girlfriends

The exotic beauty shared a video of the couple dancing in the crowd with some of Pia’s girlfriends

Pia recently shared her three tips for looking naturally gorgeous, recommending plenty of exercise and sleep.

She was responding to a question from a fan when she said her top three tips were “sleep, sweat and lymphatic drainage”.

She added that she loves getting that “lymphatic system drain” with a fascia blaster.

The Chilean-born Australian star shared photos of herself in a sauna using the fascia blaster on her face.

A fascia blaster is a stick-like massage device designed to be rubbed against the skin to repair connective tissue (fascia) – which causes cellulite.

Pia recently shared her three tips for looking naturally gorgeous, recommending plenty of exercise and sleep

Pia recently shared her three tips for looking naturally gorgeous, recommending plenty of exercise and sleep

She was responding to a question from a fan when she said her top three tips were

She was responding to a question from a fan when she said her top three tips were “sleep, sweat and lymphatic drainage”.

She added that she loves getting this

She added that she loves getting this

She added that she loves getting that “lymphatic system drain” with a fascia blaster, which she also uses on her face.

The gadget is the brainchild of American entrepreneur Ashley Black, who originally used it to treat her rheumatoid arthritis but soon discovered it also helped diminish the appearance of cellulite.

Pia also uses the lymphatic drainage massage tool, which promotes the circulation of fluids in the body through the lymph nodes.

It is a gentle massage that uses rhythmic movements to help eliminate waste and toxins in the body and reduce swelling.

Pia also uses the Lymphatic Drainage Massage Tool, which promotes the movement of fluids in the body through the lymph nodes.

Pia also uses the Lymphatic Drainage Massage Tool, which promotes the movement of fluids in the body through the lymph nodes.

Pia was recently back in her hometown of Sydney this month to celebrate her mother's 70th birthday

Pia was recently back in her hometown of Sydney this month to celebrate her mother’s 70th birthday

Pia was recently back in her hometown of Sydney this month to celebrate her mother’s 70th birthday.

She moved from Australia to live in Los Angeles with her multi-millionaire Hollywood agent husband Patrick last year.

Uploading a photo gallery to her Instagram, the glamorous stunner wrote, “Grateful…” So full of love and joy to be home with my family to celebrate our wonderful mom on her 70th birthday. anniversary.

Pia announced her engagement to Patrick in November 2020. They married in secret months later.

She moved from Australia to live in Los Angeles with her multi-millionaire Hollywood agent husband Patrick last year.

She moved from Australia to live in Los Angeles with her multi-millionaire Hollywood agent husband Patrick last year.

She moved permanently from Sydney to the United States in September last year.

Pia traveled overseas with her sons, Isaiah, 18, and Lennox, 13, and settled in Los Angeles.

She welcomed son Isaiah when he was 19, his father’s identity being kept secret, and welcomed Lennox with ex-husband and AFL star Brad Miller.

Debt consolidation: how to get out of holiday debt

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If you’re looking to get rid of your holiday debt quickly, a smart strategy is to consolidate all your debt into a new loan with more favorable terms. This can guarantee you a lower interest rate, which means you’ll have a smaller monthly payment and can pay off your debt faster. Different debt consolidation options can help you pay off your vacation debt faster.

The holidays are over and now it’s time to pay the piper. If you’ve gone a little overboard with your spending, you’re not alone. According to a recent study, the average American has a vacation debt of $1,000.

Debt can be a real inconvenience, especially during the holidays. But don’t worry, there are things you can do to control your vacation debt. Check out these tips and get back on track.

Debt Consolidation: Vacation Debt

As the holidays approach, many Californians are beginning to feel the pressure of freebies and travel expenses. For some, that means racking up credit card debt, using buy-it-now services, pay later, or taking out personal loans. Although the holiday season is a time of joy for many, it can also be a source of financial stress for some.

It is important to keep track of what you owe.

Photo credit: Trismegistus san

Start by making a list of all the debts you have. Indicate the type of debt, the name of the account and the balance due. This will give you a good overview of your overall debt situation. If you have multiple debts from different sources, be sure to include them all.

It’s important to stay organized when it comes to your finances and know how much you owe on each debt. Write down the minimum payment amount, interest rate, and payment due date for each.

Staying organized with your finances is key to avoiding astronomical bills. Make a list of all the debts you owe, including the amount, minimum payment, interest rate, and due date for each one.

Make it affordable

photo credit: eldar nurkovic

Debt consolidation can be a difficult thing to deal with, but there are ways to make it more manageable. One of these ways is the 50/30/20 budget. With this budget, you allocate 50% of your monthly income to necessities, 30% to needs, and 20% to savings and debt repayment. This can help you better manage your income and expenses and ultimately help you get out of debt.

Make a payment plan

Photo credit: Tipa Patt

Start by understanding how much you owe and what your budget is. Next, create a repayment plan that will help you pay off your vacation debt as quickly as possible. making more than the minimum monthly payments will help you reach your goal faster.

You don’t have to pay more than the minimum on all your debts at this time. You can focus on one debt at a time using the snowball or debt avalanche method.

Debt Snowball vs. Debt Avalanche: What’s the Best Way to Get Out of Holiday Debt? If you are considering two different debts, one with a higher interest rate and one with a lower interest rate, which should you pay off first?

The debt snowball method says that you must first pay off the debt with the smallest balance while making the minimum payments on the others.

Check out ways to get out of holiday debt

Photo credit: Zivica Kerkez

Here are some tips to help you pay off your debt faster:

Earning more money gives you the opportunity to pay off your debts faster. You can earn extra money on the side (for example, by walking your dog or using a cashback app).

Try to negotiate with creditors

If you are unhappy with the interest rate charged to your credit card, call your issuer. It might pay off – you might be able to get a lower rate or more favorable terms.

Consolidation optional

Debt consolidation can be a useful way to manage multiple debts by combining them into one payment. This can help reduce the total amount you pay over time and get your finances back on track, making it easier to manage. Usually you will need a good or excellent credit score to qualify. Even if you have bad credit, there are options to help lower your interest rate. By doing this, you can pay off your debt faster and start fresh.

QUEENSRŸCHE shares music video for “Hold On”

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QUEENSRŸCHEthe clip of the song “Hold” can be seen below. The clip was directed by Thomas Crane of killDevil Movies. The title is taken from the band’s sixteenth studio album, “Digital Noise Alliance”released on October 7th via Media of the Century. The record was once again crossed by Chris “Zeuss” Harriswho previously worked with QUEENSRŸCHE on 2015 “Human condition” and 2019 “The verdict” LP.

QUEENSRŸCHE guitarist Michael Wilton told Metal Edge magazine “Digital Noise Alliance”“It’s an album that spans and encompasses the whole musical genre of QUEENSRŸCHE. It has very melodic moments, it’s progressive, it’s heavy metal and it’s very album-oriented visual music that’s going to be just a good mat QUEENSRŸCHE album.”

As for the songwriting process for “Digital Noise Alliance”, Wilton said: “I was living in Seattle at the time, and when you’re isolated like that, it does weird things in your headspace. I spoke to Todd [La Torre, vocals] and mentioned that during that time I had been writing a lot of little guitar riffs. So I went to visit Todd in Florida at the end of January 2021. I didn’t know that he had also invited the producer Zeuss coming from Massachusetts, because I hadn’t brought a guitar with me. I was just going to hang out with Todd in Florida. But then we made a conscious decision between all of us that the process for this album would not be songs emailed to everyone, pending their approval. It was going towards a process where riffing on location, experimenting, improvising and seeing what fit the way we wanted it done. So I found a riff and Zeuss record it and Casey [Grillo, drums] we’d get on the electronic drums and put a drum beat on it, and file it down and go to the next riff and so on. Then we would sit and listen and if everyone was vibrating to what we were doing that day, we would listen to all the parts and imagine where they would fit in a song structure and then we would put them together from there. Eventually we had about 22 song ideas, and we had to narrow that down to about 11 or 12 tracks.”

As for the lyrical themes addressed on “Digital Noise Alliance”, Michael said, “A lot of the songs are our take on the current unrest in the world, especially in the United States, and whatever music was dictated to us for the lyrics. Todd writes great lyrics, just like Eddie [Jackson, bass], and I also wrote some lyrics. I believe, as I said earlier, that this is a complete and comprehensive document QUEENSRŸCHE record that I think everyone is going to really enjoy.”

Last March, Tower Told FOX17 Rock & Review on QUEENSRŸCHEfrom the new album: “Each song can have a little bit of a different attitude and we just wanted to use real amps and all the vintage, real stuff that’s been used throughout the history of QUEENSRŸCHE.

“We made all the drums at one place in Clearwater [Florida] – a huge house with the most amazing ceiling for a drum room”, Tower continued. “So we did all the drums there. And then, really, at my place [in St. Petersburg, Florida]we are able to track all guitars, basses and vocals.

“In these days of thousand dollar a day studio rentals, we don’t really need it anymore. And our producer Zeusswho did the last two QUEENSRŸCHE albums – he does it all Rob Zombieit’s stuff; he is a very seasoned producer, [and] he does mixing and mastering, so it’s a one-stop shop — he’s from Massachusetts here. So he takes care of all these tasks. And things are going very well. We’re having a good time.”

last November, Tower spoke to The Metal Voice of Canada about the musical direction of the new QUEENSRŸCHE material: “It doesn’t look like ‘The verdict’. It’s its own new kind of thing. We really focused more on the melodic hooks. I don’t think we were like, ‘Oh, we gotta sound old school or new or that.'”

He continued, “You know what we did on this record… Every other time every guy would kind of submit their own song ideas and then we would work on them. But what we did on this record was, at go EddieEddie has some really cool songs he wrote and then showed us when they were pretty much done. So what Michael somehow writes interesting chords – always staying in the keys and all. But we all walked into a room with our here [in Florida], and we literally started from scratch. As, ‘MichaelWhat do you have?’ [And he would] find a riff. And Casey sat on drums, or I sat on drums. We were all in one room and we just tried like old times. So this record was totally like that – pretty much everything minus a song or two. And even that has changed a bit.”

In October 2021, Wilton confirmed that the returning guitarist Pierre-Mike would contribute guitar solos to the band’s new studio album.

Since the end of May 2021, Rock took on the duties of second guitar in QUEENSRŸCHEwho announced in July 2021 that the longtime guitarist Parker Lundgren left the group to focus on “other business ventures”.

Rock originally joined QUEENSRŸCHE for the 2003 album “Tribe” and stayed with the band for six years before leaving the band.

For five and a half years, Cricket filled in for QUEENSRŸCHEthe original drummer Scott Rockenfieldwho stepped away from the band’s touring activities in early 2017 to spend time with his young son.

In October 2021, Rockenfield filed a lawsuit against the other original band members Wilton and jacksonalleging, among other things, breach of contract, breach of fiduciary duty and wrongful discharge.

Pioneering Japanese avant-garde composer Ichiyanagi dies at 89

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TOKYO — Pioneering pianist and composer Toshi Ichiyanagi, who studied with John Cage and spearheaded Japanese advances in modern experimental music, has died. He was 89 years old.

Ichiyanagi, who was married to Yoko Ono before marrying John Lennon, died on Friday, according to the Kanagawa Arts Foundation, where Ichiyanagi had served as chief artistic director. The cause of death was not given.

“We would like to express our deepest gratitude to all those who loved him during his lifetime,” the foundation’s president, Kazumi Tamamura, said in a statement on Saturday.

Ichiyanagi studied at the Juilliard School in New York and became a pioneer, using free-spirited compositional techniques that left a lot to chance, incorporating not only traditional Japanese elements and instruments, but also electronic music.

He was known for his genre-defying collaborations, working with Jasper Johns and Merce Cunningham, as well as innovative Japanese artists like architect Kisho Kurokawa and poet-playwright Shuji Terayama, as well as Ono, with whom he was married for several years from the mid-1950s.

“In my creation, I tried to let various elements, which have often been seen separately as contrast and opposite in music, coexist and permeate each other,” Ichiyanagi said in an artist statement.

Traditional Japanese music inspired and emboldened him, he said, because he was not preoccupied with the usual definitions of music as “temporal art” or what he called “divisions”, such as relative and absolute, or new and old.

Modern music was more about “substantial space, in order to restore the spiritual richness that music provides”, he said.

His music has traveled freely across influences and cultures, moving seamlessly from minimalist avant-garde to western opera.

Ichiyanagi has toured the world, premiering his compositions at Carnegie Hall in New York and the Théâtre des Champs-Élysées in Paris. The National Theater of Japan also commissioned several works from him.

He has remained prolific over the years, producing the Concerto for Marimba and Orchestra in 2013 and Piano Concerto No. 6 in 2016, which Ichiyanagi performed solo at a Tokyo festival.

Ichiyanagi has received numerous awards, including the Alexander Gretchaninov Prize from Juilliard, the Order of Arts and Letters of the French Republic and the Order of the Rising Sun, the Golden Rays with Rosette and the Purple Ribbon Medal from the Government Japanese.

Born in Kobe into a family of musicians, Ichiyanagi showed promise as a composer from an early age. He won a major competition in Japan before moving to the United States as a teenager, when such moves were still relatively rare in post-war Japan.

A private funeral is held with the family. A public ceremony in his honor is being prepared, hosted by his son, Japanese media said.

Pioneering composer of Japanese avant-garde Ichiyanagi dies at 89 | New

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TOKYO (AP) — Pioneering pianist and composer Toshi Ichiyanagi, who studied with John Cage and later led Japan’s advances in experimental modern music, has died. He was 89 years old.

Ichiyanagi, who was married to Yoko Ono before marrying John Lennon, died on Friday, according to the Kanagawa Arts Foundation, where Ichiyanagi had served as chief artistic director. The cause of death was not given.

“We would like to express our deepest gratitude to all who loved him during his lifetime,” the foundation’s president, Kazumi Tamamura, said in a statement on Saturday.

Ichiyanagi studied at the Juilliard School in New York and became a pioneer, using free-spirited compositional techniques that left a lot to chance, incorporating not only traditional Japanese elements and instruments, but also electronic music.

He was known for his genre-defying collaborations, working with Jasper Johns and Merce Cunningham, as well as innovative Japanese artists like architect Kisho Kurokawa and poet-playwright Shuji Terayama, as well as Ono, with whom he was married for several years from the mid-1950s.

“In my creation, I tried to let various elements, which have often been seen separately as contrast and opposite in music, coexist and permeate each other,” Ichiyanagi said in an artist statement.

Japanese traditional music inspired and emboldened him, he said, because she was not preoccupied with the usual definitions of music as “temporal art”, or what he called “divisions”. , such as relative and absolute, or new and old.

Modern music was more about “substantial space, in order to restore the spiritual richness that music provides”, he said.

Among his well-known orchestral works is his rambunctious and provocative “Berlin Renshi”. Renshi is a kind of Japanese collaborative poetry that is more open free verse than older forms like “renku”.

In 1989, Ichiyanagi formed the Tokyo International Music Ensemble—The New Tradition (TIME), an orchestral group focusing on traditional instruments and “shomyo,” a style of Buddhist chanting.

His music has traveled freely across influences and cultures, moving seamlessly from minimalist avant-garde to western opera.

Ichiyanagi has toured the world, premiering his compositions at Carnegie Hall in New York and the Théâtre des Champs-Élysées in Paris. The National Theater of Japan also commissioned several works from him.

He has remained prolific over the years, producing the Concerto for Marimba and Orchestra in 2013 and Piano Concerto No. 6 in 2016, which Ichiyanagi performed solo at a Tokyo festival.

Ichiyanagi has received numerous awards, including the Alexander Gretchaninov Prize from Juilliard, the Order of Arts and Letters of the French Republic and the Order of the Rising Sun, the Golden Rays with Rosette and the Purple Ribbon Medal from the Government Japanese.

Born in Kobe into a family of musicians, Ichiyanagi showed promise as a composer from an early age. He won a major competition in Japan before moving to the United States as a teenager, when such moves were still relatively rare in post-war Japan.

A private funeral is held with the family. A public ceremony in his honor is being prepared, hosted by his son, Japanese media said.


Yuri Kageyama is on Twitter https://twitter.com/yurikageyama

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

ArtSci Roundup: Indigenous Peoples Day On Air, Chamber Dance Company, and More

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Arts and shows | UW and the community | UW Notebook

October 7, 2022

Through public events and exhibits, connect with the UW community every week!


October 10: Indigenous Peoples Day 2022, on air

Join KEXP, Nia Tero and Amplifier for Indigenous Peoples Day 2022. Featuring special all-day on-air programming and the opening of the “Thriving Peoples Thriving Places” installation in KEXP’s gathering space, featuring artwork featuring Indigenous women leaders who have made significant contributions to Indigenous rights and guardianship, and free posters while supplies last

Free | More information


October 11, 7 p.m.: The Threat to the Empire and The Sovereign Prankster: A double book launch with professors Vicente Rafael and Moon-Ho JungeElliott Bay Book Society

A double book launch and conversation with history teachers Moon-Ho Jung and Vicente Rafael. Moon-Ho Jung presents his book on Asian and Asian-American radicalism and the formation of the US national security state: Threat to Empire: Anticolonial Solidarities and the Transpacific Origins of the American Security State (University of California Press, 2022) and Vicente Rafael (History) presents his book on the recent president of the Philippines, The Sovereign Trickster: Death and Laughter in the Age of Duterte (Duke Univ. Press, 2022).

Free | More information


October 12, 3:30 p.m.: Sam Dubal’s Inaugural Memorial Lecture on Racial Justice in Global Health, on line

Presented by: Dr. Ugo Edu, Assistant Professor of African American Studies at UCLA

This conference draws on various moments, fictional and non-fictional, to explore our commitments to the anti-racism work necessary to advance health equity. It asks for an interrogation of what is meant by “health” and how this or these definitions inform what can be envisaged as equity in health. By asking whether we are sure we want health equity, it invites us to reflect on our commitments and our willingness to sacrifice on performative gestures and declarations that often contradict the stated objectives.

Free | More information


October 13, 3 p.m.: BOOK TALK | Beyond the Next Village: A Year of Magic and Medicine in Nepal with author Mary Anne Mercer, Hans Rosling Center for Population Health (HRC)
Sam Dubal’s Inaugural Memorial Lecture on Racial Justice in Global Health, on line

A year in rural Nepal engaged in public health practice and clinical care launched Mary Anne Mercer’s career in global health. She will talk about Beyond the next village with Dr. Deepa Rao and respond to student comments and questions.

Free | More information


October 13 – 16: Chamber dance companyMeany Hall – Studio Theater

Feature: Chamber Dance Company shifts focus, reinvents repertoire as it returns to the stage, UW News

This year’s program,view content notice) presented in the intimate Meany Studio Theatre, celebrates a wide range of contemporary dance styles. Guests from Seattle’s professional dance community join the Bedroom Dance Company will perform excerpts from Crystal Pite’s 10 rescue-themed duosand the captivating and tender work of David Roussève, Stardust. The program is complemented by new works created by sophomore MFA students Gary Champi and Jenn Pray, which will be performed by members of the company with guests from the Dance Department.

Discounts Available for UW Employees and Students | Tickets are $10 to $22


Autumn Quarter: The big read: The new education by Cathy Davidson

The College of Arts and Sciences launches its “Rethinking the Academy” initiative by inviting students, faculty, and staff to join in a campus-wide reading experience, followed by conversations about how we can improve teaching and learning at the University of Washington.

Join the conversation: Register for the keynote with the author on November 14 at 1:30 p.m. (in person or Zoom).


October 14, 7:30 p.m.: DXARTS Fall Concert: DXARTS Improv EnsembleMeany Hall – Katharyn Alvord Gerlich Theater

Transcultural acoustic/electronic performance with Sæunn Thorsteinsdóttir, cello; Steve Rodby, bass; Richard Karpen, pianos and electronics; Juan Pampin, live electronics; Ted Poor, drums/percussion; Breana Tavaglione, autoharp and found sound objects; Wei Yang, guzheng, flutes and piano; Cuong Vu, trumpet. An evening of enigmatic musical exploration crossing and blurring genre boundaries.

Free | More information


October 14 – 16: Artist visit: Donna Huanca, Henry Art Gallery

Performance is an integral part of the work of Berlin artist Donna Huanca. Join the Henry for a weekend of artist-enabled programs in conjunction with Huanca’s large-scale immersive installation MAGMA SLACK. The artist will visit the museum for a conversation with Jazmina Figueroa before two days of running performances by Parisjoy Jennings and Kim Thompson.

October 14, 6 p.m.: Artist Talk: Donna Huanca with Jazmina Figueroa

October 15 – 16: Parisjoy Jennings and Kim Thompson: Live in MAGMA SLIT

Tag(s): Anthropology • Faculty of Arts and Sciences • Department of Dance • Department of History • DXARTS • Harry Bridges Center for Labor Studies • Henry Art Gallery • School of Public Health


POV: Are you dancing in a Yale Frat, or not?

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Gennaro’s Ariadne

The success of my personal fraternal evening is centered on the music. The ultimate guide to a good night lies in hard and fast numbers. Ask yourself these questions:

How many raised surfaces have you found yourself dancing on? All tables, chairs, ledges, stairs and speakers are fair game.

How often does your Apple Watch ping you and say, “Looks like you’re working out?”

How sweaty are you? Wring your hair out on the sidewalk when you get home and measure in droplets or puddle size.

Of course, such a vigorous dance is not possible without a perfectly organized playlist. I remember browsing through TikTok and Spotify during my senior summer, learning about party classics like Waka Flocka Flame’s “No Hands” and “Wasted.” by Tiesto. Both risque songs are heavily auto-tuned and extremely danceable. My friends and I were questioning the lyrics and rating each other’s dance moves on a scale from college kid who shouldn’t do the worm to Zendaya’s stellar performance in Shake it Up.

Based on this extremely solid research, I expected Greek Life to share a hive mindset mentality, maintaining a common roster of frat bangers across campus. Orientation week passed and I recognized some of the songs I expected to hear. But I was surprised to see that each fraternity had a different personality when it came to music choices.

I went to every fraternity disguised as an unassuming party animal, for the sole purpose of collecting empirical data. I’ve spent every free evening researching the controversial question that academia has been too afraid to pursue: what’s the perfect frat night reading list?

Here are handpicked selections to represent each fellowship’s unique energy – in alphabetical order so everyone understands this is not a ranking.

ADPhi – Expect to find house music at home LAX

Coincidentally, we begin this list with the first fellowship I attended. I remember wandering the backyard side by side with other revelers, completely bewildered by the noisy crowd and – at this point – slightly drunk. But I kept my unevenly winged, mascara-coated eyes on the prize: a speaker – any speaker. I felt the vibrations, wandered into the basement and entered a dimension of dance beats. One of the brothers I contacted raised “I think I like it” by Fake Blood and “Hooked” by NOTION as proven ADPhy classics. But electronic songs without lyrics and repetitive beats can get old quickly, so their playlist goes back to the original classics. Their quintessential throwbacks are an EDM remix of “Gimme!” from ABBA! Give me ! Give me!” by GAMPER & DADONI and the wonderfully cheerful “Runaround Sue” by Dion DiMucci. The ADPhi basement blurs the line between present and past, but there is a strong lean towards the modern.

AEPi – 2000s and 2010s pop with a side of cultural pride

Keep in mind that I am Jewish and therefore have a personal bias in favor of this brotherhood. The normal genre breakdown leans toward pop and club hits, the best of which include Cascada’s “Everytime we Touch” and Zedd’s “Stay the Night.” Expect to recognize almost anything you hear if you’ve listened to the radio in the past 20 years. Songs like Omer Adam’s “Tel Aviv” are notable exceptions. Those who know these gems will lose their minds, and everyone else has just discovered their new favorite song. AEPi does a tasteful job of sprinkling references to the Israeli club scene into its playlists, which you won’t find anywhere else.

Chi Psi – More Chi Psi than it looks

On the surface, this brotherhood looks like any other, and the music they play most often reflects that. As you walk into their backyard, you’ll likely hear fast-paced songs like FISHER’s “Losing It” and “Scream & Shout” by will.i.am ft. Britney Spears – Free Britney! But when I reached out to some of the brothers to ask them which songs their parties wouldn’t be complete without, I realized that the music they play on Friday nights is just the tip of the iceberg. “Les Frères Assembles de la Fraternité” – direct quote – provided more information on the secret, accurate and highly coveted playlist which includes: “Gymnopedie No. 1” of classical music by Erik Satie, “Clean Up” music for children by Barney and “WAP” by Adult Music by Cardi B ft. Megan Thee Stallion. I encourage you to request these songs the next time you come by so you can fully enjoy the Chi Psi experience.

Edon – Various fruits of the tree of Knowledge Musical genres

The Shubh party – hosted for a random but very deserving freshman by The Yale Record – might not have counted as a true Edon event, but nonetheless, this co-ed band has a raucous playlist with a varied selection of jams . There’s an element of new female influence that comes through on tracks like Doja Cat’s “Need to Know” and Nicki Minaj’s “The Night is Still Young.” The hip hop and rap influences continue on A$AP Ferg’s “Plain Jane”, and there’s also an element of club hits with Stromae’s “Alors On Danse”. And let’s not forget throwbacks like “Come on Eileen” by Dexys Midnight Runners. With Edon, you never know what you’re going to get, so if you want to stop a move appropriately, make sure you’re prepared for all possibilities.

Leo – The fraternity of expatriates

I hadn’t been to Leo since before I knew I was writing this review, so take that with a grain of salt. Their international identity contributes really well to producing a varied playlist. I don’t have any real songs to speak of, because none of my contacts came. But that reflects the amount of back-to-back, wordless EDM songs whose titles I wouldn’t have recognized anyway. When their songs had lyrics, however, they were reminiscent of a European or South American dance club. I can’t say much definitively about Leo’s current playlist, but I appreciate the fact that I can listen to music from around the world when I’m there.

Sigma Chi – Crowdsourcing at its best

I recently missed a Sig Chi event, where I was planning to gather my information. But earlier in the year, I remember enjoying warrior bubblegum pop – think Hannah Montana – and hardcore rap – think Pop Smoke – in my unreliable memory I’m pretty sure he didn’t. there was nothing in between. I don’t remember any particular song, but I do remember that when the crowd booed certain songs, the aux brother immediately moved on to the next one. My friends and I walked up to him and started making requests, and miraculously one of our songs ended up in the queue. Sig Chi’s interactivity and responsiveness bridge the gap between their two divergent and privileged genres.

Sigma Nu – It all depends on who you know

My time at Sig Nu was pretty brief, unfortunately, so I’ll do my best with the data I’ve gathered. Hanging out under the tarp and dancing in the middle section was a highlight, especially when BoB’s “Magic” and Lana Del Rey’s “Summertime Sadness” — definitely a remixed version — were playing. But other than those two, I just moved on to a few EDM songs that I didn’t recognize. I’m still waiting for the brother I contacted because he said he would send me the playlist a while ago, but he never did. He’s a friend of a friend of a friend, but if I can’t get into Sig Nu next weekend and they ask me if I know a brother, I’ll definitely use his name – it’ is the least he can do.

Zeta – No football home touchdown

I was on my last leg last Saturday, doing my best to pull myself together and get through it so you don’t have to. But when I arrived at my final destination, it wasn’t even clear if a party was in progress. Maybe we were too early – although I’m always fashionably late – or maybe the meeting was exclusive. The Zeta guys were kind of immune to my infinite charm and wisdom. So I still don’t know if it’s worth the 15 minute or more walk down Main Street and away from campus to get to the home of football. Shout out to Zeta – please let me in next time so I can review your playlist!

Let’s not talk about DKE.

Listen to all the songs mentioned in the article herein a complete playlist.

Learn more about Groove Cruise, the party that gives back

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Groove Cruise founder Jason Beukema dropped by ahead of the upcoming Cabo sail to preview the party at sea that also gives back.


If you speak with Jason Beukema for a few minutes about his “babies” (Groove Cruise, Sharpen traveland Whet Foundation), we challenge you not to get carried away by his enthusiasm. His passion is contagious and is probably a big part of what made the Groove Cruise brand what it is today. Not only is her longtime mark on the scene known for her incredible parties, themes, and destinations, but she also uses all that energy to do good. In the words of Jason Beukema, “We want to leave the communities we visit in a better place than where we found them”.

Besides the annual editions of Groove Cruise, Jason Beukema has also devoted himself to charity with the Whet Foundation, which has so many initiatives that we couldn’t touch on them all when we sat down to chat with him. It’s an incredible feat – to be an effective festival organizer who spends more time figuring out how to give back than how to put more money in your pocket. Again, shouldn’t this be part of the PLUR philosophy that festival-goers claim to live by? Groove Cruise makes it easier for partygoers to give back without understanding the “how” of those efforts.

Beyond the philanthropy, Groove Cruises are wild parties with endless activities from the moment you board the ship until you disembark at your home port. Jason Beukema books bold headliners to deliver beautiful beats on the high seas, like Claude VonStroke, Marcus Schulz, John Summit, Gareth Emeryand Blond: rather, to name a few. Plus, cruise passengers visit many beautiful port cities, can participate in off-ship activities and parties, and have 24/7 access to meals, drinks, and snacks.

Before Groove Cruise Cabo’s next embarkation, we caught up with the mastermind behind it all for a quality chat. Read on for the full interview with Jason Beukema, and once again, we dare you not to get carried away by his enthusiasm!


Hi Jason, thanks for sitting with us today. Many people know the Groove Cruise brand but not the Whet Travel and Whet Foundation brands. What are each of these and how are they all related?

Whet Travel is the parent company, and sharpen means “to excite or simulate”. “We excite people’s lives”, and that’s our slogan. I started Whet Travel and the Groove Cruise sub-brand at the same time, almost 19 years ago, and Whet Travel organizes festivals and corporate events on cruise ships. We charter cruise ships from Royal Caribbean, Carnival, Norwegian, Celebrity, Princess and MSC and turn them into a unique experience for the community we target.

We did a lot of musical themes, including electronic music (Groove Cruise), rock, heavy metal and country. There is also an upcoming board game cruise and a dental hygienist continuing education cruise called Smiles At Sea. We bring like-minded people together on a cruise to share their passion and lifestyle.

You have several Groove cruises coming up. How are each of these elements similar and different?

Groove Cruise has been sailing continuously from Miami and the South Florida area since 2004. We have also been sailing from the West Coast since 2015, but not every year. The most important differences are ports and destinations.

For example, we have Groove Cruise Cabo in October, departing from Los Angeles. We also did Catalina Island and Sonata from there. From South Florida we sailed to the Bahamas, Cozumel, Mexico, Costa Maya, Mexico and Jamaica. Our next one arrives in January and sails to Labadee, a private peninsula in Haiti. It’s my favorite cruise destination and I’ve been on over 145 cruises! It’s absolutely beautiful.

And then, in terms of the onboard experience, it’s pretty similar for every Groove Cruise, and the types of people who go there are very similar.

You mentioned October’s Groove Cruise Cabo from Los Angeles. This cruise includes several initiatives of the Whet Foundation. Tell us a bit about those particular initiatives.

I started Whet Foundation 10 years ago, and it was truly a labor of love. It is a 501(c)3, which means it is a legitimate, tax-exempt organization that is not owned by anyone. I don’t own it. Yes, I launched it, but it belongs to the public, if you will. Finances are all transparent, which is important to me. We used to work with outside groups, but I wasn’t sure the money was actually getting to the kids and families who needed it, so I started the Whet Foundation to oversee that.

The Whet Foundation component of Groove Cruise is called Destination Donation, and in Cabo we work with a local orphanage. We ask them what they need, then ask everyone on the cruise to bring things like used cell phones, iPads, clothes, school supplies, and books. Between 50 and 100 volunteers will then participate in bringing these items to the children. We will also cook for them, play games and maybe do an art project with them.

A group needs a new refrigerator, so we buy them a commercial refrigerator. Another needs to build a house for a single mother, so we are trying to buy all the materials for them to build this house. We want to leave the communities we visit in a better place than we found them. And our favorite part is that when the post-cruise polls come back, those who made the destination giveaway rate it as their most memorable experience!

Photo credit: @ysa

We understand that this cruise will visit the Solmar Foundation and Heart4Cabo to serve breakfast and interact with local children. How did you select these programs and what can participants expect from these visits?

The current facility is Casa Hogar, which is the orphanage we are visiting. Heart4Cabo is an important partner, and they are made up of DJs, so we really connect with them. Participants who volunteer receive free transportation and priority departure from the ship. We all go to the orphanage and participate in activities with the children. At the end of the day, they are bussed back to the Groove Cruise party and reunite with the rest of the attendees for the night. It’s quite an amazing day to experience!

There’s also a mental health initiative, isn’t there?

Yes. Every human being has faced mental health issues at some point, and for me that was at the start of COVID. I was watching my baby, these cruise events, die overnight. I was depressed and didn’t know what to do. These issues are close to home, with my sister-in-law speaking publicly about her issues and even having spent a few months in an institution. Last January, our production manager Groove Cruise committed suicide. So it was very personal.

After working on my own needs, I came up with a multi-track program. We’re going to have a bunch of artists talking about how they deal with mental health issues, how they deal with being on the road, how they deal with playing hundreds of shows a year, getting in and going out to nightclubs, partying, taking drugs, etc. It’s going to be an open conversation with several artists.

Then we teamed up with When The Music Stops for a suicide prevention track. The founder, Josh Donaldson, has been a total blessing to work with and is a suicide prevention counsellor. He had his very, very difficult personal issues that he dealt with.

If we save someone’s life or help someone have a mind-opening experience that puts them on a different life trajectory, we call it the millimeter rule. That one millimeter change isn’t a big change, but it is a massive change over time. I think we are doing the right thing.

You mention that the destination giveaway is often the most memorable for attendees, and they’re obviously there for the holidays as well. Aside from the incredible music of Green Velvet and Said The Sky, what other activities await you?

During a 5 day cruise there are ten themes, one day and one night. The first thing after boarding the ship is called Represent, so you can show off where you’re from, your heritage, and your favorite sports team – it’s a bit of an icebreaker. Then there are so many other themes like Burlesque & Bowties, Naughty Neon, Mythology & Moonlight, and Flotation Infatuation, to name a few. Whatever activities take place there, people get involved! It’s less awkward than doing it at home because you’re in a judgment-free zone from the time you get dressed to the time you go to bed. You can also change your outfit several times a day because your room is just a few minutes away.

For activities, it’s really cool because we are one of the few places where you can have interaction with the artists. So you can play bingo with Claude VonStroke, do a tequila tasting with Said The Sky, or do a hot pizza challenge with Trivecta.

Groove Cruise
Photo credit: @ysa

You have already mentioned recurring ports for Groove Cruise. Do you plan to add more in the future?

There was a Groove Cruise New York in 2009 that went to St. John in New Brunswick, Canada. Part of the challenge with New York is that for a short cruise you can only go there or to Bermuda. And we also did one from Barcelona to Ibiza. We’re still looking at New York and other options like Texas, the Great Lakes or maybe Asia.

Anything else Groove Cruise fans should look forward to in 2023 and beyond?

I’m not skipping West Coast 2023; we’re still seeing if that’s an option. But January 2024 will be the 20th anniversary and the biggest ship we’ve ever built. The most ridiculous beach parties, the craziest lineup, we’ll do it all. We have this partnership with Martian Circus, a 5D experience – they play improvised music for 8-10 hours straight. They bring all that scenery, actors, performers and band members. I don’t know how it will turn out, but it looks cool!

And we are always listening to our captains. They steer the ship and send us ideas. Hey, I saw this at this festival. This is how I’ve been proud to build Groove Cruise over the years, by simply listening to our captains.

One last fun question. What is your favorite food or activity offered on Groove Cruise ships?

Oh, good question! My favorite food is definitely soft serve ice cream. As soon as I board a cruise ship, I don’t know what’s gotten into me because I don’t really eat ice cream, but I head straight for the free ice cream maker, and I get my vanilla chocolate twist. I eat several every day. And for my favorite activity, it is undoubtedly the experience of giving to the Whet Foundation. This one, for sure!


Follow Whet Foundation on social media:

Website | Facebook | Twitter | Instagram | Youtube

Leverton Fox – ‘In The Flicker’ – London Jazz News

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Leverton Fox – In the twinkle

(Not applicable. Album review by Tony Dudley-Evans)

In the twinkle is the eighth studio album by Leverton Fox. It presents experimental electronic music on the fringes of jazz, but which has the creativity and variety that one associates with the best contemporary jazz. The music is full of subtle changes as it develops over the album’s approximately 47 minutes, and it’s music to be listened to in a relaxed context throughout with no distractions.

The music was recorded in a wooded setting in West Sussex and used sounds and objects found in that setting. Trees have been used as percussion instruments and there are notes of birdsong and even an occasional moo sound on the Cattle interlude Track. The instruments used were analog synths, drum machines, percussion, trumpet and effects and these combine to produce an absorbing range of sounds and grooves, from the sweet ambient sound of wind to Cracked Fern, with a more upbeat deep synth sound that keeps coming back LIDAR greets UFOs. The trio mainly use electronic instruments and effects, but there are some incredibly beautiful contributions from Alex Bonney’s trumpet, notably on Time travel of Tågarp.

The recording was made using a multi-speaker surround sound system and will be output in Dolby Atmos format as well as conventional stereo

Leverton Fox is Alex Bonney, electronics/pocket trumpet; Tim Giles, electronics / percussion, Isambard Khroustaliov, (aka Sam Britton), electronics.

CONNECTIONS: In the Flicker is available for pre-order on Bandcamprelease date october 21. limited edition cd

Album launch: Wednesday 19th October at Iklektik, Southwark, London with the music mixed live in a surround sound system. Details

ALeverton Fo Art PageX in records not applicable

We Came Up Bizarre Descriptions of DJs, Then Used Artificial Intelligence to Bring Them to Life – EDM.com

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There’s nothing that blurs the line between scary and fascinating quite like artificial intelligence.

And as artificial intelligence and electronic music become more symbiotic day by day, the staff of EDM.com wanted to see how far it could go visually. So we came up with bizarre descriptions of artists and fed them through AI art generators.

Some images are photorealistic. Others are fancifully distorted. And the majority of them are downright scary.

But we digress. Read on to see our weird and wonderful creations.

TOKiMONSTA

TOKiMONSTA DJing in a neon sky arcade with golden canariesby Jason Heffler.

REZZ

“REZZ DJ painted by Salvador Dalí” by Nick Yopko.

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nozzle

“Flume creates his latest album in a psychedelic jungle” by Koji Aiken.

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Martin Garrix

“Martin Garrix in his studio atop a cyberpunk skyscraper” by Konstantinos Karakolis.

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CloZee

“CloZee DJs underwater with neon jellyfish” by Shakiel Mahjouri.

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Charlotte de Witte

“Charlotte de Witte DJing in a Hurricane of Music” by Tessa Frey.

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Troy Boi

“TroyBoi DJing inside a technicolor rave candy store” by Carlie Belbin.

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Lane 8

“Lane 8 DJing on top of a giant mushroom” by Mikala Lugen.

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daft-punk

“Daft Punk bakes a cake on the moon” by Jarett Lopez.

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DJ Diesel

“Shaq DJing at the base of an active volcano site with lightning in the sky” by Cameron Sunkel.

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Marc Rebillet

“Marc Rebillet in a bathrobe in Manhattan singing over a sea of ​​psychedelic pink flamingos” by Leah McClure.

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Porter Robinson

Porter Robinson DJing at the bottom of the ocean while gasping for the last sight of the sky” by Greco Costamagna.

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mija

“Mija DJing in post-apocalyptic rave, dystopian cyberpunk punk rock” by Brian Rapaport.

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calvin harris

“Calvin Harris Playing the Piano on a Rowboat in Space” by Kyle B. Jones.

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Kygo

“Inside a tropical coconut, Kygo plays a shimmering piano surrounded by glowing pink flamingos” by Brooke Bierman.

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Francois Dillon

“Dillon Francis and a colorful piñata crossing a futuristic cityscape” – by Lennon Cihak.

#3

aphex twin

Perhaps no artist is more fitting for this AI endeavor than the iconic Aphex Twin, whose metaphysically insane aesthetic chills the collective backbone of the music industry to this day. So we had a little too much fun.

“Aphex Twin creates his own twisted synthesizer in a depraved dystopian hellscape surrounded by strange dark adepts” by Saad Massoud.

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“Aphex twin performs in a depraved dystopian hellscape for a crowd of dark souls” by Saad Massoud.

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Editor’s Note: The images in this article were generated using Wonder and Dream by WOMBO.

How Bladee tricked me – WECB

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It’s easy for me to remember the very first time I heard a Bladee (he/him) song – in fact, I’d say it’s hard not to remember the chaotic, loud sounds exploding over the speakers when Bladee makes his first impression on you. I decided to surf for new music to listen to on Spotify when I discovered Bladee’s first song I’ve ever listened to, “Be Nice 2 Me” from his 2018 album. Ice Dancer. From the first listen, Bladee aroused strong reactionary emotions in me, and I was left speechless. Either way, his lively and energetic melodies kept haunting me over the weeks, leading me to obsess over his entire discography for the next few months. Haunting is the word I would use best to describe Bladee’s music, but not necessarily in a negative sense. The quirky, weird and cyber-reality that emanates from the aura of his songs allows the listener to identify his sound as something new and refreshing.

It is difficult to determine exactly in which category Bladee’s music falls; Pitchfork referred to Bladee’s music as “Dissociation Music” or “Dance Pop”. Either way, his ethereal and experimental hip-hop sound has managed to cultivate an extremely loyal fanbase over the years. Spiderwhich was released on September 30, assures his fans will keep listening, as he ushers in a new era with a mix of instruments and synths that have yet to be heard from his music.

by Bladee Spider creates an electric, enigmatic and upbeat tone throughout most of the album with songs such as “UNDERSTATEMENT”, “I AM SLOWLY BUT SURELY LOSING HOPE” and “HAHAH”. Its opening track “UNDERSTATEMENT” immediately creates the energetic feel by introducing the thematic playing sound synths and constant build-ups. Shortly after the intro song, “I AM SLOWLY BUT SURELY LOSING HOPE” stands apart from his older music, as it uses electric guitar instead of synths, and creates a pop-punk layer to his usual sound. Later, one of the more chaotic tracks “HAHAH” uses a variety of high-pitched laughter background sound effects at the beginning with the repeat of “I’m crazy” for the song’s first section. Many songs are reminiscent of landscapes in computerized reality, like walking around in a take of Wreck it Ralph. Similar to Bladee’s previous solo album, The idiot (2021), this project features a variety of songs with layered synths topped with trap/hip-hop beats, to create an electronic feel. However, The idiotThe rap elements of are more prominent throughout the tracks, such as Spider emphasizes more flowing rhythmic and colorful instrumental choices. In this album, Bladee moves further away from the concept of Cloud-Rap and perhaps aims for something grander. It enters a new era by mixing experimental sounds and regular instruments, such as guitar and orchestral strings, to invite the listener on a dynamic and sometimes overwhelming journey that is taken through this album.

Spider is formatted as a layout of 13 different songs, 11 of which are titled in all caps, a creative decision Bladee has never made before. Maybe it’s to tell listeners that this is a “noisy” album, which I felt from the start of the first song. However, of the two songs that follow the standard title format, the song “She’s Always Dancing” separates itself from the rest of the tracks on the album. The song begins with a mysterious intro of unidentifiable words whispered into the listener’s ear, and uses distorted guitar to play soulful chords that eventually morph into a more muted version of the repeated video game-themed synths that are used throughout the album. The song creates a quiet, romantic, yet sad atmosphere, unlike its louder, noisier tracks. The last track, “URIEL OUTRO”, left me in contemplation. Unlike the upbeat opening track, “URIEL OUTRO” leaves listeners with a dark vibe that lingers long after the song is stopped. The use of strings and dark lyrics combine to create a sense of stillness, characteristic of moments of reflection or longing for the past.
Spider launches the singer into a fresher sound as he continues to discover ways to blend the old and new elements of music. True to its heritage, Bladee has once again haunted me. He certainly left myself and others desperately waiting for the innovative sounds the rapper will deliver in the future. If you are a new Bladee listener, Spider is an excellent introduction to the chaos of his music. Get ready for the themed melodies to live in your brain for the near future, inviting you to listen to them again.

October events – Announcements – e-flux

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We are very excited to announce our October program at the e-flux Screening Room, featuring live music, screenings and talks.

This week, October 7, join us for Readingsfeaturing live music with Keith Fullerton Whitman on the occasion of the 20th anniversary of his flagship album Readingsfollowed by a Q&A with Whitman hosted by the writer and musician Sasha Frere-Jones. Next week, October 11, join us for A Life on Video: The Diary of Shigeko Kubotaa screening of selected works by the famous Japanese videographer followed by a conversation with Eimi Tagore-Erwin, Juno Peter Yoonand Lukas Brasiskis, and organized as part of the Revisiting Feminist Moving Image series. On October 13, Johanna Gosse will give a lecture entitled Changed States: Bruce Conner Border Crossings accompanied by a screening of Conner’s IN SEARCH OF MUSHROOMS, as part of our Film Beyond Film lecture series. See more details on these programs below.

Other October events include Digestion, a collaboration between e-flux Architecture and the Tallinn Architecture Biennale 2022 presented on October 17 and hosted by Lydia Kallipoliti (co-curator, Tallinn Architecture Biennale 2022) and Christina Mouchoul (editor assistant, e-flux Architecture). On October 18, Slow growingpresented by Flaherty NYC as part of the “Let’s all be lichen” series programmed by asinnajaqwill present a projection of Sunna Nousuniemiit is Boso mu ruovttoluotta (Breathe me to life) and Nivi Pedersonit is Pilluarneq Ersigiunnaarpara (Happiness no longer scares me). October 20, A memory of friction will be present three films by Peng Zuqiang followed by a Q&A with the artist. On October 24, we celebrate the publication of Elizabeth Povinellithe new book Routes/Worlds (2022, e-flow log and Sternberg Press). And on October 25, we are organizing a screening of works selected by Peggy Ahwesh, followed by an in-person discussion with the artist. We end the month’s programs on October 27 with A reality between words and imagesa screening of works by Lynne Sachs with the artist present.

Stay tuned for more information on upcoming events at e-flux Screening Room and Bar Laika this fall!

Friday, October 7, 2022, 7 p.m.

Playthroughs: Live music by Keith Fullerton Whitman
Admission $15. Get tickets

Join us for the album’s twentieth anniversary Readingsfeaturing a live musical performance by Keith Fullerton Whitman and a Q&A with Whitman hosted by writer and musician Sasha Frere-Jones. Readings was released in October 2002 on the Kranky label to critical acclaim Fork and other publications – and remains one of Whitman’s best-loved albums to this day. It consists of drone-heavy ambient music composed entirely of processed guitar sounds (acoustic and electric). The album follows in the footsteps of Steve Reich and other musicians within the contemporary classical umbrella. Learn more about the event here.

Tuesday, October 11, 2022, 7 p.m.

A life in video: that of Shigeko Kubota Broken newspaper
Admission starts at 5 USD. Get tickets

Join us for A Life on Video: Shigeko Kubota’s Broken newspaper, a screening and discussion of videos by Shigeko Kubota, curated by Juno Peter Yoon and Lukas Brasiskis. The screening will be followed by a conversation between Yoon and Brasiskis, and Eimi Tagore-Erwin. Over his five-decade career, Kubota has forged a lyrical confluence between people and technology, often fusing vibrant electronic processing techniques with images and objects from nature, art and everyday life. An active participant in the international Fluxus art movement in the 1960s, Kubota was heavily influenced by the art and theories of Marcel Duchamp and John Cage. His distinctive fusions of organic, art history and electronics are both poetic and witty. Focusing on several often interconnected themes, Kubota’s works include installations that pay direct homage to Duchampian ideas and icons; those that refer to Japanese spiritual traditions of nature and landscape, especially water and mountains; and a series of diaristic works chronicling his personal life on video. In this screening, we will focus on the final component of Kubota’s oeuvre – his autobiographical videos, collectively titled Broken newspaperwhich has evolved since 1970. self-portrait (circa 1970-1971), Video girls and video songs for Navajo Sky (1973), My father (1973-1975), and SoHo SoAp/Rain Damage (1985) perfectly represent Kubota’s poignant and ironic self-fictional observations of the everyday, characteristic of a strong sense of feminist identity. Learn more about the event and films here.

Thursday October 13, 2022, 7 p.m.

Changed States: Bruce Conner Border Crossings
A lecture by Johanna Gosse

FREE ENTRANCE. RSVP

Join us for Altered States: Bruce Conner’s Border Crossings, a talk by Johanna Gosse, featuring a screening of Conner’s IN SEARCH OF MUSHROOMS (1959-1967, 3 minutes). This talk is about Bruce Conner IN SEARCH OF MUSHROOMS, an exemplary example of experimental film’s engagement with the psychedelic counterculture. Inspired by Conner’s experience living in Mexico City in the early 1960s and his passionate experimentation with psychedelics, particularly psilocybin hallucinogenic mushrooms, the film features ethnographic views of rural village life, guru cameos LSD Timothy Leary and multiple allusions, literal and symbolic, to a mushroom cloud, all set to a catchy Beatles rock soundtrack. The talk will trace how the twin motifs of boundary crossing and atomic anxiety surface in IN SEARCH OF MUSHROOMS, and in turn, how Conner’s film illuminates the complex cultural politics of race and nation within the 1960s counterculture. The discussion will focus on how the film’s psychedelia is shaped by a logic colonialism of ‘expansion’ and (self) discovery, in which primitivist projections of indigenity play a constitutive role. Learn more about the conference here.

e-flux projection room is a seventy-seat cinema showing artists’ films, video art and experimental films. Located in Brooklyn at 172 Classon Avenue, it opened last winter and has since featured works by Martha Rosler, Su Friedrich, Éric Baudelaire, Dane Komjlen, Maryam Tafakory, Jorge Jácome, Salomé Jashi, Alice Guy-Blaché, Kira Muratova , Tulapop Saenjaroen, Jonas Mekas, Ken and Flo Jacobs, Pedro Neves Marques, Natalia LL, Mantas Kvedaravičius, Elizabeth Povinelli, Piotr Armianovski, Mykola Ridnyi, Izza Génini and other artists and filmmakers.

Accessibility
–Two flights of stairs lead to the building’s main entrance at 172 Classon Avenue.
–For elevator access, please RSVP to =(c=c.charCodeAt(0)+13)?c:c-26);});return false”>program [​at​] e-flux.com. The building has a freight elevator that leads to the e-flux office space. The elevator entrance is closest to 180 Classon Ave (a garage door). We have a ramp for space walks.
–e-flux has an ADA compliant bathroom. There are no steps between the event space and this bathroom.

Stay tuned for upcoming programs on our website or subscribe to our screening room mailing list here.

​For more information, contact =(c=c.charCodeAt(0)+13)?c:c-26);});return false”>program [​at​] e-flux.com.

Drifting In Silence & Tineidae – Simulation (Album – Labile Records)

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Genres/Influences: Ambient-Electro, Cinematic.

Format: Digital, CD, Vinyl.

Background information: “Simulation” is a collaboration between American artist Derrick Stembridge aka Drifting In Silence and Ukrainian Pavlo Storonsky aka Tineidae.

Contents: The work sounds like a real melting pot between the experimented Ambient project Drifting In Silence and the more IDM/Ambient approach of Tineidae. The result covers a wider range of Ambient-Electronic music with a nod to pioneers like Tangerine Dream. Space-driven tracks, which sometimes move to a darker edge, but often revert to “pure” ambient work.

+ + +: The first title is an impressive opening revealing a real complementarity between the two artists. The overwhelming sound production reflects maturity, but still vintage sonic elements characterized by sound effects and astral sweeps. The rhythm that runs through the opus makes everything more accessible.

– – –: The first cut is also my favorite and I miss similar sound explosions on the rest of the work.

Conclusion: This is a successful collaboration between two artists with somewhat different paths although totally linked to each other by the magic of Ambient-Electronics.

Best Songs: “Reality”, “Dark Matter”, “Simulation, Pt.2”.

Assess: seven.

Artists: www.facebook.com/driftinginsilence / www.facebook.com/71ne1dae

Label: https://labilerecords.com / www.facebook.com/labilerecords


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AFK shares their “rebirth” through a versatile debut album

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AFK offers a once-in-a-lifetime journey through Renaissancehis debut album now available on Welcome Records.


bass music phenomenon, AFK, is highly regarded for his versatility and passion. Whether you remember him as one of the OGs of the 2010s or are a new fan, there’s always something to love about his sound. Unfazed by the changes happening around him within the scene, AFK isn’t shy about trying something new or incorporating his own tastes to create something unique. He’s also been very honest about taking time for his mental and physical health over the years, and now he’s coming back stronger than ever.

With major recognition among dance music giants, AFK has long been an influence for many. With tracks on labels including UKF, Deadbeatsand that of Jauz bite that, there was only room to go up. After taking a hiatus for self-improvement, AFK now returns with their debut album, Renaissancewhich is now available At Kayzo’s Welcome Records.

Departure or recent interview with the AKFdive into Renaissance on your favorite platform, and continue below to learn more about the tracks!

AFK flow – Renaissance on Spotify:


AFK releases all the artillery for its first album Renaissancewhich is an absolute masterpiece from start to finish.

His sounds transcend genres as he plays around the spectrum of dance music to his liking. Renaissance portrays this perfectly, with AFK inviting collaborators of different styles to join, making the dynamic of the album even better. The album contains eight fantastic tracks, with three collaboration tracks with Kayzo, Future releaseand Moley.

The album takes off with the first single “Transmission“, which still holds up. AFK and Kayzo take “All that I need” to the next level with speed and intense dance that gets your heart pumping. “soul cycle‘, on the other hand, brings it back to a mellow intro, then shocks with slamming drums and bass that listeners will love.

AFK and Moley’s”Cold heart“shows a perfect fusion of their two styles, with the punchy dubstep front and center, and the low bass to balance it out. Another favorite,”Interdimensional cow fuckers”creates a world and fires the imagination with imagery of intergalactic warfare fueled by dubstep, granular synths and our favorite space cows. “Atom Smasher continues the saga, with smooth, fast drums and bass to close it out. The production of this track is impeccable, with the most satisfying listening experience we’ve had in a while.

After having lived Renaissance, we can’t resist saying that the AFK has done it again. It looks like self-care is the way to go now, as AFK has come back stronger and better than ever. We are sure that listeners will feel the same after listening to the album. We’re proud to see AFK through its reincarnation and can’t wait to see what’s next!


AFK- Renaissance – List of tracks:

  1. Transmission
  2. Everything I need with Kayzo
  3. soul cycle
  4. Close your eyes with the future release
  5. Coldheart with Moley
  6. Interdimensional cow fuckers
  7. Bounce
  8. Atom Smasher

Follow AFK on social media:

Facebook | Twitter | instagram | SoundCloud

5 sets not to miss at ACL 2022

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5 sets not to miss at ACL 2022

Fall is well and truly here and brings with it one of the last big events of the festival season: Austin city limits. Held annually in the Texas capital’s Zilker Park, ACL has hosted a number of the world’s biggest musical acts since its inception in 2002. This year’s lineup is as deep and diverse as ever, with hundreds of artists ready to take the stage during the two weekends of the festival. With that in mind, here are the 5 sets you can’t miss at ACL 2022.

SOFI TUKKER

A Florida-based duo of Sophie Hawley-Weld and Tucker Halpern, SOFI TUKKER has gone from strength to strength in recent years, receiving multiple Grammy nominations, appearing in numerous ad campaigns and soundtracks, and generally becoming dance music darlings. Their second album, wet tennis, was released in April of this year to a warm reception, and if their energetic and stylish set at Ultra is anything to go by, they’ll continue their stellar 2022 with a great performance at ACL.

SZA

The only non-dancing or electronic act on our list, Top Dawg Entertainment’s SZA is one of the most dynamic and impactful artists in the world since rising to prominence with her 2017 album, CTRL. She’s made hits with everyone from Kendrick Lamar and Travis Scott to Maroon 5 and Mark Ronson, and while she’s been relatively quiet with her own releases of late, she’s still more than headline-worthy. two Fridays of ACL 2022. Fans hope new SZA songs are on the way…

nozzle

Another artist with a high profile release this year, Australian DJ/producer nozzle caused a stir with his third studio album, Palace, back in May. A bonafide superstar and one of this year’s Saturday headliners, Flume absolutely killed it at Coachella in April, bringing out the likes of Damon Albarn, Vince Staples and Toro y Moi- all bets are off. open for guests in Austin, but the man behind megahits like “Never Be Like You” and “Say It” is absolutely capable of putting on a brilliant show on his own.

ZHU

Formerly anonymous and still somewhat mysterious, Zhu has spent much of his career letting the music do the talking – with three albums, five EPs, a slew of great singles and a Grammy nomination under his belt, it seems to have worked out pretty well for him. The San Francisco native has already put on phenomenal shows at Coachella and Ultra, and you won’t want to miss when he brings his sleek, dark and invigorating style to Zilker Park.

big savage

Jackson Steel, better known as great savage, started producing hip-hop beats as a teenager; he moved to Los Angeles after college, started making electronic music and hasn’t looked back since. Armed with a sound as bold and explosive as his name might suggest, Stell cut his teeth touring with Odesza in 2015, quickly becoming one of the most exciting names in electronic music. He’s not on as many people’s radars as he should be, but with his fantastic new album The efferusphere now out, Big Wild will be one to watch both at ACL and beyond.

The 2022 ACL begins Friday, October 7 and will take place over two weekends; click here to see the full lineup and keep it here for coverage of all your favorite artists, festivals and more!

Next post: Eats Everything and Fatboy Slim host an ode to their hometowns in ‘Bristol to Brighton’

Image credit: Lars Plowmann via Flickr

Lambchop: The Bible, album review – improv setting and gospel choir

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Named after a book that begins and ends with the beginning and end of time, The Bible unfolds in a seductively undocked way. The normal structure of verses and choruses that tell us where we are in a song is replaced by a looser, more improvisational staging through which Lambchop’s Kurt Wagner carefully weaves his way into a vocal sing-speak. low. What could be a recipe for confusion or fuzziness is brought to life by consistently loud music.

Wagner’s Nashville-based group has always had an open feel. Accompanied by a changing cast of collaborators, he’s been the only consistent member since their debut in 1994. Now in his 60s, he’s one of those rare songwriters to become more exploratory in his outlook as he ages. For The Bible he decamped to Minneapolis to work with a pair of young independent musicians as co-writers and producers, Ryan Olson of the band Poliça and Andrew Broder of Fog.

The appearance of a steel guitar in “Dylan at the Mouse Trap” triggers memories of Lambchop’s American roots, though the album is set in an unclassifiable musical space. Reverb-laden piano chords hang in the air as if unwilling to fade into the silence. The horns occasionally erupt in upbeat fanfares and the basslines provide a supple groove feel. A gospel choir adds vigorous backing vocals to Wagner’s slow-motion phrasing.

“Little Black Boxes” takes a left turn to funk with computer-processed vocals, then another left turn to electronic music. “A Major Minor Drag” shimmers and shimmers with bells, bass, harp and trumpet solos. Wagner’s enigmatic lyrics compel us to submit to the flow of his thoughts rather than trying to fit them together chronologically. The opening and ending themes return (“His Song Is Sung”, “Every Child Begins the World Again”), set in songs that make every passing moment seem worth lingering over.

★★★★☆

The Bible‘ is published by City Slang

10 things to do this weekend: September 29 to October 2 | Chicago News

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(Photo courtesy of Dean Paul / Ensemble Español Spanish Dance Theatre)

1. Swing

It’s your turn to swing at Wrigley Field and celebrate the 30th anniversary of the classic baseball movie, “A league apart.” Fans can attend a free screening at Gallagher Way with the first 800 entrants eligible to receive a limited edition commemorative hat. Prior to the screening, there will be a pre-game recce on Wrigley Field with cast members and former All-American Girls Professional Baseball League player Maybelle Blair ahead of the Chicago Cubs’ game against the Philadelphia Phillies at 1:20 p.m. and a Q&A discussion at 6:30 p.m.

Details: 7 p.m. Thursday at Gallagher Way, 3635 N Clark St. Free/ MAP


Find more festivals: Guide to summer festivals 2022


2. Refracting

Hubbard Street Dance Chicago is ready to launch its new show, Fall Series: Refractiontaking choreographers’ ideas and refracting them in a range of interpretations, featuring “The Windless Hold” by Cuban choreographer Osnel Delgado, “Dichotomy of a Journey” by Darrell Grand Moultrie and longtime Chicagoan and three-time recipient covers of Chicago’s Ruth Page Award for Best Choreographer of the Year, Randy Duncan.

Details: 7:30 p.m. Thursday, 8 p.m. Friday and Saturday, 3 p.m. Sunday at the Harris Theater for Music and Dance, 205 E Randolph St. $15 Tickets/ MAP

3. Wander

Take the time to walk around Andersonville this year Andersonville Arts Weekend, a district transformed into an art gallery accessible on foot. The three-day event will feature over 40 companies and over 100 artists from the visual arts, theatre, dance, music, film, culinary arts and more.

Details: Friday to Sunday in Andersonville. FREE ENTRANCE / MAP(Photo courtesy of the Andersonville Chamber of Commerce)(Photo courtesy of the Andersonville Chamber of Commerce)


4. Press

Want to learn new skills to impress your friends, or better yet, your crush? Plug into the Chicago Tap Summit, held as part of the Chicago Year of Dance, for a full weekend of classes for all skill levels taught by tap dance professionals from across the United States. The event includes classes, panels, performances, a Saturday night world premiere and more featuring MADD Rhythms faculty, Chicago Tap pioneers and boundary-pushing dancers.

Details: Hours vary Friday through Sunday at the Harold Washington Cultural Center, 4701 S. Dr. Martin Luther King Junior Drive. Tickets range from $400 to $500 / MAP


5. Dance

The Chicago Department of Cultural Affairs and Special Events kicks off the fall season with the annual Chicago World Music Festivalwith the largest nighttime performance of live Indian classical music in the United States, featuring over 30 bands from 22 countries.

Details: 6:00 p.m. – 8:00 a.m. Friday, 1:00 p.m. – 7:30 p.m. Saturday, 5:00 p.m. Sunday at various locations in Chicago. Free.(Photo courtesy of Chicago Department of Cultural Affairs)(Photo courtesy of Chicago Department of Cultural Affairs)


6. Skate

Trying to spend your Saturday at the skate park with live music and street art? Well, Aurora welcomes”Bom’ the Lot Two“, an outdoor event featuring 15 artists performing a live painting referencing the Aurora story, celebrity guest skaters, 13 bands, backs and rappers, and free skate ramps for attendees to enjoy.

Details: Midday – 10 p.m. at 14 Middle Ave., Public Parking H. Free / MAP


7. Sing

The Chicago Children’s Choir changes its name to a new name, now known as Uniting Chicago Voices. The new identity will be celebrated Saturday at Navy Pier’s Aon Grand Ballroom, with a new single “United,” performed by singers in Uniting Voices Chicago’s after-school programs.

Details: 2:30 p.m. Saturday at Navy Pier’s Aon Grand Ballroom, 840 E Grand Ave. Free / MAP


8. Swirl

Attendees can immerse themselves in the energizing spirit of Spain at the Ensemble Español Spanish Dance Theater, with live flamenco music, dynamic costumes and passionate choreography by renowned Spanish choreographer La Lupi, all in one night.

Details: 7:30 p.m. Saturday at the Ensemble Español Dance Theater, 5500 N. St. Louis Ave. Tickets start at $32/ MAP


9. Chew

Trying to celebrate the last days of good weather we have with a block party? Do you like a good chicken wing? You’re lucky! An outdoor block party with chicken wings, Wing Out Chicago, offers all the wings you can eat at some of the best vendors in town. There will be over 20 varieties of wings to try from Classic Buffalo, Jerk, Unami, Spicy Garlic, Asian Ginger and more.

Details: Saturday and Sunday at St. Michael’s Church parking lot, 1633 N Cleveland Ave. $14 general admission / MAP(Photo courtesy of WingOut Chicago) (Photo courtesy of WingOut Chicago)


10.Dash

The 31st edition AIDS Run & Walk Chicago returns on Sunday, raising awareness and funds for people living with or vulnerable to HIV/AIDS.

Details: 9:30 a.m. to 1 p.m. at Soldier Field, 1410 Museum Campus Dr. On-site registration $50/ MAP


Events listed are subject to change. We recommend double-checking times and locations before heading out the door. Want to share your upcoming events with us for consideration in a future roundup? Email us.


Why should you get a debt consolidation loan now

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Debt Consolidation Approved Form Shows Agreed Loan Approval - 3d illustration
Debt consolidation loans allow borrowers to combine their debts into one loan with a lower interest rate.

Getty Images/iStockphoto


No one likes to pay more than their fair share. Whether you have a mortgage, student loan, Personal loan or any type of insuranceit is important not to overpay.

For borrowers in debt, this is particularly important. If you end up with a high interest rate, it will be that much more difficult to pay what you owe and the outstanding balance can quickly become prohibitive.

Fortunately, consumers have debt consolidation loan options. Debt consolidation loans allow borrowers to combine their debts into one simple loan with a lower interest rate. The advantages of this unique financial option are multiple and significant.

If you think you could benefit from a debt consolidation loan, act now and start saving money.

Here are three reasons why you should get a debt consolidation loan now.

You want a lower interest rate

This is arguably the best reason to get a debt consolidation loan. By consolidating your debts into one loan with a lower interest rate, you can start saving money right away. But you will also save significant sums in the long run, as the loan will be adjusted into a more manageable sum.

This is especially useful for those with high interest credit cards. The average interest rate on a 24-month personal loan was 8.73%, according to recent data from the Federal Reserve. Compare that to the average credit card interest rate of 16.65% – almost double!

Check the rates you currently have. Then compare the rates to a debt consolidation loan. Getting started today is easy.

You want to improve your credit score

Your credit score affects so many aspects of your financial life. If you’ve put yourself in a hole with credit cards or other debt, you’ve probably damaged your score, making it harder to get better rates in the future.

A debt consolidation loan helps solve this problem by bringing all your debts together under one roof. After a series of one-time payments on the loan (and assuming you don’t accumulate debt elsewhere), you will begin to improve your credit.

Lenders like to see regular, on-time payments. You may be doing this now with one or two of your debts, but are you doing this with all of them? However, if you combine them into one debt consolidation loan, you will be able to make payments more easily and boost your score In the process.

You want an end date

One of the most frustrating things about being in debt is that you feel like you’ll never get out of it. This is especially true for credit cards where there is no real time limit (except for making a minimum payment). Borrowers can get themselves under water by paying only their minimum monthly card debt – all while the high interest on their cards adds up.

With a debt consolidation loan, however, there is a fixed repayment date so the borrower knows exactly when they can stop paying. So even if the debt you have consolidated is significant, you will at least know when it will be eliminated.

Get a free consultation and see if a debt consolidation loan is right for you.

Other Debt Relief Alternatives

If you are currently in debt, there are options other than debt consolidation loans to consider.

Credit cards with balance transfer work the same way and can also help you save money. Refinancing by collection (and mortgage refinance in general) may also be beneficial. Older homeowners can also get money to pay off their debts with a reverse mortgage.

Do you have other questions about debt consolidation loans? Want to explore all of your debt relief alternatives? Speak with an expert now who can help you.

Yard Act and Sam Fender among nominees for UK Music Video Awards 2022

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Adele, Arlo Parks, alt-J, black midi, FKA twigs, Florence + The Machine, Gorillaz, IDLES, Jeshi, Kylie Minogue & Jessie Ware, Little Simz, Loyle Carner, Sam Fender, Wet Leg and Yard Act are among the British artists who landed multiple nominations for their music videos and other visual projects at this year’s UK Music Video Awards, in the shortlists announced on September 28.

International artists Kendrick LamarDoechii, Lil Nas X, Pharrell (ft 21 Savage & Tyler The Creator), Stromae and Tove Lo also feature with several nods in this year’s list of nominations for over 30 awards, celebrating the best music video work in the Kingdom. United and surrounding areas. the world, and the creativity and technical prowess of the filmmakers who made them.

The winners of the UK Music Video Awards 2022 will be announced at the awards ceremony taking place for the first time at Magazine, the new state-of-the-art event venue near the O2 in North Greenwich, on October 27in what promises to be a big night for the music video industry.

Leading the nominations are the FKA twigs with an impressive 8 nominations, including 5 nods for his video for “Tears In The Club”, featuring The weekend. She is followed by fellow British artist Little Simz with 6 nominations, who also picked up 5 nominations for a single video – Point and Kill, featuring Obongjayar. The British black midday alternative rock band also got 6 UKMVA nods, split between three videos made for tracks from their new album Hellfire.

The noon black video for Sugar/Tzu is one of many videos with 3 nominations in the UK Music Video Awards 2022 shortlist. This includes Kendrick Lamar’s ‘The Heart Pt 5’, the video that launched his new album; “Crazy” by Doechii, one of the most controversial videos of the past year; Pharrell’s fully animated “Cash In Cash Out” video, featuring 21 Savage and Tyler The Creator; and Nadie, a video for Mexican/Argentinian vocal duo Sin Bandera.

Following the upheaval caused by COVID, the nominations for the UK Music Video Awards 2022 also reflect the rebound of the music video production world, with the shortlist including a plethora of burgeoning directorial talent making their debut among the nominations, while honoring skills displayed in many film departments, including cinematography, production design, editing, and visual effects.

Among the talents ‘behind the camera’, British-Ghanaian director Ebeneza Blanche leads the pack with 7 notable nominations – including five nominations for their video for Little Simz’s Point and Kill and a place in the Best New Directors list. American director Amber Grace Johnson’s video for “Tears In The Club” for FKA Twigs has 5 nominations, and “like Point and Kill” it’s nominated in multiple technical achievement categories, including Best Wardrobe Style and Best hair and makeup. C Prinz, who directed Doechii’s ‘Crazy’, sees his video earn 4 nominations and also earns a nod in the Best New Director list.

Former UKMVA Best Director winner Henry Scholfield is nominated for the award again while his video for Stromae’s ‘Son of Joy’ garners 2 nominations and one for Ed Sheeran’s ‘2Step’ starring Lil Baby. American director Noel Paul’s videos for black midi’s “Sugar/Tzu” and Ezra Furman’s “Forever In Sunset” garnered a total of 4 nominations.

Ukrainian director Tanu Muino, who won the award last year, is also on the list for best director. She is also nominated for directing Harry Styles’ music video for “As It Was” and “2am” by Foals. She is joined by French directors Arnaud Bresson and Valentin Petit, and British directors Scholfield, Duncan Loudon and Aidan Zamiri. The list of best new directors is rounded out by French director duo Bleu Desert, US-based STILLZ, Italian director Giada Bossi and British director Edem Wornoo.

For the second time, the UK Music Video Awards 2022 have presented an award for Best Performance in a Video, designed to highlight outstanding on-camera performances by artists, actors and dancers in music videos. The shortlist includes riveting turns from Kendrick Lamar, Loyle Carner and Lil Nas X, hard-hitting performances by young Italian actors in Giada Bossi’s video for electronic act Arssalendo, and acclaimed actor David Thewlis in his first appearance on the Leeds Yard Act band music video.

The UK Music Video Awards also recognize work in short live videos and special visual projects. The Live Video category features an eclectic mix of international artists, including Belgian superstar Stromae, Jamaican pop sensation Koffee, Irish band Fontaines DC, Norwegian artist Aurora, Nigerian singer-songwriter Obongjayar and American singer Dijon. Special visual projects include films by Moses Sumney, Lykke Li and Sad Night Dynamite, as well as highly nominated twigs Little Simz and FKA.

Since its inception in 2008, the UKMVAs has grown into the world’s leading awards program for music video creativity, the most important annual event on the calendar for the world of music video production. The competition’s global reach once again saw entries from over 30 different territories.

Nominees for the UK Music Video Awards 2022:

Best Pop Video – UK in association with Cinelab Film & Digital
Harry Styles – As He Was
George Ezra – Green Green Grass
Kylie Minogue & Jessie Ware – Kiss of Life
Adele – OMG
The 1975 – Part of the band
Arlo Parks – Slowly

Best Dance/Electronic Video – UK
Gorillaz ft Thundercat – Cracker Island
Chase & Status – Mixed Emotions
Frank Moody – It’s raining in Los Angeles
Orbital – Smiley
Lewis Thompson ft David Guetta – Take Me Back
Tourist – Your love

Best R&B/Soul Video – UK
Joy Crookes – 19th floor
Michael Kiwanuka – Good Life
FKA twigs – Jealousy
Greentea Peng – Watch it
Labrinth – Mount Everest
FKA twigs ft The Weeknd – Tears in the Club

Best Rock Video – UK
Foals – 2am
Muse – Compliance
IDLES – Crawl!
Sam Fender – First Steps (Director’s Cut)
Florence + The Machine – King
Sam Fender – Spit Of You

Best Alternative Video – UK
Sorting Act – 100% Stamina
Bakar – Build me a path
black midi – Eat Men Eat
alt-J – Gold Hard Drive
Radiohead – If you say the word
black midi – Sucre/Tzu

Best Hip Hop / Grime / Rap Video – UK
Jeshi-3210
Jeshi – Generation
Loyle Carner – The Hate
Big Zuu ft JME & Novelist – Offline
Little Simz ft Obongjayar – Point and Kill
Dave – Verdansk

Best Pop Video – International
Lizzo – About fucking time
Stromae – Sons Of Joy
Désirée Dawson – See you in the light
Tove Lo – No one dies of love
Rosalia – Saoko
Lil Nas X – That’s What I Want

Best Dance/Electronic Video – International
Meduza, James Carter ft Elley Duhe & Fast Boy – Bad Memories
Kavinsky – Cameo
DJ Snake – Disco Maghreb
Arca – Prada/Rakata
Flume ft May-A – Say Nothing
Asgeir – Snowblind

Best R&B/Soul Video – International
IDK – Breathe
Omar Apollo ft Daniel Caeser – Invincible
Lucky Daye ft Lil Durk – NWA
The Weeknd – Out of time
Steve Lacy – Sun
UMI – I wish I could

Best Rock Video – International
The Lumineers – Brightside
Ezra Furman – Still at Sunset
Pretty Sick – Human Condition
Imagine Dragons – Sharks
Måneskin – Top model
The Black Keys – The Wild Child

Best Alternative Video – International
MorMor – Far From Each Other
Joji – Overview of us
Stephan Moccio-Halston
GENER8ION x 070 Shake x SURKIN – Neo Surf
Jean-Michel Blais – Passepied
ZNTNDR – We Untitled

Best Hip Hop / Grime / Rap Video – International
SCREWS – 22
Pharrell ft 21 Savage & Tyler The Creator – Cash In Cash Out
Doechii – Crazy
Sopico – Slide
Kendrick Lamar – The Heart, Part 5
Residente ft Ibeyi – This is not America

Best Pop Video – Newcomer
Cavetown x beabadoobee – Falling in love with a girl
Flowerovlove – I like this song
Taura Lamb – Love Song
Empress of – Save Me
Mads Langer – Ukendt Land
Sad Night Dynamite – What Does It Make Me

Best R&B/Soul Video – Newcomer
Khazali – Better with the Devil
Lava La Rue – High Fidelity
Sipho – I don’t understand
Nightmares on Wax – Isolated
Ivy Sole – Talk About It
Murkage Dave – We Lot

Best Dance/Electronic Video – Newcomer
Cheap electric pink yarn – 01G
Confident man – feels like a different thing
Duvall ft Sam Gray – Good Feeling
David Lindmer ft Johanson – Omen
Adibanti – A door is closing
Ross from Friends – The Daisy

Best Rock Video – Newcomer
Didirri – Start Over
Wu-Lu – Blame
Alex Orma – Blood of the Monkey
Cafune – Tek It
Wet Leg – Ur Mum
Wet Leg – Wet Dream

Best Alternate Video – Newcomer
Baby Dave – Clarence’s Dead Father
Nick Leng – Morning / Midnight
Arssalendo – Quattro Pareti
ALASKALASKA – Still life
Other – We
Marina Satti – Yiati Pouli M’

Best Hip Hop / Grime / Rap Video – Newcomer
Bxks ft Oscar Worldpeace – 321
Fly Anakin – Class Clown
Flohio – Cuddy Buddy
WU-LU – Ten
Rodney Chrome – To the Money
AntsLive – Tweakin

Best Live Video
Aurora – A touch of the divine
Dijon-Annie
Obongjayar – I wish it was me
DC Fountains – Jackie Down The Line (The Tonight Show Starring Jimmy Fallon)
Stromae – Health
Koffee – Where I’m From (Vevo LIFT Live Session)

Best Special Visual Project in Association with LEAP
Moses Sumney – Blackalachia
FKA Twigs – Caprisongs
Dream Diver – Dream Diver
Lykke Li – EYES
Little Simz – I love you, I hate you
Sad Night Dynamite – Volume II Mix Tape

Best Performance in a Video
Sorting Act – 100% Stamina
Belief – Dreams
Loyle Carner – The Hatred
Arssalendo – Quattro Pareti
Lil Nas X – That’s What I Want
Kendrick Lamar – The Heart, Part 5

Best Production Design in a Video
Hikaru Utada – Bad Fashion
Thom Draft – Breathtaking
Angèle – Brussels I love you
Tove Lo – No one dies of love
Adele – OMG
Arlo Parks – Slowly

Best Choreography in a Video
Doechii – Crazy
Florence + La Machine – Paradise is here
Jean-Michel Blais – Passepied
FKA Twigs – Ride the Dragon
FKA twigs ft The Weeknd – Tears in the Club
alt-J – The actor

Best Wardrobe Style in a video in association with iD
Stromae – Sons of Joy
Kylie Minogue & Jessie Ware – Kiss of Life
Sin Bandera – Nadie
Sampa the Great – Never Forget
Little Simz ft Obongjayar – Aim and Kill
FKA twigs ft The Weeknd – Tears in the Club

Best Hair and Makeup in a Video
Gloria Groove – A Queda
Priyanka – Come Through
Sin Bandera – Nadie
Sudan Archives – NBPQ (Topless)
Little Simz ft Obongjayar – Aim and Kill
FKA twigs ft The Weeknd – Tears in the Club

Best Cinematography in a Video in Association with CHEAT
Taylor Swift – Too Good
Doechii – Crazy
Sin Bandera – Nadie
Little Simz ft Obongjayar – Aim and Kill
black midi – Sucre/Tzu
ZNTNDR – We Untitled

Improved color grading in a video in combination with Studio RM
Ethan P Flynn – Distraught
Sam Fender – Get Down

Prodigious Producer Illangelo Unveils New EP Under Electronic Music Alias, Joy Odyssey – EDM.com

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Prolific contemporary music producer Illangelo has officially made his foray into electronic dance music.

Illangelo, who has amassed over 25 billion streams across his catalog, has produced music for Drake, Post Malone, Alicia Keys, Grimes and many more while functioning as one of the primary creative forces behind a multitude rankings from The Weeknd. success over the past decade.

Illangelo unveiled her new electronic music alias, Joy Odyssey, late last year with her debut EP, Feels like heaven / Drifting, a stunning record combining trap beats with ethereal vocals. Now he’s back with his second body of work, moving in a dancefloor heavy direction with Energy / Divine Perfection.

Joy Odyssey.

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The upbeat ‘Energy’ uses quirky, high-pitched vocal samples for a track that’s as dynamic as it is complex. “Divine Perfection”, on the other hand, retains all the key elements that make Joy Odyssey productions so addictive, such as hypnotic pads and faded delays, while pairing them with distorted bass lines and an energy reminiscent of the sounds that dominated dance music. in the 80s.

“I seek to advance electronic music,” Joy Odyssey said in a statement. “The songs on this EP represent a world-building vision that manifests in positive energy. sonatas. These musical movements oppose lyrics that fall like mantras – authentic and compassionate, they are a call to arms for a more perfect, effective and sublime reality.”

Listen Energy / Divine Perfection below.

FOLLOW JOY ODYSSEY:

Instagram: instagram.com/joyodyssey
Twitter: twitter.com/joy_odyssey
Spotify: spoti.fi/3DXBY3w

Listen to Radical Kai’s Heartfelt House Single, “Enough” – EDM.com

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It can be easy to take certain aspects of your life for granted. Whether it’s your house, your job, a friend or even a loved one, as humans we can get a little too comfortable and forget how much we are. fortunate.

In his latest track, “Enough,” aspiring DJ and dance music producer Radical Kai hopes to remind his listeners of the importance of expressing your affection to your loved ones whenever you can. After all, you can never do enough.

The atmospheric house single begins with an alluring soundscape and romantic lyricism. The touching tune tugs at the heartstrings as the chorus sings, “I never wanna lose you, I don’t say it enough.” The drop hits with melodic vocal chops that explore the confusion of being in love after trying to end things, which many of us can relate to.

You can listen to “Enough” below and find the single on streaming platforms here.

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Radical Kai made a name for himself in 2020, delivering a raucous debut remix of Justin Bieber’s “Yummy” which has since garnered significant support in the club circuit. By mixing elements of EDM, R&B and adult contemporary music, Kai has a unique sound.

2022 marks another exciting chapter for Kai as he builds on the momentum of “Enough.” Be sure to keep an eye out for his original tracks and upcoming house and future bass remixes with Jbeatzz, Tony Yayo, B Howard and Dae Dot.

FOLLOW RADICAL KAI:

Facebook: facebook.com/radicalkai
Instagram: Instagram.com/iamRadicalKai
Spotify: spoti.fi/3r3z8lH

Best concerts in Miami and South Florida in 2022-2023

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Bruce Springsteen & The E Street Band perform at Hard Rock Live on February 7, 2023.

Bruce Springsteen & The E Street Band perform at Hard Rock Live on February 7, 2023.

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Miami Arts Season

Miami arts groups announce their seasonal lineups. Here’s a preview of what’s to come in the visual arts, dance, theater and music.

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Rock On! Turn off the stereo, get out of the house and catch a show in person, because nothing can match the energy of a live band. Here is our Top 10 concerts of this season. All tickets are available through Ticketmaster unless otherwise stated.

Smashing Pumpkins and Jane’s Addiction

Two great veteran alternative rock bands for the price of one. Smashing Pumpkins, led by the enigmatic Billy Corgan, will produce hits such as ‘1979’, ‘Today’, ‘Disarm’, ‘Bullet with Butterfly Wings’ and ‘Tonight, Tonight’, while Jane’s Addiction, led by the soaring, otherworldly voice of Perry Farrell, brings fan favorites including “Stop!”, “Been Caught Stealing”, “Mountain Song”, “Three Days”, “Classic Girl” and, of course, the anthem “Jane Says”.

October 8 at Hard Rock Live at the Seminole Hard Rock Hollywood.

Points Party III

Trina in pink
Miami rapper Trina is performing at this year’s III Points Festival. Rockstarr Music Group

He is back! The two-day blowout brings together dozens of acts from alternative, electronic, experimental and indie rock, as well as any type of music with an edge. As always, this year’s lineup is eclectic and dynamic, highlighted by James Murphy’s favorite project, LCD Soundsystem, a deliciously irreverent electronic jam band that borrows from Bowie, New Order, B-52 and even Morrissey; Orbital, the British pioneer of electronic music, which since 1989 has created beautiful and strange orchestral compositions such as “The Box”; and Grammy-winning Canadian electronic duo Bob Moses (“Tearing Me Up,” “Love Brand New”). Also featured: Kittin & The Hacker, Porter Robinson, James Blake, Busta Rhymes, Flume, DJ Harvey and a special performance by Uncle Luke, Trick Daddy & Trina.

October 21-22 at Mana-Wynwood in Miami’s Design District.

Floor Rüfüs

The Australian electronic music trio, fueled by the soulful yet hopeful voice of lead singer Tyrone Lindqvist, conjures up melodic, driving anthems that fit perfectly on SiriusXM’s “Chill” radio station, such as “You Were Right”, “Treat You Better”, “Sundream” and “Underwater”. But in concert, the band is anything but cool – the energy level is boosted by live percussion, live synths and random techno jams. Rüfüs Du Sol takes the stage to support his fourth studio album and first in three years, “Surrender”, with the singles “Alive”, “Next to Me” and “On My Knees”.

October 23 at the FPL Solar Amphitheater at Bayfront Park in Miami.

The Stars and Strings of Audacy

This country show isn’t your typical gig in that each artist will eschew backup bands and pyrotechnics and pull a stool with a six-string for an intimate performance complete with narration. Artists include Jason Aldean (“She’s Country”, “Big Green Tractor”, “Dirt Road Anthem”), Kane Brown (“What Ifs”, “Heaven”, “Good As You”), Old Dominion (“Hotel Key” , “Written in the Sand”, “Break Up with Him”), Randy Houser (“Boots On”, “We Went”, “How Country Feels”) and Elle King (“Ex’s & Oh’s”, “America’s Sweetheart”, ” Drunk [And I Don’t Wanna Go Home]”).

November 2 at Hard Rock Live at the Seminole Hard Rock Hollywood.

Kalush Orchestra

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Six-piece Ukrainian rap group Kalush Orchestra stops in South Florida on their world tour. Handout

The six-member Ukrainian rap group offers an exotic and deep sound that transcends typical hip-hop, with folk elements of traditional Ukrainian music. The group, which won the Eurovision Song Contest 2022 for the single “Stefania” (and auctioned off its trophy to raise money for the Ukrainian Armed Forces), is making a stop in South Florida as part of her first North American tour. And yes, Kalush’s music directly addresses the war with lyrics such as “I’ll always find my way back, even if all the roads are destroyed”.

Nov. 3 at Sport of Kings at Gulfstream Park.

Bonnie Raitt

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Singer Bonnie Raitt performs at the Broward Center for the Performing Arts on November 16. Courtesy of the Broward Center for the Performing Arts

Hard to believe it’s been over 50 years since this road-tested country-blues roots rocker released her debut album. But beloved Bonnie Raitt, who has won 10 Grammys plus a Grammy Lifetime Achievement Award, is still going strong at 72 and will bring her trusty Fender Strat with a bottleneck slide to the Broward Center to serenade us with hits such as “Something to Talk About”. “, “Have a Heart”, “Nick of Time” and “I Can’t Make You Love Me”.

November 16 at the Broward Center for the Performing Arts.

Allman Family Revival Tour

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The Devon Allman Project Handout

The sixth annual event led by Devon Allman celebrates the life, music and legacy of her father, Gregg Allman, and brings together a “blissful and healing cosmic experience.” It looks like a party! The fantastic line-up of blues-rockers includes The Devon Allman Project, Duane Betts, Donavan Frankenreiter, Jimmy Hall, Maggie Rose, Larry McCray, George Porter Jr., Orbi Orbison and River Kittens. You’re sure to hear original music from these artists, plus many Allman Brothers anthems, including “Whipping Post”, “Melissa”, “Statesboro Blues”, “Jessica”, “Midnight Rider” and “Ramblin’ Man “.

November 29 at the Pompano Beach Amphitheater.

Cécile McLorin Salvant

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Cécile McLorin Salvant Photo: Shawn Michael Jones

The classically trained singer, three-time Grammy winner and Miami native, performs selections from her sixth album, “Ghost Song,” as part of the Arsht Center’s Jazz Roots Series. The New York Times called the record “his most revealing and rewarding album to date”, saying it “looks inside and doesn’t blink”. Don’t miss the opening act, as emerging jazz pianist Christian Sands and his trio perform tracks from his latest album, “Be Water,” which takes a fresh look at the language of jazz.

February 3 at the Adrienne Arsht Center for the Performing Arts in Miami.

GroundUP Music Festival

Grammy-winning jazz-fusion band Snarky Puppy, described by Rolling Stone magazine as “one of the most versatile bands on the planet,” headline the three-day jam with daily sets. Also on the bill: singer-songwriter and neo-soul bassist Meshell Ndegeocello, whose sound mixes funk, jazz, hip-hop, reggae and rock; eclectic folk rocker Madison Cunningham, Grammy nominee; Philadelphia jazz guitarist, keyboardist and bandleader Kurt Rosenwinkel, who will perform in support of his 11th studio album, “Caipi”; Malian musician Bassekou Kouyaté, who is best known for playing the traditional West African “ngoni” guitar; trumpeter, singer and jazz producer Keyon Harrold; and many more to come.

February 3-5 at the Miami Beach Bandshell (formerly North Beach Bandshell).

Bruce Springsteen

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Bruce Springsteen & The E Street Band perform at Hard Rock Live on February 7, 2023. Handout

Haven’t seen The Boss live? Now is your chance to catch one of the greatest rock artists of all time as Springsteen takes to the stage with his energetic E Street Band as part of the band’s first North American tour in over six years. . You’ll hear tracks from 2020’s “Letter to You” album, as well as classics picked from an extensive repertoire, including “Hungry Heart”, “Out in the Street”, “My Hometown”, “The River”, ” Thunder Road”, “Born to Run”, “Badlands”, “Rosalita (Come Out Tonight)”, “Tenth Avenue Freeze-Out”, “Prove It All Night”, and “Jungleland”.

February 7 at Hard Rock Live at the Seminole Hard Rock Hollywood

Jane Wooldridge, award-winning journalist and veteran of the Miami Herald, works on coverage of real estate, economics, urban development, tourism, cruises, visual arts and Art Basel. She is a past president of the Society of American Travel Writers. Find her on Instagram and Twitter @JaneWooldridge.

10 More Unconventional Music Documentaries To Watch After “Moonage Daydream”

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Lunar Reveriethe new movie on david bowie, is technically a documentary. It documents the legendary musician’s life, his music and his creative process like most biographical documentaries, of course… but it’s the presentation of the film – and the way it makes you feel as a viewer – that makes it remarkably unique.


RELATED: The Best Movie Documentaries

There are no talking head interviews with people who aren’t Bowie, no narration, and sometimes little context as to when precisely scenes are taking place. Instead, there’s a loose narrative formed by the animation, interestingly edited archival footage, voice-overs from old Bowie interviews, clips from films the artist appeared in, and concert footage. For anyone who has found the experience of Lunar Reverie an exhilarating breath of fresh air from more standard music documentaries, by the numbers, here are 10 other music-themed documentaries that similarly break the mould.

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‘Cobain: Devil Edit’ (2015)

Before leading Lunar Reveriefilmmaker Brett Morgan tackled the life story of another legendary musician in an intensely emotional, at times uncomfortably personal film. This musician is Nirvana leader kurt cobainand the documentary in question is Cobain: Editing Heck.

It’s a slightly more conventional documentary than Lunar Reverie, certainly. The structure is generally linear and there are many talking head interviews. However, it is the other areas of the presentation that set it apart; most notably, its animated footage and extensive use of home video footage, as well as footage of Cobain’s artwork and diary entries. It aims to transport the viewer inside the mind of Kurt Cobain to better understand him and his struggles, and due to its success, it inevitably becomes a very confronting, if not difficult, watch.

“The Beatles: Come Back” (2021)

that of Peter Jackson monumental three-part documentary on The Beatles, Come backlasts about eight hours, but focuses on the creation of just one of their albums, detailing a fragment of the band’s history in remarkable detail.

What’s this Come back chooses to focus on what makes it so distinctive. Covering just a few weeks in eight hours, he’s able to squeeze in a lot of time on almost any day, allowing the viewer to see nearly every step of the creative process that led to the penultimate album he’s ever had. checked in : So be it. Beginning with the band with no real direction and little inspiration, and ending with their triumphant and iconic rooftop gig (their last live performance as a band), it’s a remarkable journey, with an attention to detail that few other musical documentaries offered.

‘Ennio’ (2021)

Giuseppe Tornatore is an Italian filmmaker (probably best known for the wonderful Cinema Paradiso) who worked with the legendary composer Ennio Morricone a total of 13 times between 1988 and 2016. So he was the perfect person to lead the sober title Ennioa two and a half hour documentary about the life of Morricone, his remarkable 60-year career and the stunningly beautiful music he composed.

RELATED: Ennio Morricone’s Underrated Scores That Deserve More Love

Filmed while Morricone was still alive, but released sometime after his death in 2020, the film manages to celebrate the immortal nature of Morricone’s music while subtly praising him and quietly acknowledging that there will be no to never be anyone like him again. For Morricone fans – or movie fans in general, given how many movies are discussed throughout – this is a must-watch.

‘The Velvet Underground’ (2021)

The Velvet Underground just Todd Haynes, a director who has already made films about musicians. These include I’m Not There, which explores the many facets of Bob Dylan through (mostly) fictionalized vignettes, and gold velvetwhich depicts the glam-rock scene of the early 1970s, with its two main characters loosely inspired by david bowie and Iggy Pop.

The Velvet Underground is a bit more conventional than those two movies, but not by much. In telling the story of one of rock music’s most distinctive bands, Haynes chooses to break some cinematic and documentary conventions that are unique to them, in order to better reflect their spirit. It’s largely successful and strikes a good balance between being an informative documentary and a more artistic, Velvet Underground-influenced visual/aural experience.

‘Friend’ (2015)

Perhaps one of the most tragic and heartbreaking musical documentaries of all time, Amy is an exceptionally well-made film that’s also remarkably difficult to watch. It covers the tragically short life of Amy Winehousewho died in 2011 at just 27, and tells his story in a more stark and less conventional way than most documentaries, with archival footage and old interviews used in place of narration and one-on-one interviews speaking.

Amy is also notable for its remarkable empathy and condemnation of those who made fun of the artist’s struggles during his life. He criticizes the media, public figures and even the population at large for their lack of understanding when it comes to mental illness and addiction issues, highlighting those who mocked Winehouse in the press for his personal struggles. , rather than offering support. As such, beyond being a great musical documentary, it’s a reminder to be kinder and more sympathetic to those who are dealing with the kinds of things that Amy Winehouse fought against in her life.

“Once More With Feeling” (2016)

Of the three musical documentaries made on Nick Cave released in the last decade, Once again with feeling is perhaps the best. It’s a dark and moving film, shot in black and white, and documenting the development and recording of 2016 skeleton tree – one of the best albums of the Nick Cave and the Bad Seeds discography.

Above the making of the album – and this documentary – was the tragic passing of Nick Cave’s 15-year-old son. It’s not always explicitly addressed on the album, nor in the documentary, but it’s hard not to feel like it heavily impacted and influenced both. Once again with feeling then emerges as a haunting and emotional experience, subtly exploring grief through its melancholy presentation and interviews, as well as through its Cave scenes. The Skeleton Tree songs with his band.

“The Sparks Brothers” (2021)

by Edgar Wright love for the quirky and quirky pop/rock band Sparks shines in The Sparks Brothers. The Mael brothers (their last name isn’t actually Sparks) are described as an endlessly creative, quirky, and funny duo who have a small but loyal fanbase, while never quite achieving mainstream success.

RELATED: Directors Who Released Two Movies In A Single Year

It’s hard to know if a documentary promoted as being about a little-known band will be more enjoyable for those who are Sparks fans, or those who have never heard any of their songs. Either way, its humor and energy keep it fresh and entertaining, making it one of the most stylish and joyful music documentaries in years.

“Shut Up and Play the Hits” (2012)

Time has diluted the impact of Shut up and play the hitsto some extent, but it’s still an engaging and insightful look at the acclaimed indie-rock/electronic band known as LCD audio system and its leader, James Murphy.

The reason it doesn’t hit as hard today is because it’s about the band’s supposed farewell gig in 2011, and Murphy’s feelings about the band’s end… only he reformed the band in 2015, and they released a new album in 2017, for the excellent concert footage and the portrayal of an artist struggling with how to “come out great”, Shut up and play the hits remains a convincing watch.

‘Bros: After the Screams Stop’ (2018)

For all those who have always wanted to see a documentary reproduce the hilarity and absurdity of the mockumentary It’s Spinal Tap, Bros: After the screaming stops has what you need. The fact that they aren’t actors and that the footage looks authentic makes it all the more memorable.

The documentary follows Mast and Luke Gosstwins from the UK who had a handful of hits in the 1980s before falling into semi-obscurity. After the screaming stops focuses on their reunion tour and everything that goes wrong, mostly due to a conflict of egos. Even though it’s not an intentional comedy, some parts are absolutely hilarious and have to be seen/heard to be believed.

“The Song Remains the Same” (1976)

Led Zeppelin were one of the most popular and beloved rock bands of all time, so how weird could a documentary film/concert about them really be? Whether The song remains the same is something to pass: very.

This movie is impossible to categorize, really. There’s concert footage, there’s interviews, there’s some chilling behind-the-scenes footage, and there’s also several fantastic segments, each directed and “supervised” by a different member of the band. It’s messy and outrageously inane at times, but also genuinely compelling at other times, making for a wild and unpredictable experience that deconstructs what a music documentary is long before it was cool to make it.

NEXT: Great Concert Movies For Anyone Missing Live Music

Hot Chip Review – An Immersive Dance Phenomenon | hot chip

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VSAllying a group “with an institution” can give the impression of feeding it, in a critical way. It would be more accurate to think of Hot Chip, now on its eighth album, as a perpetual motion machine that rarely fails – a particularly fine example of British engineering. So it’s a surprise that this theoretically urban electronic formation suddenly comes to an end because their beast of a drummer has punctured the skin of his bass drum. And yet, here’s Hot Chip percussionist Leo Taylor welcoming the news that he played too loudly jumping and doing double devil horns to howls of approval.

Hot Chip has maintained a metronomic pulse at the heart of British songmaking for over 20 years, pairing the sweet voice of Alexis Taylor with a kaleidoscopic range of percolating sound. Over and Over was their first hit, in 2006. It’s not just a reworked live staple, faster and harder than the original, but a tenet for the band. Hot Chip called their 2010 album Stand of a lifetime, in part to explore the beauty of committed relationships as opposed to strained one-night stands: another title as a creed. They never parted ways, directing all non-Chip energies to solo albums and record labels such as Greco-Roman, co-frontman Joe Goddard’s side gig. Taylor and Goddard recently published standalone works: Taylor’s Touching Lockdown Meditation, The silencein 2021, and Goddard’s disco and house release with Amy Douglas, Grudgeearlier this year.

Tonight, they arrive dressed in all white, save for token black sheep keyboardist Felix Martin; Alexis Taylor wears a white waterproof cape over a bright pink Comme des Garçons windbreaker, her buzzcut tinted pink by the play of light. The stage doubles as a commercial display of synthesizers, an array of gear punctuated by the eerie cowbell and block of wood, courtesy of percussion multi-instrumentalist Rob Smoughton. Hot Chip’s music regularly draws inspiration from house and funk, electro and synth pop, blending the upbeat energy of the dancefloor with classic pop melodies; if their records are good, their concerts are immersive. You now know Hot Chip’s traveling companions, with the revolving door of band members on tour they operate with LCD Soundsystem, the way Hot Chip recalls everyone from New Order to Pet Shop Boys, while remaining instantly identifiable as themselves.

Alexis Taylor in a waterproof cape. Photography: Andy Hall/The Observer

What is less discussed is how they share with Gorillaz a very British love of American vintage hip-hop and its sources; how their sense of club matches that of fellow schoolmate Kieran Hebden of Four Tet, who recently hosted Hot Chip live in New York. It bears repeating that Hot Chip has been ahead of the Covid-era disco reboot curve by almost a decade. They wrote a song for Dua Lipa in 2020 which they ended up keeping to themselves. It’s Straight to the Morning, which featured Jarvis Cocker on guest vocals. (Cocker is due to join the band on nights three and four of this four-night London residency; tonight Goddard is handling Cocker’s vocal parts.) As with their penchant for disco, Taylor in particular has long brought a strong vintage eyewear game too, favoring engineer eyewear long before everyone started looking like they worked at Microsoft around 1979.

Best of all, Hot Chip’s adamantine consistency has just enough variation to pique your interest. Just when you think you know them, something happens: a record like the recent Freakout / Liberation, for example, in which the title track goes much further than usual towards dancefloor catharsis, and Taylor sings about lust and “primal healing”. Or a song like Down, which is decidedly funkier than usual, with Taylor playing various meanings of “down” (going down, feeling down) as the bass syncopates throughout. Or…they’ll punch a bass drum. What happens after this hitch, however, is somehow extremely Hot Chip. Half the group stumble upon the kit like a Formula 1 pit stop crew, veteran multi-instrumentalists helping their technician with the spare.

While watching, Taylor sings “Is It Still Broken?” Naturally, the song that silenced the kit is called Broken. A star of Hot Chip’s latest LP, he finds him trying to resolve an emotional crisis. Words are insufficient. How do you actually help someone? As the six-piece band brings the party, Taylor’s voice resonates with the tenderness of veteran songwriters, like Neil Tennant singing Roy Orbison.

Tenderness and vulnerability have, of course, long been staples of Hot Chip. What is new, perhaps, is the depth of the consciousness of crisis, of mortality. Philippe Zdar, their collaborator, died in 2019. As the Covid burst into the world in 2020, Hot Chip was on tour in Australia. Rob Smoughton was taken to hospital with a life-threatening illness and recovered; his dynamism tonight is particularly joyful to see. The songs on Freakout / Liberation – of which they play a generous sample – largely deal with the fallout of life; being stuck in your own head, unable to seek or accept help; on deep funks. Like most of the best dance pop, Hot Chip is as much about cleaning up tear-soaked dance floors as it is about carrying on Kraftwerk’s legacy. They can get everyone dancing on a school night; harder and more bruised than their reputation for softness suggests.

Dance instruments by the Australian Ballet

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DANCE
Dance instruments ★★★★
The Australian Ballet, Arts Center Melbourne, until October 1

“Tonight we’ll see what seethes and seeps into the dance,” said Australian Ballet artistic director David Hallberg.

The curtains open on Wayne McGregor Obsidian Tearin which an all-male cast dances against a backdrop of rack and ruin.

Elijah Trevitt se produit dans <i>Annealing</i> as part of the triple program <i>Instruments of Dance</i> from the Australian Ballet.” src=”https://static.ffx.io/images/$zoom_0.154%2C$multiply_0.7725%2C$ratio_1.5%2C$width_756%2C$x_0%2C$y_0 /t_crop_custom/q_86%2Cf_auto/cb2ee99734361f6935bc4d978451f212a5bc01bf” height=”390″ width=”584″ srcset=”https://static.ffx.io/images/$zoom_0.154%2C$multiply_0.7725%2C$ratio_1.5 %2C$width_756%2C$x_0%2C$y_0/t_crop_custom/q_86%2Cf_auto/cb2ee99734361f6935bc4d978451f212a5bc01bf, https://static.ffx.io/images/$zoom_0.154%2C$multiply_1.545%2C$ratio_1.5% 2C$width_756%2C$x_0%2C$y_0/t_crop_custom/q_62%2Cf_auto/cb2ee99734361f6935bc4d978451f212a5bc01bf 2x”/></picture></div><figcaption class=

Elijah Trevitt stars in Annealed as part of the Australian Ballet Triple Program dance instruments.Credit:Jeff Busby

As with McGregor’s choreography, the movement is dynamic and sharp in bursts, yet fluid in other moments, playing with our expectations of contemporary ballet. Lead artist Adam Bull steals the performance, his acrobatic feats – barrel rolls, leaps and 360 degree leaps – reminiscent of Mikhail Baryshnikov in his heyday.

The room seems propelled towards destruction. Like the obsidian itself, the choreography sometimes seems dense, heavy and impenetrable. There is a dull flatness and sickling of the feet, as the male dancers are swept away in tragedy.

On the other hand, Justin Peck’s choreography in Everywhere we go has lightness in abundance. A wonderful jazzy thrill, to a score by Sufjan Stevens, the dancers casually cross the stage in nautical-themed leotards. The ballerinas run around in pointe shoes with a kind of cheesy sex appeal, pushing their butts more than ballet traditionally allows. Men walk around with what looks like bluster. Lead artist Benedicte Bemet shines, executing fast chaine turns on pointe like it’s fun.

Annabell Watt et Rohan Furnell interprètent <i>Everywhere We Go</i> in the triple program <i>Instruments of Dance</i> of the Australian Ballet.  ” loading=”lazy” src=”https://static.ffx.io/images/$zoom_0.138%2C$multiply_0.7725%2C$ratio_1.5%2C$width_756%2C$x_0%2C$y_0/ t_crop_custom/q_86%2Cf_auto/9f53349108854225fd758381e581ed3bc2a7eb4e” height=”390″ width=”584″ srcset=”https://static.ffx.io/images/$zoom_0.138%2C$multiply_0.7725%2C$ratio_1.5% 2C$width_756%2C$x_0%2C$y_0/t_crop_custom/q_86%2Cf_auto/9f53349108854225fd758381e581ed3bc2a7eb4e, https://static.ffx.io/images/$zoom_0.138%2C$multiply_1.545%2C$2Cratio_1.5% $width_756%2C$x_0%2C$y_0/t_crop_custom/q_62%2Cf_auto/9f53349108854225fd758381e581ed3bc2a7eb4e 2x”/></picture></div><figcaption class=

Annabell Watt and Rohan Furnell play Everywhere we go in the triple program of the Australian Ballet dance instruments. Credit:Jeff Busby

Next we have Australian Ballet resident choreographer Alice Topp Annealed. Vulnerable and liberating, Topp’s work challenges gender roles and concepts of strength and beauty in ballet. Highlights of the piece include where the corps de ballet dances with the eerie energy of many-armed gods under chrome lighting, as they rustle and sway in the refractions.

The pas de deux, featuring Dimity Azoury and Callum Linnane, shows an exceptional connection as they draw towards each other, almost in a kiss, gentle hand drumming.

Neu created the rhythm that continues

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Perched in the Star Studio recording room in Hamburg, guitarist Michael Rother heard his playing in a new light. It was days after the start of the four-day session in December 1971 that would produce the self-titled debut album of Neu, Rother’s newly formed duo with drummer Klaus Dinger. With producer Conny Plank, he fleshed out the 10-minute instrumental “Hallogallo,” evoking plumes of melody that swirled over Dinger’s streamlined, insistent 4/4 beat. While listening to the playback, Plank decided he wanted to hear the guitars backwards, suddenly throwing the tape upside down.

“Everything went vvvvp vvvvp vvvvp and I thought, oh that’s wonderful,” Rother recalled during a recent Zoom call from Italy. “This change from reality – this abstraction – really interested me. I’m not saying that all of a sudden great melodies came out of me, but it was inspiring. Plank incorporated reverse guitar into the mix, grounding the song with an otherworldly euphoria that Rother was able to play out in subsequent takes.On the recording, his guitar kicks in and out surreal waves of sound as Dinger’s drums march in a straight line toward the horizon.

“Hallogallo” would define an era in German underground music and influence several generations of rock bands, electronic music producers and experimenters around the world. Although it sold modestly when it was released in March 1972 and was out of print for much of the 1980s and 1990s, “Neu” paved the way soon trodden by Brian Eno and David Bowie, and later by countless others who were looking for a way out of established rock and roll tropes into something more transcendent and outlandish. Through its six tracks, Rother and Dinger, guided by Plank and his penchant for exploring the possibilities of sound, dismantle just about every hierarchical structure in rock music. The chord progressions and the structures of the songs come down to a singular hum, experienced as inexhaustible, almost eternal.

Fifty years after its release, the album’s influence continues to be enormous. To mark this anniversary, the German label Grönland has put together a box set compiling this historic debut album and the next three, as well as a collection of remixes and new songs by contemporary musicians inspired by their sound and their heritage. Artists such as the National, New Order’s Stephen Morris, and composer Yann Tiersen all reworked the material for the set. Although Dinger passed away in 2008, Rother will revisit Neu’s songs at a London concert on November 3, opening for Hot Chip’s Alexis Taylor.

“We’ve always loved that sound, the stacked guitars going into infinity,” says Kassie Carlson, vocalist of New York band Guerilla Toss. The band contributed an original song, “Zum Herz”, to the Grönland tribute compilation, transposing the melody of Rother’s solo song “Zyklodrom” into a post-punk rave-up. “A lot of our music nods to that era of German cosmic music, with this wonderful, major sound. But with ‘Zum Herz’ we really wanted to try and write a Neu song.

Rother and Dinger met in 1970 when they became members of Kraftwerk alongside one of the group’s masterminds, Florian Schneider. The association with Kraftwerk and the band’s status as one of the most well-known German bands of the 20th century looms large over Neu’s history, even though the duo’s contributions never made it onto a Kraftwerk album. At this embryonic stage, their music had an unassuming, often passionate character compared to the mechanized, detached style they would adopt years later when they fully embraced synthesizers and drum machines. Rother smiles as he recounts a performance story with Kraftwerk and understanding how unhinged a Dinger player could be. “I noticed the audience watching the scene and I followed their eyes to Klaus,” he recalled. “There was blood dripping from his hand. He liked to play on broken cymbals, which of course had very sharp edges. He beat drums and kept playing without stopping for a second. never crossed his mind.

This image runs counter to the number of fans and critics that have characterized Dinger’s drumming. The rhythm of “Hallogallo”, as well as “Negativland” from the debut album, “Für Immer” from “Neu 2”, and other songs, has been popularized as “motorik” (“motor skill”), evoking a well-oiled, immutable and static machine. Dinger never adopted this name, and later in life began to call it the “Apache Rhythm”, evoking a stereotype of Native American music. Despite the problematic genesis of this terminology, it underscores the focused intensity of his playing as the drummer tries to make connections to the ceremonial uses of repeated rhythm in Indigenous communities. Listening to the rhythm of the engine, it can indeed seem independent of clock time, pushing defiantly into boundless space even as it ticks off the seconds with precision and intention.

“To me, this is the best rhythm for playing guitar,” wrote Stereolab’s Tim Gane in a recent email. Many of the French band’s most iconic songs rely on the assertive momentum that Dinger pioneered. “The motorik drum beat isn’t just any 4/4 drum beat, and Klaus Dinger wasn’t just any regular rock drummer,” Gane added. “His way of playing is totally unique and so full of soul, passion and intensity that it counteracts the alienating effect of guitar effects. It creates a new kind of shadow rock music that wasn’t superficial at all.

Motorik has become almost synonymous with krautrock, the inelegant term coined by the British press to group bands emerging from Germany at the time, but ‘Neu’ is an album built on contrasts. After the immediacy of “Hallogallo” comes the hyper-minimal “Sonderangebot,” a five-minute recording of a muted cymbal roll swept between the left and right channels in a slow, queasy lurch. “Negativland” hums to a distorted twang created by Plank manually phasing two recordings of Dinger playing the shamisen, a Japanese banjo, standing between two tape recorders and slowing down one tape then the other. No two songs are alike, and the entire enterprise is built on the juxtaposition of Dinger’s rhythmic intensity and Rother’s bloody, cosmic songcraft.

“It’s definitely more of an ensemble thing,” Sonic Youth drummer Steve Shelley says when asked about Dinger’s influence on his own style. Shelley first heard Neu on mixtapes Sonic Youth would listen to in the tour van and was able to track down used copies of the first three albums while the band toured Europe in the ’80s. Stooges and obviously the Velvets were a big part of what we shared, and that became another mainstay,” he says. “We really relied on how we heard things and what we started playing on this Neu music.” Shelley was invited by Rother to play this music with him as part of the band Hallogallo 2010, which debuted at that year’s All Tomorrow’s Parties festival. “He has a certain freedom. This thing seems wide open.

This opening allows Neu’s influence to seep into many unexpected streams of music. It fueled the rise of punk, with Iggy Pop telling the BBC in 2009 “when you listen to it, it lets your thoughts flow”. The idea of ​​endless pulsing paired with ethereal atmospheric sounds has come to define many strains of electronic music designed for the dance floor, as DJ and radio host Tim Sweeney explains. Sweeney’s show, Beats In Space, has allowed countless DJs to introduce new sounds to large audiences, and Sweeney himself has been consistently mixing krautrock into the show for decades. “You almost go into a trance listening to it,” he says. “A lot of dance music is like that, with that repetition. The atmosphere is also a big part of it, the delay they used – which is often referenced.

For all his influence on music at home in dense urban environments, even Pop heard what he called “pastoral psychedelia” in Neu’s music. Nashville-born guitarist William Tyler finds surprising connections between the country music he grew up with and the music of Rother in Neu and beyond. Beyond the pervasive associations with the open road that permeate both, there was a telling moment when he heard a Waylon Jennings groove, “which to me sounded like krautrock. It rolls the same and glides the same,” he says. His 2016 album “Modern Country” was based on the question: “What would have happened if these Dusseldorf guys had recorded a record in Nashville? Tyler made the connection explicit by performing the slightly drifting neutral track “Weissensee” on this tour, and covering Rother’s “Karusell” on his “Lost Colony” EP.

The German countryside is very important to Rother, who moved to an estate outside the town of Forst shortly after making Neu’s first two albums (simultaneously forming the band Harmonia with Hans-Jochim Rodelius and Dieter Mobius of Cluster), and has remained there ever since. . Neu’s music was created with the echoes of fascism still audible, a settling of accounts with the Nazi regime still ongoing. Rother is an outspoken pacifist and he blames the obsession with pinning German identity on the music they made on the British music press. His music, with its luminous expanses and textures, suggests a kind of pastoral futurism, an idyllic vision of music that has escaped the trappings of what he calls “Anglo-American influence”. Neu’s music always points to something beyond – beyond the narrow mentality of nationalism, beyond the impulse of history to repeat itself, beyond any expectation whatsoever.

Rother often recalls in interviews his childhood in Pakistan, where his family lived between the ages of 9 and 12. He developed a love for buzzing sounds and new scales he heard while listening to street musicians, and he swam in the Arabian Sea. , the waves swallowing him up and spitting out his little body. “It’s such a great joy,” he says, ruminating on those times spent in the ocean and his current love of swimming. ” It continues. You can’t see it properly, and it’s getting deeper and deeper. It is something that stimulates my imagination. The sound of water permeates the first album Neu – it leads to several songs, these sounds giving listeners audible connections to that sense of infinity that Rother now talks about. Its powerful wake, uninterrupted for 50 years, continues.

The Grammys | GRAMMY.com

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The sound of regional Mexican music has endured for centuries, thanks to Mexican crooners and ballads like the great dead Vicente Fernández and Jenni Rivera. Today, a new generation of artists – on both sides of the Mexico-US border – are helping the genre continue to evolve, while achieving greater global success than ever before.

Regional Mexican music is a catch-all term that encompasses several styles of music who are from Mexico, including norteño, banda, mariachi and ranchera music. Besides Fernández and Rivera, artists who have defined the genre in recent decades include Pedro Infante, Juan-Gabriel, Selena, and Ariel Camacho. Although sadly no longer with us, a new generation of artists are reviving and redefining the sound of regional Mexican music. — and helping the age-old genre connect with younger audiences.

mexican singers nodal christian and Natanael Cano spearheaded the movement, pushing regional Mexican music up the charts in 2018 and 2019, respectively. Nodal fused mariachi and norteño music, while Cano pioneered the tumbados corridos, which gave a hip-hop and trap twist to traditional corridos.

Over the next few years, many more Gen Z artists from the United States and Mexico put their own stamp on the mainstream genre, even breaking records in the process. As we celebrate Hispanic Heritage Month, GRAMMY.com shines a light on six acts that are refreshing regional Mexican music.

nodal christian

Originally from the town of Caborca ​​in Sonora, Mexico, nodal christian has become one of the biggest artists in regional Mexican music today since breaking out in 2018. His fusion of mariachi and norteño music (mariacheño, as he coined it), as well as his vocal range and vaquero charm, helped him connect with regional Mexican music. young and old music fans. These also earned him wide critical acclaim, including four Latin GRAMMYs and two GRAMMY nominations.

If Nodal puts a touch of youth to the genre, it also inaugurates new fusions. Alongside Mexican rapper Gera MX, Nodal make history in 2021 with their global hit “Botella Tras Botella”, which was the first regional Mexican song to hit the Billboard Hot 100 chart. In 2022, Nodal brought his unique flair to songs with the King of Bachata, Romeo Santos (“Me Extraño”), and Christina Aguilera (“Cuando Me Dé la Gana”).

Angela Aguilar

Angela Aguilar proudly carries on the legacy of his family name. The Aguilar family’s heritage is deeply rooted in regional Mexican music: his grandparents are Mexican legends Antonio Aguilar and Flor Silvestre, and his father is an icon Pepe Aguilar.

The Mexican-American artist adopts a more traditional sound of the genre, captivating audiences of all ages with his soulful voice that transcends his years. Along with carrying on her family’s legacy, she’s proving to be a star in her own right — and making waves in a male-dominated genre. She scored her second No. 1 on Billboard’s Mexican Regional Airplay chart in May with “Ahí Donde Me Ven”, making her the seventh female actress to have at least one No. 1 in the 28-year history. of the charts.

Natanael Cano

Natanael Cano turned regional Mexican music on its head by inaugurating the corridos tumbados movement. The emerging genre mixes the corridos of its Hermosillo, Sonora roots with the hip-hop flow of LA, where Cano is currently based.

Cano had a breakout year in 2019 thanks to the swaggering hit “El Drip,” which first gained popularity on YouTube. His fiery single “Soy El Diablo” caught the attention of bad bunnywho jumped on a remix.

Cano continues to take corridos even further with cross-genre collaborations with artists like Snoop Dogg (“Feeling good”) and Steve Aoki (“NataAoki”). He took the genre to its biggest stage in April, when he performed at Coachella.

Eslabon Armado

Fans of the late Mexican singer Ariel Camacho will love Bay Area-based band Eslabón Armado, who are bringing sierreño music to life for a new generation of fans. Eslabón Armado’s take on the genre on guitar reflects their Mexican-American background, also giving the traditional Mexican sound an emo twist.

Since releasing their breakthrough hit, the haunting love song “Con Tus Besos,” in 2020, the group has landed six top 20 songs on Billboard’s Hot Latin Songs chart – two of which reached the top 5. And only two years later, Eslabón Armado makes history: the trio’s 2022 album, Nostalgiapeaked at No. 9 on the Billboard 200 All Genres chart in May, becoming the first regional Mexican album place in the top 10.

Group Firm

Grupo Firme has become a maverick to watch in regional Mexican music. Through their brassy banda music anthems, the seven-piece band has amassed millions of fans inside and outside the genre.

This has been further proven by their impressive streaming numbers: at press time, the music video for their track “Ya Superame” has had over 305 million views on YouTube alone, and the boisterous “El Toxico” (featuring fellow Mexican singer Carin Leon) has over 413 million. Their infectious melodies and free-spirited performances also helped them earn a Latin GRAMMY for Best Banda Album of 2021 and a spot on the Coachella bill this year. Perhaps the title of their 2020 album said it best: Our Divertimos Logrando Lo Impossiblewhich translates to “We have fun doing the impossible”.

The group has also become a bright spot for LGBTQ+ representation in the genre, as member Jhonny Caz is openly gay. His brother, singer Eduin Caz, sings about the group’s message of inclusivity and speaks out against naysayers in ‘Cada Quien,’ which features the Colombian superstar Maluma.

Yahritza and Su Esencia

Yahritza y Su Esencia is the latest success story of regional Mexican music. The trio is made up of Yahritza Martínez and his brothers, Jairo and Mando, from Washington’s Yakima Valley.

Yahritza, who is the lead singer, started teasing the group’s debut single “Soy El Unico” on TikTok before the group officially released it in March. The heartfelt corrido that featured Yahritza’s soulful vocals debuted at No. 1 on Billboard’s Hot Latin Songs chart and No. 20 on the Hot 100. With this latest entry, Yahritza make history as the youngest Latin performer to appear on the all-genre chart at just 15 years old.

The family band continued their chart success with their debut EP, Obsessedwho open to n°1 on the regional Mexican album chart in May, showing that the genre’s next generation doesn’t just resonate, it dominates.

Listen to GRAMMY.com’s Hispanic Heritage Month 2022 Playlist Featuring Anitta, Selena, Bad Bunny, Shakira and More

Deadmau5’s We Are Friends Tour Exceeded Expectations in Buffalo

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Photo credit: Léa Sems


Buffalo went crazy for deadmau5 and fellow mau5trap BlackGummy, Kasablanca and NERO on the We Are Friends Tour!


The sun was shining, the temperature was pleasant and music lovers, young and old, were gathered at the Buffalo Outer Harbor on lake erie for a refreshing musical evening hosted by mau5trap. The programming for this We are friends the tour stop was quite impressive, with beloved artists BlackGummy, Kasablanca, NEROand the mau5trap king himself, deadmau5.

It’s been a while since I’ve seen deadmau5 in action, last time in Atlanta at the Dome where he took his Pilot test alias for a ride. And since I’m hopelessly devoted to his unique sound and style, I knew this event was not to be missed. Going in I had high expectations, but realized that outdoor events can often be a little tricky, especially when it comes to the logistics behind security, vendors, sound, etc.

From the moment I walked into the venue and was greeted by smiling security, I had a feeling deep in my soul that I was not going to be disappointed. After a much appreciated and heartwarming weapons check, I made my way through a mini-tunnel to Lakeside Lawn, where the musical magic began.

Kasablanca @ deadmau5 We Are Friends Tour (Buffalo Outer Harbor)
Casablanca || Photo credit: CP ABBOTT

Lake Erie shimmered under soft blue skies and altocumulus clouds, and for a brief moment I had visions of The Gorge in Washington.

The setting reminded me of my time at ABGT250, where just beyond the stage is a magnificent view of nature in all its glory. Birds soaring high and sweet organic scents added to the ambience like BlackGummy set a big, tech-powered, progressive tone that will remain the theme for quite a bit of the night. Kasablanca went a step further and proved that DJing is a real art form with a multi-faceted live performance.

Once a third of NERO took over, the atmosphere slipped sideways into bass territory. Given that I’m pretty deep into the house and techno scene, I’m not usually one to headbang, but my head definitely banged during this set. I even found out how much fun it is to stick a bass face and rage! To my delight, NERO even weaved in a jaw-dropping drum and bass tune as Dimensions remix of ‘Timewarp’ sub-focus sounded through the speakers.

While NERO certainly brought out the animal in me, it was deadmau5 that left me puddled on the grassy dance floor. Of “Escape” at “Average,” “Channel 43” at “when summer dies,” “X Y Z” at “take me high“, and everything else, deadmau5 served up a clinic! I can honestly say this was my favorite set of him that ever graced my ears.

NERO @ daedmua: We Are Friends Tour
NERO || Photo credit: CP ABBOTT

Easy access to amenities added extra pep to my step.

As soon as you enter the lawn by the lake, attendees could stop by the ticket tent for drinks and food. Each ticket was $1, and depending on your order, the cost was about nine tickets for a beer and about ten tickets for food. While the GA bar was close to the ticket tent, the food trucks were on the left side of the venue. There were options ranging from Mexican to Caribbean, and of course, American favorites like the delicious cheeseburger that I practically inhaled.

Another welcome addition to the venue was the lounge chair section that everyone could enjoy. It was ideal for families with young children (yes, it was an event for all ages) and for dance freaks who needed to give their feet a break. On the right side of the stage were the VIP relaxation tent, the VIP bar, as well as the ADA viewing section. And with a VIP ticket, you also have access to the best spot on the dancefloor.

In fact, the entire front of the dance floor was reserved for VIPs. Behind that was a fence for the photo pit, and behind the photo pit was where you could find GA ticket holders. This limited GA ticket holders to seeing behind the sound booth and to the left side of the stage, and it was a bit odd to see the front of the dance floor pretty much wide open until deadmau5 take over. But, realistically, no matter where you were on that lawn, the sound was booming and the energy was contagious!

deadmau5 We are friends @ Buffalo Outer Harbor
deadmau5 || Photo credit: Léa Sems

Final ThoughtsIf you haven’t seen deadmau5 on the event circuit, do yourself a favor and buy a ticket immediately!

When it comes to the deadmau5 experience, Joel and his team spare no effort. The lighting production and visuals look to the future, the flow between deadmau5’s classic sound and his new vision keeps the dance floor rippling, and the masterful band of drumming buddies he takes on tour is second to none. . But above all, it’s his incredible fanbase that keeps me coming back for more. PLUR was very much alive that night, and it was wonderful to see that my hometown still knows how to get down!

The We Are Friends tour is only halfway done, with Chicago on the radar for September 23. Check out the remaining dates, and if it’s coming to a city near you, call your friends and buy those tickets because it’s a party you’ll remember for many months to come!


Follow deadmau5 on social media:

Website | Facebook | Twitter | instagram | SoundCloud | Youtube

4 reasons to take out a personal loan for debt consolidation

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Our goal at Credible Operations, Inc., NMLS Number 1681276, hereafter referred to as “Credible”, is to give you the tools and confidence you need to improve your finances. Although we promote the products of our partner lenders who pay us for our services, all opinions are our own.

If you’re juggling high-interest credit card debt, taking out a debt consolidation loan to pay off those balances offers 4 major benefits. (Shutterstock)

You can consolidate high interest credit card debt many ways, including home equity products (if you own a home), balance transfer credit cards, and personal loans.

Here are four reasons why you might want to consider a debt consolidation loan to settle your high-interest debts.

If you want to consolidate your debt, Credible makes it easy to view your prequalified personal loan rates from various lenders, all in one place.

What is debt consolidation?

Before we dive into why a debt consolidation loan makes sense, let’s define what it is. Debt consolidation consolidates multiple debts into one account with one easy-to-manage payment. It’s a strategy you can use to simplify the debt repayment process and potentially save money on interest. If you are overwhelmed with debt, debt consolidation can be a smart move.

Although you can consolidate your debts in several ways, the personal debt consolidation loan is one of the most popular. With a debt consolidation loan, you take out a new loan to repay one or more unsecured debts that you already have. It gives you a manageable monthly payment so you don’t have to worry about juggling multiple debts, interest rates, and payment due dates.

It’s important to understand that while a debt consolidation loan can treat the symptoms of your financial problems, it won’t treat the root cause. Think of it as a tool to give yourself some breathing room so you can get back on your feet and devise a long-term plan for a better financial future.

ADVANTAGES AND DISADVANTAGES OF DEBT CONSOLIDATION

1. Reduce the overall cost of your debt

A Personal loan can help you reduce the cost of your debt in two ways. If you’re able to lock in a lower interest rate than you currently have on all of your debt, you can save hundreds or even thousands of dollars in interest.

Plus, a personal loan gives you a specific end date for paying off your debt. It can help you stay focused on your goals and pay off your debt faster.

Visit Credible for compare personal loan rates from various lenders, without affecting your credit.

2. Refinance your debt without risking your home or other assets

Although home equity products – such as home equity loans and home equity lines of credit (HELOC) – may have lower interest rates than personal loans, they have some disadvantages you should consider:

  • Deplete your home equity — Since a home equity loan relies on the value you have built up in your home, you could find yourself under water on your mortgage and owing more than your property is worth if the value of your house goes down. This could be a serious problem if you are planning to move soon.
  • Put your home at risk — A home equity loan puts your home as collateral. If you fail to make your payments, you could lose your home through the foreclosure process.
  • May not qualify — Most lenders will not give you home equity loan or HELOC unless you have some equity in your home. Your equity is the difference between what you owe on your mortgage and the current value of your home. Although each lender has their own criteria, most will be looking for at least 15% equity.

A debt consolidation loan, on the other hand, requires no collateral, which means you won’t have to put your house, car or other assets on the line. You can also lock in an interest rate below the one you could get with a credit card.

Your rate will likely be fixed instead of variable (as it would be with many HELOCs), so you can budget your payments in advance. And if you have good or excellent creditit may be easier to qualify for a debt consolidation loan than a home equity product.

3. Reduce your monthly payments

If you have a lot of high-interest credit card debt and take out a personal loan with a lower interest rate, you may be able to lower your monthly payment amount. This can free up your cash flow and give you more money to spend on your emergency fund and other financial goals, such as saving for a home or for retirement.

Choosing a personal loan with a longer term can also result in lower monthly payments. But keep in mind that if you go this route, you will pay more interest over time.

4. Simplify your debt

When juggling multiple loans and credit cards, it’s easy to miss a bill payment. Missing a single payment can impact your credit.

A debt consolidation loan allows you to combine several monthly payments into a single loan with a fixed interest rate. It can make the debt refund much more manageable process and reduce your risk of missed payments. Many personal lenders also offer discounts for setting up automatic payments, which will ensure that your monthly loan payments are made on time.

If you’re ready to apply for a debt consolidation loan, Credible makes it quick and easy compare personal loan ratess to find the one that best suits your needs.

The Killers highlight their good side in jubilant St. Paul show

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Good rock songs stand the test of time, but many of the Killers’ best songs on Tuesday Night St. Paul were for those of us who stood the test of the COVID pandemic.

“Smile like you mean it,” frontman Brandon Flowers sang emphatically as his flashy but substantial rock band’s return from Las Vegas kicked off at the Xcel Energy Center.

At the end of the show, he bellowed fervently, “I’m coming out of my cage and I feel great.”

Those songs, “Smile Like You Mean It” and “Mr. Brightside,” were among the many songs played on the Killers’ 2004 debut album, “Hot Fuss,” which topped Tuesday’s set list. The best of those oldies, “All Those Things I’ve Done” – used as a pre-recall finale – never felt more like a triumphal march than it did that night.

A band leaning so heavily on their debut record could be seen as a sign that they haven’t yet managed to match the success of their impressive debut, which is true in the Killers’ case. However, these songs preaching resilience – written by isolated young people and a deep desire to belong – struck a fresh and fiery chord with the 10,500 fans in attendance this time around.

So have some of the new songs born out of the pandemic by Flowers and his team, which again includes guitarist Dave Keuning after a few years of hiatus.

They released an album at the start of the confinement, “Imploding the Mirage”. When their tour had to be postponed, they quickly did another one, “Pressure Machine”. So they were spoiled for choice.

New highlights included “My Own Soul’s Warning,” which opened the show with an explosion of confetti and echoes of U2’s “Beautiful Day.” The more rootsy “Cody” was one of many to air the Springsteen-esque American drama with the help of back-up vocalist Tori Allen’s fiddle.

Best of all, “Fire in Bone” urgently captured the toll of the pandemic with lines like “No one’s gonna save you / You gotta do it yourself.”

Flowers referenced COVID a few times between songs, including his rather humorous greeting before the third song, “When You Were Young.”

“It’s an event that spreads tonight,” said the 41-year-old frontman, who wore a sleek black jacket that could have been left over from Michael Bublé’s X concert two weeks ago. “We spread peace, love and rock ‘n’ roll.”

Adding to the significant undercurrent of the night, the killers also brought one of their heroes. Smiths guitarist Johnny Marr made the case for recent solo material (especially “Easy Money”) while doing justice to some of his old bands’ classics – yes, “bands” plural, since he has also added the electronic nugget. “Getting Away With It” alongside “Panic” and “How Soon Is Now?”

Marr joined the headliners as well, joining the Killers as an extra sideman for the duration of their encore, which included a truly bright cover of The Smiths’ “There Is a Light,” with Flowers enthusiastically cheering the guest on. But then the singer did this to everybody at the show on Tuesday.

Electric Zoo: Inside Moore Kismet’s Head

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Electric Zoo, New York’s premier electronic music festival, closed its 13th year last week, bringing together more than 100,000 fans over three days and more than 100 international artists. I had the opportunity to sit down with one of these artists, Moore Kismet. If you’re unfamiliar with Moore, that’s about to change as their mindset, focus, and high-level creative mind are on their own.

It’s 6 p.m. on the second day of Electric Zoo, just minutes after Moore finished his set on The Landing stage which has also hosted artists like Whipped Cream, Jauz and Diesel. We sit in their green living room and I start with a simple question – “how do you think your set went?” That’s when the Moore Kismet magic begins, and I quickly get a taste of what makes them so special.

First impressions of Kismet Moore

They pause and reflect before responding “I think my set went as well as it could.” It’s Moore Kismet. Throughout our conversation, their unwavering honesty, visceral passion, and reluctance to settle on any aspect of their creative vision was revealed. Moore’s aura was palpable, and I believe they are destined to become a generational talent.

I had just listened to their DJ set thinking it was amazing and very representative of their songs – offering danceable melodies, chaotically clean bass grooves and progressions perfectly suited to pop music.

For most DJs, this was a set it would have been hard not to be satisfied with. Not for Moore, whose seemingly innocent response reveals their harsh inner self-criticism and relentless focus on their musical execution. Whether it’s the music career, the animated television series, or the production company they also work on, there’s no room for complacency, second place, or celebration of success. a performance which they claimed was not the best.

This self-imposed standard is what brought 17-year-old Moore Kismet to concert halls and festival stages around the world, long before he was a legal adult.

It goes further. This is not the story of a teenager who applies the same recipes for success as his predecessors. Meet Moore Kismet, who has taken the electronic music world by storm over the past two years with very hard to find sound design, creative vision and ability to execute musical ideas. It is their essence that compels me to believe how much they will shape the future of not just electronic music, but music as a whole and what it means to be an artist in 2022 and beyond.

It is not an easy path or a manifest destiny. Moore is black and trans and has struggled to balance everyday life, growing up, being a teenager, and the profound challenges that come with musical success. Sometimes everyday life and the feeling of being deformed have become so difficult that just a few weeks ago they tweeted about the possibility of ending the project altogether. But what keeps them going is feeling properly supported, understood, and earning the respect they feel they deserve where they are in their careers.

“The support of the queer community, it’s so wonderful to hear from other queer people, especially queer people in music, who have such unbridled faith in Moore Kismet and me as a creative, to continue to put our community.” -Moore Kismet

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As Moore and I had just met for our interview, it quickly became conversational as Kismet’s real personality is reflected in their music – they are risk-taking, relentless, honest, clear, clean and carry an infectious energy. Their age is usually referenced because it correlates with their age-related accomplishments, but Moore really wants to be asked how they’re doing, how’s life going, – just don’t call them a music artist of low.

“I want to be in my own lane, and sometimes I feel like I’m not really doing a good job if people keep calling me a dubstep artist or a bassist. I am an electronic artist. Call me what I am and respect my music as such. Because otherwise, I’m going to be in a position where I’m not going to want to get out of shit anymore. -Moore Kismet

Kismet Moore’s Music at the Electric Zoo

Their music, although heavy in nature on some songs, dances into a realm beyond standard heavy electronic music. Moore’s take on electronic music, which can be heard on their recent album UNIVERSE, cannot be pigeonholed into a genre tag. In a musical world where artists are commonly categorized as “mixing genres” to try to tell them apart, Moore Kismet is a genre.

Their sound is unique, reminding me of artists who have shaped trends over the years like Skrillex, Kaytranda and now Fred Again, whose sounds transcend fleeting musical trends and introduce musical tropes that are and will become staples for years to come.

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Electric Zoo, New York’s premier electronic music festival, brings the best of the best. From sets like G Jones and Eprom that push the boundaries of sound design beyond belief, to headlining sets ripping from genre to genre in DJ Snake, to some of the catchiest bass lines and creative house music at Chris Lake – Moore Kismet’s set was alone. Their creative art is unique. I couldn’t help but think throughout Moore’s set that this was a set that deserved the main stage with pyrotechnics and a real light show. And next year, I hope to see Moore where they deserve to be – in the limelight for new and experienced dance music fans to witness their creative explosion in the medium it deserves – a main stage.

“I want to energize the main stage so people can see me now, regret putting me on in the afternoon, and book me in later. It’s my thing. I want to show people that I’m worth giving that 11-12 midnight slot. I’m worth C02 and pyro, I’m worth the visuals, I’m worth bringing out gigantic pop stars to perform on-stage collaborations with me. I’m worth it all. And I keep making music that shows I’m worth it. -Moore Kismet

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Final Thoughts on the Electric Zoo

Electric Zoo hosted one of the most refreshing and compelling musical conversations I’ve had in quite some time. And Moore Kismet is ready to have his conversation with you – through his music, his performances, his possible animated series, his production company, and more.

Music fans everywhere need to hear and accept what one of the most heartfelt, honest and well-meaning artists we have had to say. Check out Moore Kismet’s music and merchandise on their website. Maybe one day we can hear their dream collaboration with Beyonce, Megan Thee Stallion, Adele and Halsey.

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PIXELYNX and Laylo team up to power fan messaging and drops

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LONDON and LOS ANGELES, Sept. 20, 2022 (GLOBE NEWSWIRE) — through InvestorWire – PIXELYNXthe music metaverse™ gaming platform founded by revolutionary electronic musicians and tech visionaries Joel Zimmerman aka deadmau5 and Richie Hawtin aka Plasticmantoday announced a partnership with Laylo, a messaging and CRM platform for creators designed for drop notifications and fan engagement. The companies will work together to implement the full suite of Laylo’s Audience Management Suite and bring its customizable creator messaging and drop platform to artists, creators and brands across ELYNXIRthe first game from PIXELYNX due to launch later this year.

Laylo’s unique and easy-to-use platform will allow artists, creators and brands that are part of ELYNXIR to communicate directly with fans via Instagram DM, SMS, email and more. They will also have the ability to deliver new digital products quickly and seamlessly via drops. By using Laylo, artists will retain ownership of their fan data collected from ELYNXIR.

“We love everything Laylo builds. Their platform is essential for any creator or brand entering the Web3,” says Inder Phull, CEO and Co-Founder of PIXELYNX. creators to easily manage their drops.”

“When we heard Inder’s vision for the Pixelynx universe and the creators they’re building with, we knew we had to work together,” says Laylo CEO and Co-Founder Alec Ellin. “Together, we’ll empower creators to create amazing drop experiences for their fans, ownership of their data, and deeper engagement in the ELYNXIR game.”

The ELYNXIR mobile app will be the first step into a dynamic universe that merges music, games and immersive experiences like never before. ELYNXIR’s goal is to empower artists, engage players, and continually grow through the vision and power of creators. The ELYNXIR mobile app is built on the Niantic Lightship ARDK, leveraging thrilling augmented reality and geolocation to experience a world of games, music, artists, collectibles, and amazing content created by the community, much of which offers the possibility of digital ownership, as well as a marketplace to buy, sell and trade.

About Laylo
Laylo is a CRM and Drops platform for creators and brands, helping them drive more sales and streams through direct fan engagement. Launched in 2021 by Alec Ellin and Saj Sanghvi, Laylo powers some of the world’s biggest musicians, podcasters, celebrities and brands, allowing them to automatically notify fans of new content, merchandise and tickets via SMS, email, Instagram DM , Facebook Messenger. , and Discord. Laylo further empowers creators by giving them complete ownership of their fan data. Learn more about laylo.com.

LinkedIn | Twitter | instagram | Website

About PIXELYNX
PIXELYNX is a new video game company created by iconic musicians and technologists Joel Zimmerman aka deadmau5, Richie Hawtin aka Plastikman and music industry visionaries Ben Turner (Graphite; IMS: International Music Summit; AFEM: Association for Electronic Music), Dean Wilson (Seven20 Entertainment / mau5trap), and Inder Phull, a futurist from the musical metaverse. The London and Los Angeles-based company is focused on creating a musical metaverse that will transform the way artists connect and interact with their fans through gaming experiences. Its first mobile game, ELYNXIR, will be released later this year.
More information on : https://pixelynx.io and https://elynxir.game/nft/
Twitter: @pixelynx_io and @elynxirgame
Instagram: @pixelynx_io and @elynxirgame
Discord – Discord.gg/Pixelynx

Media contacts:
Jean Vlautin
[email protected]

Jill Mango
[email protected]

Molly Sheban
[email protected]

Contact wire service
InvestorWire (IW)
Los Angeles, California
www.InvestorWire.com
212.418.1217 Office
[email protected]

A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/1e628193-8139-4413-9247-06429e617c1c

Selma Blair brings the ballroom to tears at the DWTS premiere

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It’s a whole new era of Dancing with the stars.

After 30 seasons on ABC, the celebrity dance competition moved to Disney+ for its 31st season premiere – and it didn’t disappoint.

Tyra Banks and new co-host Alphonse Ribeiro were joined by a panel of returning judges Len Goodman, Derek Hough, Carrie Ann Inaba and Bruno Tonioli for the big premiere party, which challenged the group of 16 new contestants to dance to a song that “gets them showing up.”

First, the good news. TikTok Star Charli D’Amelio wiped the dance floor with the competition, earning 32 points for her Cha Cha at Megan you stallion“Savage” with his partner Marc Ballas.

In second place, wayne brady and partner witney carson earned 28 points for his impressive Cha Cha routine at Carl Cardboard“She’s a Bad Mama Jama (she’s built, she’s stacked).”

The most moving moment of the evening was reserved for Selma Blair and his partner Sasha Farberwho danced the Viennese waltz at “The Time of My Life” by David Cook. Selma, who is competing after being diagnosed with multiple sclerosis in 2018, brought many to tears in the ballroom, including judge Carrie Ann and another contestant. Jordan Sparks.

Selma herself broke down in tears upon receiving her scores saying, “I’m so grateful, I’m so grateful.” She and Sasha ended up tied for third place drag race star shangela and his partner Gleb Savchenkoboth teams totaling 27 points.

At the time of the first elimination of the season, jerseyshore star Vinny Guadagnino and partner Koko Iwasaki had the lowest score from the judges with 16 points, but was saved by fan voting.

Debt consolidation loan: what you need to know

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Debt consolidation loan application form with pen, calculator
Debt consolidation loans combine multiple debts into one loan, which can potentially save you money.

Getty Images


If you’re struggling to manage your debts on multiple credit cards, a debt consolidation loan could simplify your monthly finances and help you regain control. When you take out a debt consolidation loan, you pay off multiple debts and replace them with a single loan with a fixed monthly payment. You might even be able to lower your interest charges and monthly payments.

If this sounds like something you could benefit from, consider talking to a lender. You can get a debt consolidation loan offer today.

What is a debt consolidation loan?

A debt consolidation loan can be used to pay off multiple debts, including credit cards, medical bills, and personal loans. Debt consolidation loans are a type of personal loan that you can use to combine multiple high-interest credit cards with one low-interest loan.

You may qualify for a debt consolidation loan of up to $100,000 with flexible repayment terms typically ranging from two to five years.

Why would anyone want a debt consolidation loan?

Taking out a debt consolidation loan may make sense if any of the following circumstances apply to you:

  • You want to pay less interest. If you have multiple high interest credit cards, you might consider debt consolidation into a personal loan with a lower interest rate. According to recent data from the Federal Reservethe average interest rate on a 24 month personal loan is 8.73%, which is well below the average credit card interest rate of 16.65%.
  • You want a specific repayment date. Credit cards offer a convenient way to borrow and pay off debt as you go, but if you only make minimal payments, you could stay in debt indefinitely. For this reason, you may want a debt consolidation loan to follow a repayment plan for a specific duration, with a specific end date when your final payment will bring your balance down to zero.
  • Your credit score is sufficient to qualify. Whereas personal loans are available to borrowers with below average credit, a higher credit score may qualify you for lower rates. Generally, the higher your credit score, the lower the interest rate you can receive. As a rule, you can benefit from advantageous conditions with a good credit scorethat begins with a FICO score of at least 670 or a VantageScore of 661 or higher.
  • You can pay off your consolidation loan in five years or less. Debt consolidation loans are installment loans that usually have a repayment term of two to five years. Of course, the longer you pay off the loan, the more interest you will pay. A debt consolidation loan may be a suitable option if you can minimize interest costs by paying off your loan in less than five years.

The advantages of a debt consolidation loan are manifold. Start saving money and getting out of debt by exploring your loan options now.

How to qualify for a debt consolidation loan?

Qualifications for debt consolidation loans vary by lender, but most lenders strongly consider the following eligibility factors.

  • Proof of income: Almost all lenders require you to meet a minimum income requirement to prove that you have the financial stability to repay your loan. Minimum income amounts vary by lender, and you’ll likely need to prove your income with pay stubs, bank statements, or tax returns.
  • Credit report and credit score: When a lender reviews your debt consolidation loan application, they typically extract your credit report and credit score to assess your credit management history. If your credit is below average, you might be better off taking steps to improve your credit before applying for a new loan.
  • Low debt-to-income ratio (DTI): Your debt-to-equity ratio (DTI) is another important criterion used by lenders to assess your ability to repay your loan. The ratio compares the total amount of your monthly debt repayments with your gross monthly income. For example, if your gross monthly debt payments total $1,000 and your gross monthly income is $5,000, your DTI ratio is 20% (1,000/5,000 = 0.200). Aim for a DTI of 36% or less for your best chance of loan approval.
  • Collateral: Some lenders require collateral for larger debt consolidation loans, often in the form of home equity.

Be aware that some lenders charge processing fees (also known as origination fees) ranging from 1% to 8% of the amount borrowed.

How to apply for a debt consolidation loan?

Taking out debt consolidation is quick and easy, and you can apply by following these five steps.

  • Shop around and compare lenders. Comparing several loan offers can help you find the best debt consolidation loan to meet your needs. Many online lenders allow you to prequalify for a loan to assess your chances of approval and the interest rate you may receive. When you prequalify, the lender usually does a soft credit check that doesn’t affect your credit score.
  • Choose your loan offer and your lender. Consider loans that offer the best balance of low interest rates and fees, flexible repayment terms, and achievable eligibility requirements. After reviewing several personal loan offers, select the one that best suits your needs.
  • Complete a loan application. Once you have chosen a lender, submit a formal application. You will need to provide information about your job, your income and the amount you want to borrow. Your lender may ask you to provide supporting documentation, including government-issued ID, pay stubs, account statements, and proof of residency.
  • Pay your debt. Once your lender has approved your loan application, you must sign the loan to release the funds. Your lender can disburse your loan funds directly to your competitors to pay off debts on your behalf. Alternatively, your lender deposits the money into your account and uses the funds to pay off each of your debts.
  • Keep making payments. Upon loan approval, you are responsible for making payments on your new loan. However, it may take some time for your old creditors to close your accounts. To avoid damaging your credit, continue to make payments on your old accounts until they are officially closed.

Debt Consolidation Loan Alternatives

If you don’t want to take out a debt consolidation loan, there are other options to consider, such as:

  • 0% APR Balance Transfer Credit Card: These credit cards offer an interest-free period of up to 21 months. You can pay off as much debt as you can during the promotional period at 0% interest, but understand that these cards generally require good credit to qualify.
  • Home Equity Loan: You may be able to tap into the equity in your home to pay off your outstanding debts. Typically, lenders allow you to borrow up to 80% of the value of your home, minus your mortgage balance. Home equity loans involve considerable risk since you have to offer your house as collateral.
  • Credit advice: Instead of borrowing money to pay off your debt, you might consider getting credit counseling from a nonprofit agency. An advisor can help you budget and design a repayment plan. Some agencies will even contact your creditors to lower your interest rates. Online financial advisors can also help point you in the right direction.

Whether you take out a debt consolidation loan or use another method, eliminate credit card debt can dramatically improve your financial health, but only if you can avoid accumulating new debt and repeating the cycle. As a general rule, never charge more than you can afford.

Hackers steal first footage of new ‘Grand Theft Auto’ game

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Grand Theft Auto continues to be one of the most successful game franchises, but gamers got an unexpected glimpse at some of the game’s next iteration when a leak revealed 90 clip videos from the game, along with the code. debugging and interfaces to help verify that the images were legitimate. Now Rockstar Games, the company behind Grand Theft Autocommented on the leak.

The hacker, going by the nickname “teapotuberhacker”, posted the documents Sunday morning (September 18) in the GTAForums. The hacker also threatened to “leak more data soon,” which could include source code, assets, and test builds of GTA V and GTA VI. This person also claimed credit for a recent Uber hack.

In response, Rockstar Games released the following statement:

We recently experienced a network intrusion in which an unauthorized third party illegally accessed and downloaded confidential information from our systems, including preliminary development images for the upcoming Grand Theft Auto. At this time, we do not anticipate any disruption to our live game services or any long-term effects on the development of our ongoing projects.

We are extremely disappointed to have details of our upcoming game shared with you all in this way. Our work on the next Grand Theft Auto game will continue as planned and we remain more committed than ever to providing you, our players, with an experience that truly exceeds your expectations. We’ll update everyone soon and of course we’ll properly introduce you to this next game when it’s ready. We would like to thank everyone for their continued support in this situation.

– The Rockstar Games Team

The clips would contain footage of the game’s main male and female characters, while showing some of the gameplay taking place in the fictional town.

The first one Grand Theft Auto The video game arrived in 1997 and there have been five different iterations of the game, the last in 2013. While Grand Theft Auto VI is currently in the works, no official release date has been announced, and it’s not yet clear how the leak will affect what will ultimately be released.

The 10 Best Video Game Soundtracks, Ranked

James Devane: Beauty Is Useless Album Review

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Both as a soloist and alongside Maxwell August Croy in the duo En, James Devane makes ambient music soft as moonlight and hard as a bell struck. The drone has usually been its common thread, piercing through a luminous haze that feels like the sum of all frequencies vibrating in a shimmering chord. But the San Francisco musician’s new album for Croy’s Umeboshi label is different. His first solo album in 14 years, beauty is useless retains the pastel hues and creamy swirl of his previous work; its undulating atmospheres could still pass for one of the nebulous seascapes of the romantic painter JMW Turner. But this time, he drops a heavy, rhythmic anchor in the storm-tossed harbour.

beauty is useless‘ nine tracks are all based on a single idea, combining undulating synthesizers with driving rhythms. They remain imbued with the essence of the drone, but where movement in Devane’s music was once a matter of imperceptibly drifting micro-particles, these tracks are propelled by muscular bass drums and shimmering hats. As rhythmic as they are tonal, the chords pulsate at regular intervals, like bursts of flame from an industrial oven.

The division between tone and groove is usually blurred. It’s unclear exactly what he does to his sources, but his processing tricks tend to blur the distinctions between every element of his songs. In the opener “In Your Time,” a slow-motion riff on classic dub techno, the hi-hat motif manifests itself in pinpricks of light puncturing the gathered fabric of Devane’s chords. “Sudden Oak Death” arrives like a rumor from the other side of a drainpipe, its lumpy highlights shrouded in mud. On one track, “Fences In”, drums, bass and pads obviously seem to emanate from different devices; for the most part, its textures are vague like serious rubbing.

beauty is useless can inspire a sense of deja vu. Devane seems determined to invoke a style of ambient techno that flourished between the late 1990s and mid-2000s. Taken as a whole, the album feels like an investigation into the tropes and trends that were then in vogue; some of its benchmarks are remarkably specific. In the slow motion of “In Your Time” and the elliptical loops of “Sudden Oak Death” there are echoes of Wolfgang Voigt’s M:I:5 alias – a highlight of Kompakt’s predecessor Profan – and also Kompakt-by Dettinger, both of whom used sampling to generate dizzying, off-kilter loops. The stained chords and muffled kicks of “Bygone Trouble” are reminiscent of Voigt’s more famous GAS alias, while the controlled ecstasy and winding forward motion of “Somatic Marker” and “Fences In” are reminiscent of another Kompakt artist, The Field. “Can’t Be Here,” meanwhile, suggests a tantalizing fusion of Vainqueur, an underrated alchemist from Berlin’s Chain Reaction stable, and Luomo, Vladislav Delay’s deep house alias, pairing the ethereal wash from the former to the twisted bass lines of the latter.

Tel Aviv Arab Music Festival Brings Arab and Jewish Audiences Together

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For three consecutive nights we listened to Arabic music from a wide variety of different genres at the highly successful and entertaining Arabit Festival in Jaffa which served as a testament to the diversity of contemporary Arabic music that incorporates the latest international trends and styles. and has completely transformed the traditional genre, so much so that music purists are wondering “is this even Arabic music?”

I find this question a little irritating because Hebrew-language music doesn’t seem to face the same kind of scrutiny when inspired by Brazilian hip hop, K-pop, and even hyper-pop.

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ניזאר אל חאטר

Nizar Elkhater

(Photo: Itsik Biran)

So in the same vein, when excellent musicians — Arabs from Nazareth, Jaffa, Haifa or Ramla — play reggae, hip-hop, electronics and drones, they still play Arabic music, even if it does not strictly adhere to traditional melodic and rhythmic traditions. rules.

Arabic music in its traditional form, whether classical Egyptian poetry (such as Abdel Halim Hafez or Umm Kulthum) or orchestral work, has several common denominators that distinguish it from Western music.

First and foremost are quarter tones and maqam – an improvisational technique made up of melodic modes that define the pitches, patterns and development of a piece. A millennium of Middle Eastern music has relied on these maqams.

But Arabit Festival represents contemporary music where these maqams no longer play any role. And yet even the hippest bands we heard this week pumped out melodies and beats that reminded us time and time again that we still listen to Arabic music – fascinating, marrying the old and the new, the traditional and the revolutionary.

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זנוביהזנוביה

“A local artist, even if he makes music with international flavors, still makes Arabic music,” Arabit artistic director Hassan Masri told Ynet.

“Because of the language he sings in, because of the subjects he sings about, and because of the elements of traditional music language that weave into his work, consciously or unconsciously.”

Take Zenobia, for example, a fantastic electronic duo from Haifa who feature a mix of fast synthesizer beats with traditional Levantine melodies that got the whole crowd moving.

Experimental band The Hallways presented another mesmerizing mix of east and west, weaving drum machines and heavy synths into a slow drone beat with Arabic melodies and mesmerizing vocals from Isra Shalabi.

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זנוביהזנוביה

Zenobia

(Photo: Itsik Biran)

It is just one of many groups comprising both Arabs and Jews, the largest of which is System Ali – a nine-man hip-hop group whose members sing in Hebrew, Arabic, Russian, Yiddish , Amharic and English and whose work is inspired by the intersection of the different identities of the members of the group. System Ali’s music is underpinned by a clear social agenda that seeks to bring out a mixed and egalitarian societal model.

However, the full lineup did not appear at this week’s festival with their familiar repertoire, only three members – Neta Weiner, Samira Saraya and Muhammad Mugrabi – as part of a mesmerizing show where Weiner welcomes performers with interesting life stories.

“There’s definitely a stylistic influence from what’s happening in the world of global music. That’s how cultures grow, and that’s wonderful,” Saraya told Ynet.

“Our musical work demonstrates how it is possible to maintain a shared community whose members come from different cultures and to create art from mutual understanding and respect.

Neta Weiner and Samira Saraya perform at the Arabit Festival

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We are not afraid to meet the other and we refuse to submit to the forces that divide and segregate. Most important is our belief that music has the power to change, together, existing reality.”

As far back as I can remember, this is the first time that a single festival has covered the full breadth and breadth of local Arabic music – from traditional folk to classic Arabic pop to experimental electronic musicians.

The more traditional wing of the festival was represented by Nizar Elkhater and his ensemble ABAAD who cover the classics of Lebanese pop by the three great divas of the land of cedar – Fairuz, Majida El Roumi and Julia Boutros.

Even in the music of Sama Shoufani, a very active young artist from Nazareth, the influence of the classics is evident, although she creates her own music and brings a more modern voice.

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סמא שופאני סמא שופאני

Sama Shoufani

(Photo: Itsik Biran)

Diwan El Yemen is another cool band with a more folky vibe that performs forgotten Jewish-Yemeni music in Yemeni Arabic.

Lina Makhoul – the winner of the 2013 Israeli edition of The Voice who has gone on to an international career ever since – represented the epitome of mainstream pop with flavors of classic Arabic pop à la Fairuz, American pop and tons of material original.

On the other side of the spectrum, the festival featured hip-hop groups such as DAM, which has been around for two decades and is famous for its hard-hitting lyrics on topics such as poverty, women’s rights and the deprivation of their rights; and Ramla-based rapper Sameh “Saz” Zakout with his brand of upbeat and energetic hip hop who has been performing as part of Dugri’s duo with Jewish rapper Uriya Rosenman since their much talked about single Let’s Talk Straight.

Personally, I find this kind of collaboration fascinating. For example, band Ministry of Dub-Key sees super-energetic folk singer Walaa Sbait team up with American dub DJ Bruno Cruz to create a captivating musical fusion.

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CONTAINCONTAIN

Conclusion: Arabit Festival offered us three rich and magical nights and a stage for contemporary artists that we wouldn’t necessarily see on the big stages while bringing together a diverse audience.

I don’t know if there were more Arabs or Jews in the audience, but one thing is clear: there were people who came to listen to good music together, and that’s all that matters.

Mura Masa: Demon Time review – fleeting dance-pop joys | Electronic music

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Pproducer Alex Crossan, aka Mura Massastuck to the “difficult second album” trope when it came to the 2020s release RYC. Displacing the brash, vibrant pop that made its name on 2017’s self-titled debut album, RYC was dull and brooding, trading themes of isolation, anxiety and nostalgia against a backdrop of stifling drums, post-punk guitars and plaintive vocals.

After the Covid lockdowns, Crossan has thankfully found joy again. demon time features a star-studded list of collaborators — singers Shygirl and Erika de Casier and rappers Slowthai and Unknown T, to name a few — with Crossan giving them carte blanche in the studio. The result is contagious on club vibes Hollaback female dogfeaturing Shygirl, as well as featuring De Casier on R&B bop E-motions.

The disc was originally titled Fun for good reason, as Crossan supplies floor fillers in a range of zeitgeisty genres: UK garage on the 3 of a type sample BbycakesPC Music-style hyperpop on Slomo, and reggaeton on the recent single bless me. Yet Crossan never deviates from the formula. Each track is a verse-chorus sugar rush, providing the listener with a three-minute hit of predictable entertainment in radio-friendly styles. It’s momentary pleasure – a party bottom piece rather than Crossan claiming its own attention-grabbing sound.

Georgia football dominates South Carolina to improve to 3-0 this season

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COLUMBIA, South Carolina – South Carolina and its fans have been packed into a frenzy for a big game atmosphere.

White towels. The familiar electronic dance song Sandstorm. The entry of 2001: a space odyssey.

After kick-off, things calmed down on Saturday and ugly for the home team.

Georgia (3-0, 1-0 SEC) more than looked to the role of the nation’s No. 1 team in the AP Poll and No. 2 in the USA Today Sports AFCA Coaches Poll by taking control early and rolling to 48 -7 victory.

Summary of the game:Georgia 48, South Carolina 7: Get postgame analysis and commentary from the Bulldogs’ SEC opener

In case you missed it:UGA Law School graduate Greyson Lambert on record day against the Gamecocks and life after football

Sep 17, 2022;  Columbia, South Carolina, USA;  Georgia Bulldogs quarterback Stetson Bennett (13) takes on the South Carolina Gamecocks in the second quarter at Williams-Brice Stadium.  Mandatory Credit: Jeff Blake - USA TODAY Sports

Those fans in a crowd of 78,212? Many headed for the outs late in the first half as the Bulldogs took a 24-0 lead. The student section was barren before the end of the third term.

“We kind of intended to get out there quickly and try to make sure the fans weren’t really a factor in the game,” Bulldogs tight end Brock Bowers said.

Here are five takeaways as the Bulldogs improved to 3-0 this season:

Historic boost by Georgian football

These two border rivals have been playing football against each other since 1894.

That year at Columbia, Georgia won 40-0.

It was the Bulldogs’ biggest win in this series. Until Saturday.

In the 75th meeting between these now SEC East teams, Georgia’s 54th win in the series became the most lopsided.

“I thought we challenged our guys to come on the road and play very physically,” coach Kirby Smart said. “Attacking from the start. We talked about not stepping on water when you come in. You come here to be the striker.

Georgia beat South Carolina (1-2, 0-2) 472-197 in the first three quarters and forced Spencer Rattler (13 of 25 for 118 yards) to a pair of interceptions. Georgia beat the Gamecocks for the game 547-306.

Safety Malaki Starks grabbed his second pick of the season to gain early momentum after a 46-yard pass to Jaheim Bell. Starks returned 42 yards to set Georgia up for a touchdown to make it 14-0.

Smart was on the sidelines when South Carolina earned its only victory with a No. 1-ranked team.

The Gamecocks upset Alabama 35-21 on October 9, 2010, when Smart was defensive coordinator and current Gamecock coach Shane Beamer was an assistant in South Carolina under Steve Spurrier.

This week, Beamer was asked if he’d like to have this team’s quarterback, Stephen Garcia, on the sidelines on Saturday.

“I would definitely feel better if I had guys like Stephon Gilmore, Alshon Jeffery, Melvin Ingram and those guys, Marcus Lattimore playing like we did last time,” Beamer said.

South Carolina played without four injured defensive starters: cornerback Cam Smith, safety RJ Roderick, linebacker Mo Kaba and point carrier Jordan Strachan.

Brock Bowers a scoring machine

Bowers was so good Saturday that he got time to do a financial credit union commercial during halftime on the Georgia Bulldog radio network show.

OK, it was recorded.

The second-year tight end scored three touchdowns on his six touches in the game.

The first came on a Kenny McIntosh backhand that Bowers took 5 yards for the score, his second on the ground as a Bulldog.

He went down with a jump ball in the corner of the end zone on a fade late in the second quarter on a 6-yard pass from Stetson Bennett.

Then in the third quarter, he went 73 yards on a catch-and-run for his third touchdown of the game.

After a fake pass from Bennett, Bowers grabbed the ball from around the 40-yard line. He missed one defender and bounced off another and was gone.

“I said to Carson (Beck) last night for some reason, get the ball in the hands of 19 tomorrow,” Bennett said. “I feel like he’s going to have a good one tomorrow and he did.”

Stetson Bennett suffers bad spell on another big day

Bennett’s very first game action in South Carolina was memorable not only for the way the Bulldogs offense moved the ball, but also for the fact that he endured some inconvenience in the game.

Bennett went on the sidelines after throwing the touchdown to Bowers in the second quarter.

After the game, he vomited on the pitch.

“I threw up some of the water and had to rehydrate there,” Bennett said. “From overhydration to dehydration. It was a weird thing.”

He never missed an offensive snap but came out on the extra point when he usually holds. Center Sedrick Van Pran-Granger told reporters that Bennett threw up a few plays earlier.

“He was actually deadlifting in the drive earlier when he threw a pass into the flat and didn’t quite make it,” Smart said. “It wasn’t a good pass and I could tell something wasn’t right then. He fought all the way. … He kept saying he felt like throwing up and he did. He’s a competitor. He wouldn’t come out.”

Bennett said he once vomited during a game while sick, but didn’t feel sick this time.

“I didn’t even know it until I got back,” Bowers said. “Everyone was talking to him and giving him water and stuff. I’m like, what happened? He said, ‘I threw it away and I just threw up.

Temperatures were in the mid-80s during the game, but felt warmer on the pitch.

“It’s the hottest place in the world,” Bennett said.

Bennett’s late grandfather, Buddy Bennett, played quarterback for the Gamecocks from 1958 to 1960.

Stetson Bennett was 13 of 20 for 166 yards and a touchdown at the time when he had to retire briefly from the game.

“He was fine after that,” Van Pran-Granger said. “He took it out of his system.”

Sick on the sidelines:Georgia QB Stetson Bennett checked after TD against South Carolina Gamecocks

Bennett still hasn’t thrown an interception in three games this season.

Bennett added a rushing touchdown of the game in the third quarter on an engineered run, deking a Gamecock player and going 11 yards for a touchdown.

Bennett was 16 of 23 for 284 yards with a pair of touchdown passes and 36 rushing yards and the touchdown. He was sent off after diving towards the pylon in a first-half run that was almost another score.

South Carolina has given up the most points in 16 games under Beamer.

Georgia Bulldogs co-defensive coordinator Will Muschamp makes triumphant return

Will Muschamp’s return to South Carolina where he was fired as head coach in 2020 has been triumphant.

“We knew how much it meant to him,” cornerback Kelee Ringo said.

The Bulldogs’ defensive co-coordinator with Glenn Schumann saw his unit rule out a Gamecock team until a 13-yard touchdown pass with 53 ticks on the clock from quarterback Luke Doty to Traevon Kenion.

Inside linebacker Trezman Marshall’s interception in the red zone with 4:33 left ended another scoring chance.

“Just the way Coach Muschamp continues to put us in a great position to be able to make plays and the plans he’s leading as well, having him with Coach Smart and Coach Schu on the same team is definitely a huge thing,” Ringo said. . “Just the three of them together makes everything easier there. You just have to know what you’re going to be able to see throughout the week at the game.”

Muschamp was booed when he walked out before kickoff, but it was hard to tell if it was directed at him or anyone wearing a Georgia uniform or shirt.

He hugged some Gamecocks staff earlier during warm-ups and wore a red and white striped Georgia polo shirt.

A South Carolina team that scored 30 points and rushed for 416 yards in a loss at Arkansas last week was held to 306 yards, much of it in the fourth quarter.

Inside linebacker Jamon Dumas-Johnson led with six tackles, all solo. Georgia held South Carolina at 4 of 13 on third downs.

“It definitely helps to have ways to affect the quarterback, good passing throwers,” Smart said, “and it helps to play up front, which, you know, our defense was able to do. when we scored in attack.”

The Gamecocks were just 2.7 yards per carry and 4.1 yards per play when they made it 48-0 with 8:57 to go.

Muschamp went 28-30 from 2016 to 2020 as Gamecocks head coach. He was awarded $12.9 million as part of a settlement agreement with the school.

Georgia has allowed just one touchdown this season.

UGA defensive lineman Jalen Carter limited, tight end Arik Gilbert out

Jalen Carter didn’t start for the first time this season after dealing with what Smart called a lower extremity injury, but he made his presence felt for the limited shots he got.

The 6-foot, 300-pound preseason All-American defensive tackle and projected top 10 in the 2023 NFL Draft worked mostly on third and fourth downs and had a pair of tackles, both in the first half -time.

Smart wants more from the defensive line which got two tackles and two rushing quarterbacks from rookie Mykel Williams.

“Look, we’re not where we need to be,” he said. “We have young players who can help us. They can’t help us until they go against our only offensive line about 1,000 more reps. And I can’t get 1,000 more reps in two weeks. We have to prepare them faster. We don’t have the depth we had.”

Meanwhile, Arik Gilbert who didn’t make much of an impact in the first two games as a reserve behind Bowers and Darnell Washington didn’t make the trip at all.

Smart said during the week that it was the practice evaluation and understanding of the game plan that kept Gilbert from seeing more shots.

He was out last season for personal reasons, but had a big spring game with two touchdowns this year.

“All I can say is he didn’t make the trip for personal reasons,” Smart said on Saturday. “Hoping he comes back with us.”

Montell Fish Announces Tour And Shares New Single “Hotel”

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Fresh off her critically acclaimed debut album JAMIE, Montell fish announced their first US headlining tour A Night With A Ghost and released a new single “Hotel”.

The tour will support JAMIEdeserved praise from Billboard and The New York Timesand landed him his late night television debut on The Tonight Show Starring Jimmy Fallon.

The 11-date tour, which is already nearly sold out, will find Montell face-to-face with his vast fanbase (his crooning and heartfelt music has amassed over 4 million monthly Spotify listeners), while also giving him the opportunity to exhibit his talent for live performance and flex his dynamic showmanship.

“Hotel” is a powerful, evocative ballad with chunky, big-bodied synths, warm, waining guitar licks, and his richly melodious signature vocals, which equates to a bold new sound for Montell Fish. This month, Montell also released the JAMIE film, a complementary project to the first album, with exclusive and original music by Montell. After releasing a stunning debut album, bringing his talents to late night TV and continuing to reinvent his lucid sound. Montell Fish is ready to usher in the next chapter of his career with the A Night With A Ghost tour and his new single, “Hotel”.

In the words of Montell: “‘Hotel’ is meant to represent the start of the next chapter after JAMIE, a kind of post-breakup anger. Instead of soft, ambient guitars, I wanted to contrast it with dark, heavy bass and a rockier guitar solo towards the end. I’m excited to go on tour, it’s like inviting people into another world.

As noted To monitor“Spanning multiple disciplines and blending gospel and new age soul with lush electronica-infused soundscapes, rising artist [Montell Fish] speaks to a new generation of creatives who truly feel limitless. Her hit, “Fall In Love With You,” showcases her heartfelt improvisational songwriting over waning instrumentation. After a string of highly successful singles, including “Talk 2 Me” and “Destroy Myself For You,” Montell Fish gave us all of his contemplative perspective, methodically crafted production, and holistic connection to his faith on his recently released debut. album JAMIE.

Buy or spread “Hotel”.

New FØRGE nightclub with ‘British techno powerhouses’ and international dance DJs opens in Sheffield this weekend

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FØRGE will be based in an old Victorian steel forge on Effingham Road near the town center and will feature local and international DJs.

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Sheffield chicken protest: Humane League protest outside Morrisons supermarket where…

The venue is due to open later tonight and there is also an event taking place tomorrow night.

A new nightclub is due to open in Sheffield later this month.

Club night starts at 11 p.m. and lasts until 5 a.m. with last entry at 2 a.m.

Dax J, a UK-born, Berlin-based DJ, is due to be at the opening party.

Posting on Facebook, the club’s operators said: “We want to welcome you inside to experience the venue thoroughly, so we’ve invited three UK tech powerhouses to celebrate the occasion.” Fabric star and resident IMOGEN and Drumcode affiliate Boxia will take the reins of the main warehouse and put our state-of-the-art Pioneer facility through its paces for the very first time. “In our stripped-down workspace we have some of Sheffield’s most exciting DJs keeping things going. We’re joined by the dynamic alex.aubyn, Chapel Walk from As Is, DJ Malice from Mondo Radio, Colecta from THIRDSPACE , Magnetic North’s Fen and GROUNDWORK affiliate Porter Brook Dress to sweat.

It is reserved for people aged 18 and over. A valid ID is required for entry and FØRGE is a cashless venue.

A number of music fans have taken to social media to express their excitement for the new venue.

Tommytraxrecords described the venue as “Classy!!!” on Instagram.

Another said he “can’t wait to play in this room”.

Foreign Air’s Intimate Return to Launch Second Studio Album ‘Hello Sunshine’ – The Vanderbilt Hustler

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Alternative indie band Foreign Air perform at EXIT/IN after their three-year hiatus to give devoted fans a sneak peek at their recently released album, “Hello Sunshine.”

Eigen Escario

Foreign Air performing at EXIT/IN, pictured September 6, 2022. (Hustler Multimedia/Eigen Escario)

native of philadelphia Anna Shoemaker shook the stage on their very first tour as members of foreign air stood among the littered crowd at EXIT/IN on September 6. Audiences were drawn to the guitar riffs and youthful lines that flowed confidently from Shoemaker’s lips.

Such a line stayed with me; Shoemaker sings “I can organize my life, but I don’t want to”, in his song “Change My Mind”, acknowledging the power of young contemporaries to recognize and solve their problems while basking in the chaotic mess of it . everything.

After opening, there were only about 20-30 people present. All approached the stage with anticipation as Jacob Michael and Jesse Clasen, accompanied by their longtime collaborator Luke Adams, took the stage and immediately immersed everyone in the room with heavy bass, dark melodies and moody vibrations. The foreign air had entered the room.

Foreign Air performing at EXIT/IN, pictured September 6, 2022. (Hustler Multimedia/Eigen Escario)
Foreign Air performing at EXIT/IN, pictured September 6, 2022. (Hustler Multimedia/Eigen Escario)
(Eigen Escario)

They played the first song without much farewell: “Blue Days,” a number about the madness of isolation and critical self-reflection. The lights turned to a pale blue and the crowd listened to the new song with the lyrics “I feel so rearranged, it’s like they cut me to pieces and put me in a suitcase.”

This song is also the opening track of their new album “Hello Sunshine”, released on Saturday September 10th. However, fans had gotten a taste of “Hello Sunshine” with the release of the single “Night at the Zoo”. on the album at the beginning of last summer. Drummer Luke Adams spoke a bit about the band’s songwriting process in an interview with The Hustler.

“‘Hello Sunshine’ was a compilation of songs from the past two years that ranged from everything from writing sessions in LA to New York to DC,” Adams said. “It kind of brings together all kinds of different musical genres, which is really fun.”

Since the timeline of the writing process for this album coincided with the pandemic and resulting pauses in the live music scene, several songs reference feelings of hopelessness and pent up frustration. These emotions were also reflected in the preparation for the hard-hitting production of the backing vocals. Especially in “Anything is possible”, feelings of nihilism raise the question: “Is this real or are we dreaming?” before the climax hits with repeated lines from the song title.

In their journey as a band for 3 years, Adams also talks about the evolution of their style, building on their repertoire with different sounds and vibes.

“There are songs that are definitely more electronic, a harder kind of electro music that’s more indie-based,” Adams said of songs like “Night at the Zoo.” “The new stuff has more indie-rock instruments, a little more fully acoustic, a little more naked, that it’s been fun to come back to.”

Foreign Air performing at EXIT/IN, pictured September 6, 2022. (Hustler Multimedia/Eigen Escario)
(Eigen Escario)

Foreign Air songs recall Atlantic Hunt and other alternative artists who have tapped into the indie-rock-electronic genres effectively and cohesively. During their time together, Michael and Clasen have definitely harnessed their synergy to produce music that can serve as a soundtrack for anyone who wants to feel like they’re walking around town in an early 2000s movie.

While performing, Clasen shared an anecdote about “Dum Dum,” a song from the band’s previous album, “Good Morning Stranger.” The song features layers of pitched and stacked vocal melodies singing “dum dums”, which gives a Christmas carol feel to the track.

“I was living in Los Angeles at the time I filmed my role [for the “Dum Dum” music video], so I’m in a full green screen suit, right? Clasen reminded the crowd. “So my door is like *boom boom boom boom*…I answered the door in a full green screen suit and blonde wig with sunglasses. I think I scared the guy. He was asking where his iPhone was. I said, ‘No, I don’t have your iPhone, man. Get off my porch please, you’re scaring my cat!'”

For their first major production live show in three years, Foreign Air captured the eyes and ears of audiences for the duration of their hour-long show. Their stage presence exuded charisma as they connected with the few who showed up to enjoy the show, and the crowd shared the energy.

“There are energies that you get when you do these live shows that we haven’t done in a long time, so it definitely fills you up and makes you feel good,” Adams said. “To see fans singing some of the old songs and then introducing some new stuff is really cool.”

The group ended the show with “Free Animal”, the first song which they released on SoundCloud in 2016 and a track that was immediately wanted for commercial use for big brands like Nike and Microsoft. Some dedicated fans in the crowd had tears streaming down their faces as Foreign Air ended the same way it started – a full circle moment indeed.

NEWS: Scott Matthews @ Mairie de Middlesbrough/Le Cluny | NARC. | Reliably informed

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Boldly going where he’s never gone before, Scott Matthews will perform songs from his recent album New Skin, who are bipolar in terms of his previous back catalogue. An album described as being reborn in a new form, circumstances arranged for Obligate the artist to undergo a fundamental reinvention. Jtaking the hand extended to him and other artists (i.e. the horrors of Covid) he started to cleverly molding a thing of ambient and electronic exquisiteness.

The new skin is the Ivor Novello Award-winning artist seventh studio album, and he will delight the public at Middlesbrough Town Hall the Tuesday 20e and the Cluny in Newcastle Wednesday 21st SeptemberEmbark with tracks from the new record and as-yet-unreleased companion album New Skin: The Acoustic Sessions. The concerts promise an evening that will combine both the new and the old; the famouslily clear haunting water lyricssbruises and Folk shades synonylittle with the tastes of pseudo Duck, I f Buckley and Paul Simon that he has crafted for his audience over the years. An evening of simpleintense bliss and inventive musical alchemy await those who choose to immerse themselves in the sounds of Scott Matthews.

Scott Matthews plays for mayor of Middlesbrough on Tuesday 20e and The Cluny, Newcastle on Wednesday 21st September.

How can brands engage dance music fans?

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Robbie Murch is a DJ, online community expert and founder of cultural agency Bump. Following the release of his agency’s inaugural On the Record report, Murch is exploring the brand’s opportunities in dance music.

Economically, the dance music industry is still finding its feet. Before Covid-19, dance music fans in the UK supported a nighttime cultural economy contributing £36billion to GDP. Culturally, dance music continues to permeate pop culture and society. Drake’s Honestly, Nevermind and Beyonce’s Renaissance tapped into dance music sensibilities this summer, while among the top 500 UK festivals in 2021 the dominant sound was electronic music.

Dance music has long been a movement for progression and positive societal change, but there is still much to be done. The Jaguar Foundation recently discovered that just 1% of dance music played on UK radio in the past two years was exclusively by a female or non-binary artist. Kudos to UK festivals for increasing representation from 14% to 28% (a 100% increase) over the past four years.

The results follow “On the Record,” my agency Bump’s new annual news release. The report surveyed 1,807 music fans, featured 16 interviews with leading industry professionals, and asked 92 questions to understand Gen Z’s behavior towards music and brands in 2023 and beyond. The report reveals five key themes.

1. Progressive Idealists

45% of the dance music community strongly agree that they use brands that promote equality and are inclusive compared to 34% of mainstream music consumers. Jaguar (BBC Radio 1) says: “The dance music community is special. There’s plenty of room to be political and opinionated because of where dance music comes from: the underground, the gay scene, people of color, and rebellion against norms. »

2.5 times as many dance music fans have boycotted a brand in the past year compared to mainstream music consumers. Dance music fans are looking for who they invest in. If you say anything, you must live and die – otherwise, you’re out.

2. Fans, not consumers

Passionate dance music fans are 13 times more likely to use Bandcamp. They are 2 times more likely to be active explorers than passive consumers of music. Fans don’t just rely on social media feeds and algorithms, but instead use recommendations from the online community.

They put their money where their mouth is: 88% of dance music fans prefer an event over dining out, underscoring the sacredness of the dance music experience for this group.

3. Core Supporters

The dance music community cares about local initiatives. They feel alienated by high profile influencers being paid to read scripted recommendations. 66% agreed that recommendations from real customers and community members are more important than those from high profile influencers.

They want the spotlight to be on new emerging talent, not those who are already enjoying commercial success. Neel, a 23-year-old London-based DJ and party organizer, said: “I love seeing someone grow from being relatively small to playing more, getting their music heard more. It’s nice to see that kind of growth.

4. Knowledge Seekers

Part of the power of online community lies in the ability to share and co-educate one another. Dance fans are 2x more likely to share daily news, music or events and 30% more likely to listen to educational podcasts. 48% would like to attend more interviews, conferences or masterclasses if the opportunity arose (compared to 26% of the general public).

Driven by a thirst for learning, dance fans crave educational content. Electronic DJ Plastician says, “It’s like a telepathic understanding that we’re all here to learn something, and we’d like to learn it from people who know more than we do.”

5. Brand criticism

Dance Music Fans Are Going Green in Their Buying Decisions; targeted marketing and investment are most likely to get results. 66% of dance fans (vs. 14% of mainstream fans) say, “I buy from brands that clearly demonstrate what they’re doing for the environment.”

80% of dance music fans agree that brands can help address broader music industry issues such as diversity and inclusion, mental health, and substance abuse. Kirsty Harper, DJ and social media editor at the Cannes Lions, says: “Clubs and brands sell alcohol and make money by getting people intoxicated, right? So they have some responsibility. As an industry built on good times and synonymous with substance use, the community believes that brands benefiting from its involvement must do their part.

In a time of declining ticket sales and Web3, one of the best things brands can do is give capital to artists and people rooted in the culture, instead of trying to capitalize on it. Too often we see lazy attempts to commodify culture, rather than contribute to it. Brands should be allies, not just sponsors.

“On The Record” is a new series of analysis reports from Bump. On the Record Vol 1 illustrates the rise of community, the rejection of mass influence and what this means for brands – through the lens of music fans versus mass consumers. For full access to the report, register here.